Steal The Stars
by Nat Cassidy
based on the dramatic podcast by Mac Rogers
Paperback: 416 pages
Publisher: Tor Books (November 7, 2017)
Language: English
ISBN-10: 1250172624
ISBN-13: 978-1250172624
Genre: Science Fiction
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My Review
When I realized this was based on a podcast series I thought I’d listen to them first. Glad I didn’t so I can compare them now.
This is a very different take on discovering aliens exist. They’ve had Moss, the alien, hidden away for a long time. If you are chosen to work at the facility, you are an employee for life. No quitting allowed. And just going to work each day is a whole bunch of weird, complicated check points.
Dak won me over right away. She’s something else. You wouldn’t want to get on her bad side. But she’s also vulnerable, lonely. When Matt, a handsome, eager younger man joins her security team, she’s immediately smitten, as is he. But fraternizing between employees in any way is expressly forbidden and could get them sent to the far corners of the planet, or worse.
I know, sounds like insta love. Sure, they fall for each other quickly, but working for such a secretive project doesn’t allow you many opportunities to connect and the mushy stuff isn’t a focal point in the story.
Their decision to run away and take Moss with them isn’t as simple as it sounds. I got nervous just reading how they had to plan and sneak and lie. I felt for sure one or both would trip up.
Very suspenseful reading. And the ending isn’t anything I was prepared for. All I could think was I liked how it concluded and, it figures.
Great science fiction and now I must listen to the podcasts.
4 Stars
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THE NOVEL BASED ON THE DEBUT SCIENCE FICTION PODCAST FROM TOR LABS
Dakota “Dak” Prentiss guards the biggest secret in the world.
They call it “Moss.” It’s your standard grey alien from innumerable abduction stories. Moss still sits at what looks like the controls of the spaceship it crash-landed twenty-five years ago. A secret military base was built around the crash site to study both Moss and the dangerous technology it brought to Earth.
The day Matt Salem joins her security team, Dak’s whole world changes.
It’s love at first sight—which is a problem, since they both signed ironclad contracts before joining the base security team, vowing not to fraternize with other military personnel. If they run away, they’ll be hunted for the secret they know. So Dak and Matt decide to escape to a better life on the wings of an incredibly dangerous plan: They’re going to steal the alien body they’ve been guarding and sell the secret of its existence.
And they can’t afford a single mistake.
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Nat Cassidy is an actor, director, musician, and playwright. He has appeared on shows such as The Following (Fox), The Affair (Showtime), Red Oaks (Amazon), High Maintenance (HBO), Law & Order: SVU (NBC), as well as on stage in numerous productions and workshops both Off- and Off-Off-Broadway. Nat’s plays have been nominated for a combined total of 17 New York Innovative Theatre Awards, including 3 times for Outstanding Full-Length Script (which he won in 2009, and in 2011 for Outstanding Solo Performance for his one man show about H.P. Lovecraft). In 2012 Nat was commissioned by The Kennedy Center to write the libretto for a world-premiere opera, and in 2014 his play Any Day Now was chosen to be part of Primary Stages’ ESPADrills (The Duke Theatre, directed by Tony-nominee Moritz von Stuelpnagel). He is also thrilled to be writing the novelization of Steal the Stars, which will be published by Tor Books in November 2017.
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Mac Rogers is an award-winning audio dramatist and playwright. His audio/podcasts dramas The Message and LifeAfter have been downloaded over eight million times. His stageplays include The Honeycomb Trilogy (winner of the New York Innovative Theatre Award for Outstanding Premiere Production), Frankenstein Upstairs, God of Obsidian, Ligature Marks, Asymmetric, Viral, Universal Robots, Hail Satan (Outstanding Playwriting Winner at FringeNYC 2007), and Fleet Week: The Musical (co-written with Sean Williams and Jordana Williams; winner of Outstanding Musical at FringeNYC 2005). He has earned acclaim from The New York Times, The Guardian, Backstage, The Wall Street Journal, Time Out New York, New York Post, Flavorpill, io9, Fangoria, Tor.com, Show Business Weekly, New York Press, and many others.
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