Archive for January, 2022

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The Legend of the Dogman

by David C. Posthumus

Genre: Horror, Thriller, Suspense

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Something dark and malevolent stalks the majestic Northwoods of Michigan, and each corpse sends a new wave of terror through the small town of LeRoy. Anthropology professor Jack Allen uncovers a pattern of strange encounters, disappearances, and unsolved murders that shake him to his core. The deeper Jack delves into the horror in the woods, the more his life falls apart around him. With his family and all of Northern Michigan hanging in the balance, Jack must find a way to stop the cycle or risk losing everything to the ultimate predator. Meet a new kind of monster in David C. Posthumus’s bone-chilling suspenseful thriller, The Legend of the Dogman!

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What are your top 10 favorite books/authors?

When it comes to fiction, I love horror and action and adventure. Stephen King, Dean Koontz, Edgar Allen Poe, Sir Arthur Conan Doyle, Peter Benchley, Michael Crichton, etc. I read a lot of westerns growing up, like Louis L’Amour, Zane Grey, and Larry McMurtry. I love the classics too, Hesse, Hemingway, Steinbeck, Fitzgerald, Salinger, Orwell, et al. I love Ken Kesey and the whole beat and psychedelic movement. But I also read a lot of nonfiction. I’m somewhat of a history buff, and I’m endlessly fascinated by World War II and Native American history and cultures. I also love reading about classic rock bands like The Beatles, Led Zeppelin, Neil Young, etc. and am really interested in religion and the occult or Western esoteric traditions. There are so many similarities when you get down to the bedrock of religious traditions around the world, and that really fascinates me.

 

What book do you think everyone should read?

Man, that’s a really tough one. The Bible? Siddhartha? The Bhagavad Gita? East of Eden? 1984? I guess my grownup self would suggest things that are quite different from my 18-year-old self.

 

How long have you been writing?

I’ve been writing for as long as I can remember. I guess I really got going on it in first grade. I’d write books about my favorite athletes, and I’d also do these movie adaptations. Then I started writing about cops and robbers. Then I started writing my own Indiana Jones stories. Then later I started writing horror fiction. I wrote fiction from about first grade through early high school. I remember in seventh grade English class I was writing a western novel about a gunslinger based on Doc Holliday. As I’d finish each chapter, the other kids in the class would pass the manuscript around and read it, like a serial or something. That was really cool. Then in college I started writing more nonfiction, things for school, history, anthropology, etc., and I didn’t really come back to writing fiction until quite recently. I am also a songwriter and have been doing that off and on since I was in fourth or fifth grade.

 

Do the characters all come to you at the same time or do some of them come to you as you write?

Both. I usually have some idea of who my characters are, but then they develop as the writing and the story progress and take on a mind of their own. They dictate a lot of the plot, and I’m always learning new things about my characters. They keep me on my toes. I uncover their true selves a little at a time, like an archaeologist excavating an ancient site or something.

 

What kind of research do you do before you begin writing a book?

Usually it’s pretty minimal. I try to write about what I know and am passionate about. I do some research as I go, but usually not a whole lot up front. I start with what-if scenarios and try to let the story grow and unfold as organically as possible.

 

Do you see writing as a career?

Unfortunately, I guess not. I wish it was my career, and that’d be a dream come true, but right now it’s not paying the bills. Ha! So, I guess I see writing as a hobby, a passion, something that I love and need to do. But not a career. I feel like a career has to be a job that produces enough money for you and your family to live on, and so far writing hasn’t done that for me. But I have a deep drive and need to express myself creatively in one form or another, whether it’s music or writing or whatever. It’s very cathartic and therapeutic for me. It’s often how I work things out and feel. It’s also something I really love doing and have always loved doing, so it’s a very deep, essential part of me, very central to who I am.

 

What do you think about the current publishing market?

Well, I don’t know a whole lot about it, but it seems pretty tough. It’s kind of strange, there are so many smaller presses out there now and new ways to get your work in print, and yet it’s still extremely hard to get published (outside of self-publishing) and even harder to find an agent to represent you and help you succeed in the industry. It seems like a needle in a haystack scenario. Those agents must have very specific ideas about exactly who and what they want in their clientele. They have a lot of power as gatekeepers. I think I got really lucky finding Cody and Timber Ghost Press, and they’ve been a dream to work with.

 

Do you read yourself and if so what is your favorite genre?

Of course I read! I’ve always been an avid and voracious reader of many genres, both fiction and nonfiction. I like horror, thriller/suspense, action/adventure, sci-fi, fantasy, you name it. I also love history, anthropology, and religious studies, and I’m a real sucker for rock and roll biographies and memoirs.

 

Do you prefer to write in silence or with noise? Why?

In silence. That way I can hear my train of thought a comin’. I’ve always found it easier to tap into my subconscious in a quiet room with few distractions and the door closed. Everything just seems to flow better for me that way. It evokes (or invokes?) my muse and stimulates my creativity and imagination.

 

Do you write one book at a time or do you have several going at a time?

One at a time. Serious writing projects take over my life, so I can only handle one at a time. It’s kind of like a marriage or having a kid you have to tend to. Hahaha.

 

If you could have been the author of any book ever written, which book would you choose?

The Bible. It’s been a bestseller for quite some time now.

 

Pen or type writer or computer?

Computer. Sometimes I’ll take notes or do some outlining on a pad of paper, but when it comes time to get down to business, it’s computer all the way.

 

Tell us about a favorite character from a book.

I really like Gandalf. That guy is the shit. I wish I could do all that magical stuff like he does. Aragorn is pretty cool too. Hermann Hesse’s characters in Demian and Narcissus and Goldmund are great. I also love every character in The Losers’ Club from IT. It’s hard not to love them. They all seem very familiar, too, like they’re all based on people you know or even yourself. Robert Jordan in For Whom the Bell Tolls is also a great character. Harry Potter and Hermione Granger are also wonderful.

 

What made you want to become an author and do you feel it was the right decision?

I always liked expressing myself with the written or spoken (or sung) word. So, I guess there was no decision there. It’s just a part of who I am. It’s something that I naturally do. I have no choice! I’m a prisoner to the word!

 

Advice they would give new authors?

Writing is good for the soul.

 

Describe your writing style.

It’s like how Led Zeppelin played live: tight but loose. When I’m working on a novel, I’m very disciplined about getting a set number of words down each day. But at the same time, I’m very loose or freeform, almost like stream of consciousness. I hardly ever plot things out in much detail, I unleash my subconscious mind and let it roam freely, and I let my characters dictate a lot of the story.

 

What makes a good story?

Tension, emotion, good and evil, some likeable characters and others you love to hate or are terrified of, some lofty principles or values maybe. A good story has to be able to transport you out of your mundane life or headspace and into another dimension, into the world of the story, where things are fresh and exciting and the stakes are really high.

 

What are they currently reading?

Bob Spitz’s new Led Zeppelin biography.

 

What is your writing process? For instance do you do an outline first? Do you do the chapters first? 

I usually start with a what-if scenario. I have a Google doc full of basic what-if scenarios that are the little seeds of my writing projects, like little story larvae. They’re just the weird good ideas that come to all of us randomly that we usually neglect to write down and forget. Then once I have the what-if scenario, I’ll think through a rough plot outline sometimes, and there have to be characters involved to do that, but then I just like to get going and see where the characters and story take me. I find that the best and most original plot twists come out of the blue when you least expect them when you’re fully immersed in the process and living in the world of the story. They just hit you in the shower or when you’re walking the dog, and you’re like, “YESSSSSSS! That’s perfect!” It’s really quite magical in every sense of the term.

 

What are common traps for aspiring writers?

Worrying too much about plot. Being afraid to start. Losing steam and not being able to follow through and finish. General insecurity about writing or being able to tell a good story. Second-guessing yourself.

 

What is your writing Kryptonite?

Distractions of any kind.

 

Do you try more to be original or to deliver to readers what they want?

I guess I try to be more original, because I let the story flow and mutate on its own as much as possible. But at the same time, I think I’m still able to deliver the goods in terms of what readers want, and there are some good innovative twists on some classic horror tropes.

 

If you could tell your younger writing self anything, what would it be?

Try to make a career out of writing right away, in your teens or twenties. Don’t wait.

 

How long on average does it take you to write a book?

It depends on how dedicated I am to it. Sometimes two or three months to write a good first draft. Other times I start and stop and take weeks or months or even years off. Then it could take a good long while. But when I’m really in the zone and being really good and disciplined about it, it usually takes two to three months. And those tend to be the best projects.

 

Do you believe in writer’s block?

No. I have no reason to so far. *Knocks on wood*

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David C. Posthumus began his writing career at age six, when his grandfather read one of his first-grade publications and labeled him “Ernie (Hemingway) Jr.” Posthumus is a voracious reader of many genres, fiction and nonfiction, and an avid horror fan and fiction writer. He has published extensively in the fields of anthropology and Native American studies, including one published book (All My Relatives: Exploring Lakota Ontology, Belief, and Ritual, University of Nebraska Press, 2018), one book forthcoming (Lakota: Culture, History, and Modernities, University of Oklahoma Press, 2022), as well as several journal articles, book chapters, and reviews. Aside from having the perfect surname for horror, Posthumus loves dogs, the great outdoors, and is also a musician and lifelong music lover.

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Pay or Play by Howard Michael Gould Banner

Pay or Play

by Howard Michael Gould

January 1-31, 2022 Virtual Book Tour

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Pay or Play by Howard Michael Gould

Synopsis:
 
Blackmail, sexual harassment, murder . . . and a missing dog: eccentric, eco-obsessed LA private eye Charlie Waldo is on the case in this quirky, fast-paced mystery.

Paying a harsh self-imposed penance for a terrible misstep on a case, former LAPD superstar detective Charlie Waldo lives a life of punishing minimalism deep within the woods, making a near religion of his commitment to owning no more than One Hundred Things. At least, he’s trying to. His PI girlfriend Lorena keeps drawing him back to civilization – even though every time he compromises on his principles, something goes wrong. And unfortunately for Waldo, all roads lead straight back to LA. When old adversary Don Q strongarms him into investigating the seemingly mundane death of a vagrant, Lorena agrees he can work under her PI license on one condition: he help with a high-maintenance celebrity client, wildly popular courtroom TV star Judge Ida Mudge, whose new mega-deal makes her a perfect target for blackmail.

Reopening the coldest of cases, a decades-old fraternity death, Waldo begins to wonder if the judge is, in fact, a murderer – and if he’ll stay alive long enough to find out.

Pay or Play is the third in the Charlie Waldo series, following Last Looks and Below the Line. Last Looks was turned into a major motion picture, starring Charlie Hunnam as the offbeat private investigator.

 

Genre: Thriller, Private Detective

Published by: Severn House Publishers Limited Publication Date: December 7th 2021 Number of Pages: 224 ISBN: 0727850857 (ISBN13: 9780727850850) Series: Charlie Waldo, #3

Purchase Links: Amazon | Barnes & Noble | Goodreads

Enjoy this peek inside:

ONE

It wasn’t the sex that set Waldo’s woods on fire, it was the afterglow. Surrounded by forest, nearly all its structures made of wood, his mountain town of Idyllwild had already seen five homes destroyed, the remainder evacuated. Route 243 was closed on both sides, leaving Waldo and all the other residents cut off and fearing the worst. As the record temperatures of summer 2018 scorched California, infernos blossomed up and down the state. Six people were dead in the one up north, the one called the Carr. Watching clips of his wildfire, the Cranston, from a hundred miles away and the safety of Lorena’s house, Waldo knew it would take a miracle to keep the rest of Idyllwild from being consumed. He didn’t know whether his own cabin was already lost. He didn’t know if his chickens were still alive. What he did know was this: the conflagration was all his fault. Not literally, of course. It wasn’t like he’d lit the match. And he hadn’t set the tinderbox. The planet was rebelling. Climate change had made this fire season hotter and drier. Forest-management practices left more fuel on the ground, too, the unintended reper¬cussion of conscientious wildlife protection. Those were the reasons Waldo’s mountain was burning. Those and, according to the news, arson. But Waldo knew better. Call it karma, call it moral justice – Waldo knew his own wobbling had something to do with it, too. Four years earlier, Waldo learned in an instant the precariousness of the world, the damage one man could do, the damage he could do, when his own zealous police work had led to the death of an innocent man. His life since had been a daily struggle not to do any more. He had resigned from the force, ghosted his girlfriend Lorena and everyone else he knew, and bought twelve acres in Idyllwild, in the San Jacinto mountains, where he lived for three solitary years in self-sustaining austerity, making a near religion of his commitment to a zero-carbon footprint and to owning no more than One Hundred Things. And that worked for him, at least until Lorena showed up and triggered the chain of events which drew him away from his refuge and back into civilization. She’d hoped to coax him into joining her expanding PI business, and back into their relationship, too. The latter took; the former, not so much. He did work one case with her, a missing-persons that turned rancid and left Waldo with no taste for more. She eventually stopped trying and seemed to accept the relationship as it was. He’d come down the mountain for a visit about once a month, usually for a few days when Willem – the male model she’d married during Waldo’s absence, estranged now but still her housemate – was out of town on a shoot. It was a delicate equilibrium: less than Lorena wanted, but enough; a constant test of Waldo’s punishing minimalism, but within bounds he could handle. Then Willem, wanting to cash in on the overheated L.A. real estate market, insisted that Lorena agree to sell their jointly owned Koreatown bungalow as a final condition of their divorce. He moved out the day the papers were signed. The next time Waldo came to visit, the common spaces looked barren, Willem apparently the owner of most of their thousands of Things, including almost all the furniture. Lorena looked lost in the empty house. That plucked at Waldo in ways he didn’t expect, and he ended up staying in town longer than he ever had before, almost two weeks. One night, after love-making fierce and profound even by their standards, Lorena said, ‘What if we got a place together?’ In a sense, it was reasonable to muse on. In another, it was absurd. How could that work? In L.A., just as in Idyllwild, Waldo maintained his exacting rules for living, not allowing himself even an extra toothbrush to leave at her place. Meanwhile, in the face of his asceticism, Lorena clung to her consumerist pleasures all the harder. So, did she mean for him to give up his cabin, and to battle out all their joint decisions, item by item, precept by precept? Or did she mean for him to keep his cabin, and cohabit a second home, profligate beyond imagining? That these questions were even on the table was a sign that Waldo had gotten too comfortable here. His heart starting to race, he silently recited his catechism, the covenant with the world which he’d devised and repeated aloud regularly for his first few months alone on his mountain until it had become ingrained: Don’t want, don’t acquire, don’t require. Don’t affect. Don’t hurt. The answer was not complicated. It was not ambiguous. He needed to hold fast. Every time he hadn’t, every time he let his resolve slip, every time he compromised the principles which had redeemed him, something had gone wrong. And this compromise would be bigger than anything Waldo had ever contemplated, the consequences surely bigger, too. He had to say no. Of course he had to say no. He looked over at Lorena, her eyes closed, her lip curled in a gentle smile, and before he knew it he too was lost in the after¬glow. That ruinous afterglow. And what Waldo said was: ‘Maybe.’ By the next afternoon, his mountain was in flames. Four days later, alone in Lorena’s barren kitchen, Waldo scoured the internet for any morsel of new information. Evacuated – what did that actually mean? Had anyone remained to support the fire-fighters, or was it a ghost town? Not that he knew any of his fellow denizens anyway, even after four years, other than his batty neighbor Hilda Flitt, who kept an eye on his chickens when he was away. And Hilda wasn’t answering her phone. Nor was Lorena, for that matter. He shot her another text and went back to surfing. Surfing and blaming himself for the fire. Not that he could talk about his guilt with Lorena. She’d already said something about him ‘getting worse’ and one time (at a downtown Szechuan restaurant, after he questioned the waiter as to why a restaurant that puts Environment Friendly! on the menu still tops the meal with plastic-wrapped fortune cookies), even asked whether he ‘ever thought about talking to somebody.’ Sure, why wouldn’t she want that? It’d be so much easier to have that ‘somebody’ browbeat Waldo into complaisance than to develop some environmentally responsible habits herself. Maybe, though, this was what ‘getting worse’ looked like. Holding to rules was one thing, magical thinking another entirely, and after all, it was the guy with the barbecue lighter and the WD-40 who’d set the mountain ablaze, not Waldo. Still. It all happened just hours after Waldo’s maybe, and it was Waldo’s town about to be devoured, and Detective III Charlie Waldo had never believed in coincidences. As the day wore on, the news from Idyllwild began to improve. Firefighters, dropping retardant from the sky, managed to cut the inferno just before it reached the Arts Academy, and suddenly they were using the words ‘mostly contained.’ Deep into the night, Hilda Flitt still wasn’t answering her phone. But the authorities had reopened 243, so Waldo could go back in the morning to see for himself whether his home was safe, whether he even had any Things left, save the ones on his back. Waldo waited up for Lorena like he always did. He sprawled on her bed with his Kindle, chipping away at Richard White’s massive history of the late nineteenth-century United States, specifically a grim chapter about how American ‘progress’ killed off the bison and pushed the Native Americans to the reservations. Even though Waldo enjoyed the book greatly – it filled multiple lacunae in his knowledge and was peculiarly relevant to the U.S. in 2018 – tonight he struggled not to put it down. What he itched to do instead was stream another episode of his new addiction, the sinfully titillating Judge Ida Mudge, which Lorena had told him about just this week and which instantly wormed its way into Waldo’s limbic system like none of his favorite junk television shows ever had, not even prime MTV Cribs. But he’d already watched two, using up the daily hour he allowed himself. Waldo pushed to the end of the chapter and checked Lorena’s bedside clock. It was past midnight, later than he ever stayed up in his woods. Was his junk TV ‘day’ defined by his sleep schedule, or by the clock? That is, could he allow himself to watch ‘tomorrow’s’ Judge Idas now? If he was going to spend much of the next day traveling, he might not have time to watch anyway – so why not allow himself a smidgen of ethical squinching and stream an episode? Or two. The sound of Lorena’s key in the door saved him from the lapse. He went out to meet her in the living room. ‘Sorry I didn’t answer your texts,’ she said. ‘I got caught up with something.’ Her vagueness didn’t throw Waldo like it would have during the jealous years. She added, ‘I don’t want to talk about it.’ He shrugged, You don’t have to. Apparently she did, though. ‘Something with an op. I had to take over a tail.’ ‘Fat Dave?’ Lorena had three part-time operatives, two LAPD washouts and a wannabe. She swore they carried their weight but he found that hard to believe. Fat Dave Greenberg, whose rep as a world-class douchebag radiated far beyond Foothill Division, was the worst of them, as far as Waldo was concerned. She repeated, ‘I don’t want to talk about it,’ and Waldo repeated his you don’t have to shrug, but again she did. ‘Reddix,’ she said. Lucian Reddix was a young African American, the only one Waldo didn’t know from the force and the one for whom Lorena had the softest spot. ‘He was on a marital tail, followed the subject into a bar. Caught her with her boyfriend, was starting to shoot them on his phone . . . but the bartender came over and he asked for a beer.’ ‘So?’ ‘So they carded him. He’s not twenty-one until November.’ And this was her star. ‘It turned into a thing. Kid was sure he was made. Don’t say it.’ Waldo didn’t have to; he’d said plenty in the past. These jokers were one more reason not to enmesh himself in Lorena’s business. ‘Anyway,’ she said, ‘I went over and picked it up for him.’ ‘Get what you need?’ ‘And then some. Too cheap for a motel, these two. Got it on right in his car. Anyway, I wasn’t checking my texts – sorry. Listen,’ she said, changing the subject, ‘I could use a favor.’ He tensed; something in her voice told him it had to do with work. ‘Yeah?’ ‘I’ve got a meeting with a prospective in a couple days. It’d help to have you there.’ It was the first time in half a year she’d tried to coax him onto a case. ‘I’m pretty sure you’d like this one.’ He’d heard that before. Waldo said, ‘243’s open.’ ‘Oh. Fire’s out?’ ‘Contained enough, I guess. I’ve got to get up there.’ She drew a breath at the rejection. It had cost her something to ask again. ‘How?’ she said. ‘Not on your bike . . .?’ Since Waldo basically restricted himself to transportation that was either public or self-propelled, each trip from L.A. to Idyllwild meant a bus and then a tortuous, torturous bicycle climb. She said, ‘I could drive you.’ And then, she was no doubt thinking, she could drive him back down, once he was assured that his property was all right. Back to L.A. and her prospective client meeting. Back to L.A. and looking for a place for them to share. He couldn’t do it. Besides, he had long ago decided that he’d grant himself a waiver to ride in a private automobile only with someone who’d already have been making the drive without him; clearly that didn’t apply here. He said, ‘I’ll be fine.’ ‘With the smoke and everything? That’s so not healthy.’ She was probably right, but he tipped a shoulder anyway, a second rejection. ‘Waldo . . .’ ‘I’ll be careful.’ Waldo knew he should hit her with a third, to rip off the Band-Aid quickly and tell her straight out that he wasn’t going to move in with her. But she stopped him cold with the lopsided quarter-grin that grabbed him every time. ‘Last night in town is usually pretty good,’ she said, and headed to the bedroom, grazing the back of his neck with her fingertips as she passed. He heard her start the shower. He knew he wouldn’t be able to tell her tonight. Not even if that meant the winds would pick up, the fire would jump the retardant line, and his woods would be imperiled all over again. Maybe this time it would be the sex that burned it all down. *** Excerpt from Pay or Play by Howard Michael Gould. Copyright 2021 by Howard Michael Gould. Reproduced with permission from Howard Michael Gould. All rights reserved.

 

 

Author Howard Michael Gould:
Howard Michael Gould

Howard Michael Gould graduated from Amherst College and spent five years working on Madison Avenue, winning three Clios and numerous other awards. In television, he was executive producer and head writer of CYBILL when it won the Golden Globe for Best Comedy Series, and held the same positions on THE JEFF FOXWORTHY SHOW and INSTANT MOM. Other TV credits include FM and HOME IMPROVEMENT. He wrote and directed the feature film THE SIX WIVES OF HENRY LEFAY, starring Tim Allen, Elisha Cuthbert, Andie MacDowell and Jenna Elfman. Other feature credits include MR. 3000 and SHREK THE THIRD.

His play DIVA premiered at the Williamstown Theatre Festival and La Jolla Playhouse, and was subsequently published by Samuel French and performed around the country.

He is the author of three mystery novels featuring the minimalist detective Charlie Waldo: LAST LOOKS (2018) and BELOW THE LINE (2019), both nominated for Shamus Awards by the Private Eye Writers of America, and PAY OR PLAY (2021). The feature film version of LAST LOOKS, starring Charlie Hunnam and Mel Gibson and directed by Tim Kirkby, will premiere February, 2022; Gould also wrote the screenplay.

Catch Up With Howard Michael Gould: HowardMichaelGould.com Goodreads BookBub Instagram – @howardmichaelgould Twitter – @HowardMGould Facebook – @HowardMGould

 

 

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