Archive for the ‘thriller’ Category

 

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A Matti Baker Thriller

Thriller

 

 

Rated as a top political and medical thriller author by
BestThrillers.com – Packard delivers again in this newest thriller.

 

Baker’s dedication to safeguarding America faces its ultimate test as
fundamental freedoms teeter and artificial intelligence reshapes destinies.
With corrupt forces threatening existence, she must expose them before time
runs out. Can she prioritize the greater good over personal survival? Join her
pulse-pounding journey as she confronts insurmountable odds, unveiling the
climax of an epic struggle for justice. Will she defy the odds or make the
ultimate sacrifice?

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The Full AESOP Series

AESOP: A Matti Baker Thriller, Book 1

FABLE: A Matti Baker Thriller, Book 2

TELLER: A Matti Baker Thriller, Book 3

CounterIntelligence: A Matti Baker Thriller, Book 4

DEFCON: A Matti Baker Thriller, Book 5

BAKER: A Matti Baker Thriller, Book 6

 

About Author Michele Packard

 

Known affectionately as “AESOP” by her family and friends due to her
penchant for embellishment, Packard weaves her experiences and sharp wit into
engaging narratives that resonate with readers.

Growing up in a household where her father devoured the works of acclaimed
authors like Patterson, Child, Flynn, Clancy, and Woods, Packard developed an
affinity for conspiracy theories and stories featuring resilient protagonists
in psychological, political, and military thrillers. With a masterful blend of
sarcasm and intricate plot lines, she seamlessly intertwines current and
historical events, crafting thought-provoking stories that keep readers on the
edge of their seats.

Acknowledged as one of the top political thriller authors of the year,
Packard’s literary prowess has garnered her widespread recognition and
positioned her as an author to watch closely. Embracing every moment of her
literary journey, she revels in the acclaim and the joy of sharing her
compelling narratives with a growing audience.

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Resurrection Kill by Laura Joh Rowland Banner

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RESURRECTION KILL
by Laura Joh Rowland
October 19 – November 13, 2026 Virtual Book Tour

 

 

Synopsis:

 

An amnesic psychiatrist returns to the hospital where she was institutionalized as a teen to find answers, perfect for fans of The Silent Patient and Shutter Island.

Forgetting can be dangerous. Remembering can be fatal. New York State, 1953. Dr. Claire Kendall is a psychiatrist-in-training at Resurrection Kill Hospital, a luxurious private and isolated mental institution for the wealthy. But under her mask of professionalism, Claire has a secret: She was a patient at the hospital when she was fourteen. With gaps in her memory, Claire is determined to discover what really happened the summer she was institutionalized… even if it means uncovering the dangerous secrets hiding at Resurrection Kill. Before long, Claire takes a special interest in a teenage patient, Rory Kirkpatrick, a free-spirited girl who is also determined to uncover Resurrection Kill Hospital’s dark past. Claire indulges Rory’s rebellious nature, hoping to glean clues that might help in her own search for the truth. But the hunt for answers triggers flashbacks of Claire’s painful childhood, her father’s cruelty, her mother’s alcoholism, her beloved older brother’s death. The deeper she probes her own past, the more she remembers about the summer that changed everything. And as she delves deeper into her own mind, she’ll come to find that her sanity grows more fragile by the day and that some secrets are meant to stay buried. She’ll discover that remembering may come at the cost of her life.

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Praise for Resurrection Kill:

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“Resurrection Kill by Laura Joh Rowland is everything I love in a thriller: intriguing and chilling, vivid and memorable, a compelling and deeply personal story about one woman’s search for answers in an era when women were committed to mental hospitals for virtually anything that was outside the cultural norm. That Resurrection Kill Hospital is an upscale facility for the super rich only makes the procedures the women are subjected to all the more barbaric. Claire’s courage and fearlessness under increasingly dangerous circumstances made me want to stand up and cheer. I loved this book!” ~ Karen Dionne, author of #1 international bestseller The Marsh King’s Daughter and The Wicked Sister

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Book Details:

Genre: Historical Fiction; Thriller/Suspense

Published by: Crooked Lane Books Publication Date: October 27, 2026 Number of Pages: 336 HC ISBN: 9798892427111

Book Links: Amazon | Kindle | Barnes & Noble | BookShop.org | Goodreads | BookBub | Penguin Random House

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Enjoy this peek inside

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New York State, July 1953
A siren blares through the loudspeaker in the conference room where I sit with the four other new psychiatrists. A staticky voice repeats, “Code 1, East Drive.” Startled, we look to the man at the head of the table. Tall, dignified, and silver-haired, Superintendent Adrian Van Pelt raises his voice over the siren. “Welcome to your first day as residents at Resurrection Kill Hospital.” His manner is calm, faintly amused, his black suit impeccably tailored. “You might as well see what you’re getting into.” Beckoning, he strides out the door. We hurry after him along the wide hall, down the grand staircase. In the foyer, one resident catches up with Superintendent Van Pelt and opens the door. With his blond crewcut and conventional handsomeness, he looks like a movie star. The only other woman besides myself trots at his heels. She’s bespectacled, her reddish-brown hair coiled in a bun, and her skirt stretches across wide hips. I lag behind the other men. One is slender and older than the rest of us, his hairline receding; shadows underscore his deep-set eyes. The other looks Japanese, with straight black hair and an upright posture that adds to his less than average height. My colleagues are eager beavers, but I hesitate. I should join the front of the charge because first impressions are lasting, and my career depends on the success of my residency; I mustn’t look timid. But I need to avoid close attention. This is my colleagues’ first day here. But not mine. Twelve years ago, when I was fourteen, I was a patient at Resurrection Kill Hospital. The people with me don’t know. Nobody must ever know. The heavy carved door set with stained glass starts to swing shut in my face. The others are already outside, and the Japanese-looking man holds it open for me. He’s the only person who noticed that I’ve lagged behind. I take a deep breath, walk through the door, nod my thanks at him, and emerge into bright sunshine. The warm summer air smells of roses and freshly cut grass. I pause on the steps of the mansion that serves as the administration building. Around me as far as I can see spreads the hospital’s campus, located five miles from Resurrection—the town from which it took its name—and about fifty miles upstate from New York City. Kill is the Dutch word for a stream, and the campus nestles in a curve of Resurrection Kill, a tributary of the Hudson River. Founded in 1885, the hospital was built by an architect inspired by Frederick Law Olmstead, designer of Central Park and other landmark sites. Buildings constructed mostly in the nineteenth century, in various styles, cluster together at the middle of a hundred and thirty acres of gently rolling hills landscaped with gardens and surrounded by woods. I don’t recognize anything, which disappoints but doesn’t surprise me. The five months I spent here in 1941 are a black void in my memory, lit only by occasional, disturbing flashbacks. I returned to complete my training but also to reconstruct my past. I became a psychiatrist because I want to help the mentally ill, but I also need to find out what happened to me here and why I forgot it all. I catch up with Superintendent Van Pelt and the other residents on the main road that winds through the campus. Red-brick buildings from the Victorian era, separated by lawns and gardens, line the road. People who look to be patients or visitors stroll in the gardens. Yesterday, I had planned to arrive in time to move into my quarters, take a walk before dark, and search for scenes that evoke memories, but the drive from the city took longer than I expected due to heavy traffic, and my car had a flat tire. After getting the car towed and the tire fixed at a garage, I reached the hospital too late to explore the campus. Now I lift my gaze to the treetops, to the slate roofs of other buildings, to the smokestacks that rise from a power plant to the cloudless blue sky. It’s as if I’ve never been here before. I focus on Superintendent Van Pelt, at the head of our little parade. He moves with a rapid, athletic gait, as if the passage of his sixty years has diminished neither his strength nor his energy. I think I remember him, but perhaps my mind is filling the void with false memories. The sounds of automobile horns and racing engines interrupt my thoughts. A male voice shouts through a megaphone: “Stop!” We round a curve in the road. A dark green pickup truck speeds toward us, followed by a white sedan. A second white sedan comes from the opposite direction, on a collision course with the truck. I gasp, bracing myself for the crash. The other residents exclaim in alarm. Brakes screech as the second sedan slews around to block the road. The green truck veers to avoid hitting the sedan and comes straight at us. We scatter out of its way. The truck jumps the curb, rolls over grass, and crunches to a halt. Rakes, shovels, and buckets rattle in its bed. On the road, the first sedan stops near the second. Both have the hospital’s insignia—an oak tree spreading limbs over the letters RKH—and the word “Security” printed in green on the doors. The drivers, men clad in dark green uniforms, spring from the cars. They rush to the truck, whose front wheels have plowed over a ring of stones and low bushes that surround a flowerbed. The truck’s back wheels spin, churning up grass and dirt as its driver guns the engine. The flowerbed, bright with pink, mauve, and blue hydrangeas, is set in the lawn in the curve of a semicircular drive. The drive fronts a building, three stories of red brick and white-framed windows, the roof ornate with gables, dormers, and chimneys. A sign outside reads, “Serenity House.” Could it be where I lived when I was a patient? Nurses in white dresses and caps and orderlies in blue uniforms run out of the building and flock around the truck. The security guards are trying to open the truck’s doors, which are locked. One guard says, “It’s Rosemary Kirkpatrick. She sneaked out of Haven House and stole a groundskeeper’s truck.” “Rosemary is a problem patient,” Superintendent Van Pelt informs our band of residents. A guard strikes the truck’s passenger side window with his truncheon. The glass breaks. A shrill voice screams from inside the vehicle: “Go away, you bastards!” The truck’s engine revs; the wheels spin faster, in vain. The guard reaches through the broken window, unlocks and opens the door. The engine dies as he turns the key in the ignition. He and his partner reach inside the truck and pull Rosemary Kirkpatrick out. She flails so wildly that all I can see of her is a tangle of thin limbs, pink garment, and long, dark hair. Shrieking curses that would put a sailor to shame, she kicks one guard in the groin. He howls and doubles over. She pulls free of the other guard, leaving the ripped sleeve of her dress in his hands, and runs . . . straight to me. My heart clenches. Rosemary’s face is small, her features delicate, her complexion pale within the frame of unruly black hair. She’s just a girl, no more than sixteen or seventeen. Everyone else is in motion—guards, nurses, and orderlies chasing Rosemary; the other residents backing away from her; Superintendent Van Pelt raising his hand, opening his mouth to issue commands. But Rosemary’s gaze snares mine, and I’m rooted to the spot. It’s as if she’s singled me out of the crowd, with some primal instinct that sensed—what? A sympathetic ally? A fellow mental case? She clutches my arms, her fingers hard against the gabardine of my suit jacket, digging into my flesh. Her eyes are wide, startlingly green, and fringed with long black lashes. “Help me!” she cries. I instinctively grasp her arms—whether to break her hold on me or to try to soothe her, I don’t know. Her arms are thin but strong. Her anguish strikes a deep chord in me. “Get me out of here!” she begs. “Please!” My lips move involuntarily, and my mind echoes with the sound of my own voice crying out the same words. An eerie shiver ripples through me. The scene around me blurs, and my heart drums hard and fast through a tide of vertigo. Locked together, Rosemary and I seem to spin a hundred and eighty degrees, switching places. The nurses and orderlies are after me, not her. I see us from a vantage point high above—her dark-haired and half-naked in the tatters of her pink dress; myself with a brown pageboy, trim gray suit, and black pumps. I forget which of us is the doctor, which is the fugitive inmate. A flash of memory like a lightning bolt illuminates the dark void. I once accosted some stranger in my own desperate attempt to escape this hospital. The orderlies yank Rosemary away from me, and our hands cling together for one last instant. Mouth wide with terror, she looks like she’s drowning and a riptide is pulling her away from her rescuer. I feel the same expression on my own face, as if we are mirror images. Please don’t let them take me back there! I don’t want to go! “Calm down, Rosemary, that’s a good girl,” Superintendent Van Pelt says, his gentle, firm tone laced with condescending tolerance. Rosemary screams as the orderlies wrestle her to the ground. A guard speaks into a walkie-talkie. The other residents look on with stoic expressions that mask whatever excitement or alarm they may be feeling. I rearrange my own face to match theirs as I take deep breaths to quell my panic. The superintendent walks over to the fray, confident as a zookeeper accustomed to wild beasts. A nurse places a hypodermic syringe in his hand. While the orderlies hold Rosemary down, he stabs the needle into her thigh and pushes the plunger. Her screams dwindle to whimpers; the fight goes out of her. Her eyes roll up inside her head, and her body relaxes into drugged sleep. The orderlies step back, panting and wiping sweat off their brows. Superintendent Van Pelt gives the syringe back to the nurse and dusts off his hands. An ambulance arrives. The attendants bring a gurney, lift the unconscious Rosemary onto it, strap her down, and load her into the ambulance. “I’ll see her back to the ward,” Superintendent Van Pelt tells our group of residents. “Wait for me in the conference room.” He climbs into the passenger seat of the ambulance and rides away. We retrace our steps to the administration building, the handsome blond man first, the other woman a step behind him; then the thin older man; then the Japanese-looking man and me, walking together. “Are you all right?” My companion sounds concerned; he noticed my distress. My cheeks warm. The other residents seem oblivious, and I’m glad he spoke quietly and didn’t call their attention to me. “I’m fine.” I’m shaken and trembling inside, but my voice is cool, calm, the product of training and discipline. I can’t afford to seem weak, lest the others shun me out of contempt. Triumph revives my strength. I’ve started to remember. Just as I’d hoped, coming back to Resurrection Kill Hospital has cracked open the void. After twelve years, light is shining through. I look from side to side and backward, eager to see what else might be revealed. In the flowerbed that Rosemary Kirkpatrick drove the truck into is a statue of a woman. Her stone skin is green with moss, her face hidden by ivy. What would she see if the ivy were torn away? Would she rather remain blind and ignorant? *** Excerpt from Resurrection Kill: A Novel by Laura Joh Rowland. Copyright 2026 by Laura Joh Rowland. Reproduced with permission from Laura Joh Rowland. All rights reserved.

 

 

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About Author Laura Joh Rowland:

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Laura Joh Rowland

Laura Joh Rowland is the award-winning author of the Sarah Bain Victorian Mystery series, the samurai detective Sano Ichirō mystery series set in seventeenth-century Japan, and a historical suspense series starring Charlotte Brontë. Her work has been published in twenty-one countries; nominated for the Anthony Award, the Hammett Prize, and the Barnes & Noble Discover Great New Writers Award; won RT Magazine‘s Reader’s Choice Award; and been included in the Wall Street Journal‘s list of the five best historical mystery novels. Laura holds a bachelor of science and a master of public health degree from the University of Michigan. She is a former aerospace scientist, a painter, and a cartoonist. She lives in New York City with her husband Marty.

Catch Up With Laura Joh Rowland:

LauraJohRowland.com Amazon Author Profile Goodreads BookBub – @laurajohrowland Instagram – @laurajohrowland Facebook – @laurajohrowlandauthor

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Tour Participants:

Click through the other tour stops for can’t-miss reviews, insider interviews, exclusive guest posts, and more chances to win! Click here to view the Tour Schedule  

 

Unearth Your Chance to Win!
This giveaway is hosted by Partners in Crime Tours for Resurrection Kill. See the widget for entry terms and conditions. Void where prohibited.

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RESURRECTION KILL by Laura Joh Rowland | Gift Cards Can’t see the giveaway? Click Here!

Get More Great Reads at Partners In Crime Tours

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Thriller, Drama, Suspense, Action, Redemption, Healing

Date Published: July 9, 2026

Publisher: Manhattan Book Group

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INSPIRED BY TRUE EVENTS.


RESCUED FROM A BRUTAL CULT, SHE BELIEVED SHE HAD ESCAPED THE SHADOWS. BUT
TEXAS HARBORS EVEN DARKER SECRETS.

Blake is a steely, enigmatic force, fiercely loyal to her one-eyed horse, Ira.
As she navigates the patriarchal arena of cutting horse competitions, her
steadfast devotion teeters on the brink of danger, unearthing a dark past she
had long sought to bury.

Across the scorched Lone Star badlands, retired detective Sonny Harrell hunts
the killers who murdered his father. His trail of blood and lies uncovers a
ruthless syndicate that would flay you to the bone to guard its empire of
corruption.

When Sonny’s path collides with Blake’s, she is swept into a vortex of
violence. Outnumbered and outmatched, they must claw through the chaos-or
vanish into oblivion.

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About Author Paul Damien

 Paul’s debut crime thriller Nannerl’s Symphony—based on
Mozart’s history—was published soon after he completed his PhD in
Mathematics from Imperial College London. He has since authored over 100
academic papers in top journals. The Gershwin Cutter is his second thriller,
with two more on the way. Currently, he holds an endowed professorship at the
University of Texas in Austin. A recipient of multiple research awards, Paul
was also a finalist for the U.S. National Library of Poetry Award. He has
lived on three continents and is fluent in several languages. An animal lover,
Paul is the proud pet parent of a blue-eyed Alsatian.

 

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Dark Ugly Places by Ashley Mansour Banner

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DARK UGLY PLACES
by Ashley Mansour
September 15 – October 23, 2026 Virtual Book Tour

 

 

Synopsis:
Some wounds don’t heal. They fester. They whisper. They take over.
In Dark Ugly Places, trauma isn’t something you survive — it’s something that survives you.

Thirty-four-year-old Nicola Holiday loses everything in a hit-and-run: her husband dead, her body broken, her fourteen-year-old daughter Emmy forever changed. With no one held accountable, she spirals into grief, panic attacks, and financial ruin — awakening a hereditary darkness she’s spent her life trying to outrun. That darkness has a voice now. Her name is Martha, and she aches for revenge. As Nicola’s grip on reality loosens, Martha slips into another life — one of wealth, glamour, and moral rot. When she crosses paths with the wife of a famous actor, Nicola’s suspicions ignite. Pulled between vengeance and annihilation, Nicola and Martha collide with a woman whose secrets may be the key to everything — or the thing that destroys them both. Dark, provocative, and deeply unsettling — a haunting psychological portrait of female rage, obsession, and the terrifying lengths the mind will go to survive unbearable pain. Because sometimes the most dangerous place isn’t the past. It’s inside your own head.

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Praise for Dark Ugly Places:

“A suspenseful and relentless tale of troubled Californians.” ~ KIRKUS REVIEWS, OUR VERDICT: GET IT “With fast-paced thrills and gripping psychological drama, Ashley Mansour’s Dark Ugly Places serves up vengeance for morally complex characters.” ~ INDIEREADER “A tense, viciously readable psychological thriller about the violence that lurks beneath polished surfaces.” ~ BOOKLIFE REVIEWS

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MY REVIEW

I love the cover art for this book. Once the story gets going you feel Nicola’s life going off the rails. Along with her teenage daughter, she survives a horrific car crash that takes the life of her husband and leaves both of them drowning in grief.

Now, about that title, Dark Ugly Places. Yes, Nicola goes there. Going through the steps of grief, she lands in that dark place and when that dark place gets a name, Martha, revenge becomes all consuming.

It’s a push me pull me battle between Nicola and her alternate personality, Martha. Both are angry and want someone to pay. But, Martha is the darker and stronger of the two personalities and the fight for dominance is riveting reading. Who will win the battle? Just how bad are things going to get? Will either personality survive?  Other characters play vital roles in the outcome and they don’t come out of it unscathed.

Dark Ugly Places is a thrilling, intense psychological read that makes you feel everything.

4 STARS

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Dark Ugly Places Trailer:

 

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Book Details:

Genre: Psychological Thriller / Domestic Suspense

Published by: Monikher Press Publication Date: September 15, 2026 Number of Pages: 384 pbk ISBN: 9798994814918 pbk

Book Links: Amazon | Kindle | Barnes & Noble | Apple Books | Google Play Books | Kobo | BookShop.org | Books-A-Million | Goodreads | BookBub | Official Book Page 

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Enjoy this peek inside:

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Prologue
No one likes to be kept in the dark. In the dark, everything is murky, even the Los Angeles sky. But the day of Nicola’s accident, I had a pretty clear view of things. It tends to be that way—clear—when Nicola isn’t. Nicola, Ben, and their daughter, Emmy, were walking holding hands, something the three of them hadn’t done since Emmy was a little kid. I felt the itch in Nicola’s palm, like she didn’t want to hold hands. But Emmy insisted. She was between them, arms outstretched, making that little humming sound she sometimes made when she was nervous or lost in thought. Ben walked on slightly ahead, his head down, eyes focused on the phone in his hand. I could almost hear his teeth grinding. Up ahead, the road was clear. The sun covered everything in butter-yellow light. Crows perched in the bare-barked trees and made long, scratchy cries like a group of smokers laughing. They rustled leaves and crossed the pavement before them. But the trees were still, like the air had been sucked out of the city. Up ahead, the road was clear. The three of them approached the corner, Emmy and Nicola chatting aimlessly. Ben narrowed his eyes and squinted at the screen as if the sky was too bright. He stepped out into the road first. Emmy, next. She skipped slightly—braids flying—and pulled her mom’s arm. Nicola looked up and saw one of the crows overhead, its beak open, making a dreadful sound. When she looked back at the road, her gut pinged with a horrible dread she couldn’t place. Then she—we—saw it. From the middle distance, something large and white hurtled into view, its body glinting in the sun. Emmy screamed. Nicola tried to pull her back, but one by one, her fingers slipped out of her grasp. It was too late. Nicola’s body collided with the big, white thing, and in the next moment, she was airborne, tumbling through the air as if she had been taken by a tornado. Her thoughts spiraled with her, spinning out of control. I’m going to die. I’m going to live. Don’t let me die. I’m going to die. She kept spiraling, around and around, until I stopped her with a simple suggestion: Breathe, Nicola. Breathe. We have this power, those of us who live in the darkness. The asphalt grated her spine. It must have hurt, but Nicola did not cry. Perhaps because the air was too full of Emmy’s screams. She rolled to her left, her left arm pinned against her chest like a piece of limp fabric. Her left leg lay stretched out before her perfectly straight, but dead. Cold. Frozen in place. She rolled to her side and saw Emmy, blood coating half of her face as though she were wearing a mask. Five feet away, Ben lay in the road unmoving, his body contorted, his face turned away. Overhead, the stretch of blue sky angled down Beverly Boulevard and went on forever. Cars passed, some honking, others slowing to stop and help or to get a better look. Nicola grunted and heaved herself along the ground, her jaw gritting with pain. She reached for Emmy, reached for Ben. The white body of the car stirred. A door opened. A black polished shoe emerged onto the asphalt as the driver leaned out, then disappeared again as the door shut. I heard the engine as the car started and rolled backwards, slow at first, then picking up speed until it was gone.

Chapter One

Nicola
Snap. Prick. Burn. The pinch of electricity in my dead leg wakes me from the dream of the accident, Emmy’s scream still ringing in my ears. Perhaps I’ll always hear it now, I think as I roll to my left side—the dead side, useless as a doornail—and slap feeling into my thigh, but there’s nothing. If you took a needle and jabbed it in, I would probably twist it a few inches deeper to see if I could feel it tickle. A groan escapes me as I heave myself from the bed and stare at the nightstand cluttered with six months’ worth of post-accident prescription bottles. I stand with prickling tendons, the burn of an aching, underused muscle, my whole left side from my shoulder to my toes as limp as if I have novocain in my limbs. I snatch a bottle from the dresser—the usual cocktail to start the day—painkillers, anti-anxiety medication that does next to nothing, and Topamax. Sweet, beautiful, woefully expensive Topamax—the anti-seizure medication that happens to work for migraines too, even if doctors don’t quite understand why. My mind races as I swallow the cocktail, thinking back to the first day I took it and couldn’t recall how to make oatmeal—a stunner of a brain fart. I stood there at the stove, paralyzed, unable to count to three, like an Alzheimer’s patient grappling for a memory. Everything was blank, my brain ticking silently away but coming upon blank numbers, blank time. And then there is Imitrex, the migraine abortive—easy, cheap, always available. My reliable old friend. I take her, and like magic, my migraine slowly fades to the background. And the foreground? That’s where Anger resides. Anger is my constant companion, a vampirish love connection I cannot seem to part with. It’s with me even as I make the bed and get dressed, my feet stumbling along the floor, left foot dragging from the nerve damage. My hands fumble in the dark for clothes in the pit of my closet shelf, and I pull out clothes for my shift at the Whitmore—yoga pants that are designed to look like trousers, a black tee shirt, and a cardigan with a curious dark stain on the sleeve, so I tuck it under and hope no one will notice, especially Emmy. Emmy will be grossed out by it. She’ll wear an entire perfectly clean outfit like she does every day. We’ll fight about it. I’ll tell her, “Just wear stuff twice! It’s not so bad!” And she’ll say, “Mom, do you know how disgusting you sound?” And for a second, I’ll agree with her in my head that it is disgusting. The whole thing is disgusting, but what it comes down to is this: Our home isn’t ours anymore. Neither are our washer and dryer. Our apartment building has precisely one washer and dryer that cost $2.00 a load, and I’ll be damned if I’m going to do laundry every week with my shift schedule. Truth be told, I’m in no shape to be hauling eight million loads of laundry around until kingdom come, even if I wanted to. Down the hall, limping, limping, I bang on Emmy’s door, her laptop squawking away with the sound of a teenage girl with a British accent talking about some celebrity’s latest plastic surgery. “Get dressed, Em!” She’s into something on YouTube called CelebrityStalkShow, run by a Hollywood-obsessed kid who seems to beat all the paparazzi to the punch. She yells something at me through the door, my signal to disappear from her area, and I depart down the flight of stairs at the speed of a centenarian. At the landing, I sense something wet on my bad foot and look down at it in the center of Scotch’s cold pee puddle. The foul smell hits me, and I curse. Not “fuck.” Not “shit.” The bad one. The one my mother would hate to hear me say. Rhymes with hunt. “Classy.” I look up. Emmy is behind me on the landing. Isn’t it funny how teenagers have this tremendous gift of sneaking up on you precisely at your worst possible moment? “Scotch peed,” I say lamely. “I can see that.” “Let him out, Em, will you?” I ask, my voice tired and insistent. “I think he’s already relieved himself right here. In our kitchen. Where we eat.” I release a long, exasperated sigh, and Emmy pushes down the stairs past me, her hair matted in place, showing the pink crest of her scar. I try not to stare and pinch the spot on my hand that Dr. Constance said would be calming in moments like these. But it’s 7:32 a.m., and I don’t feel calm. I feel angry. And tired. And like I want to be teleported out of my own life for even a brief minute. I give Emmy the look, the one my mother gave me and that her mother probably gave her. The one that lets her see a little into the quiet, grieving parts of me. Lately, I’ve been peeling back the layers often and letting her see more than usual. Maybe too much. Emmy opens the back door to the shared courtyard and takes Scotch outside. I mop up his mess, then peel the pee-soaked black sock off my bad foot and dump it in the trash. One stair at a time, I haul myself back up to wash off my foot and leg in our tub—the one crusted with brown rings and white soap stains still because I don’t have the strength to scrub it, despite what the physical therapist tells me. I hobble back downstairs. Emmy is still with Scotch outside, wandering around with his plastic bag, trying to figure out what to do with it. His little white body shakes and shivers as he follows Emmy and sniffs at the ground. I never wanted a dog, or a Westie for that matter. Scotch—including the name—was Ben’s idea. Ben. Our good Ben. Dead Ben … For a moment, I think that if I can just close my eyes, more details will emerge. The car—so brilliantly white it hurt to look at it. Those shoes. Black and heavy. The scent of freshly applied cologne. A single tattoo around the man’s middle finger, like a wedding band. He was that close, and yet, for some reason inexplicable to me, I cannot remember his face. My ears ring for a moment before I snap out of it. I go to the window over the kitchen sink and silently mouth, “Garbage can. Don’t bring it inside,” and then put breakfast out on the counter. Cereal and the last of the milk, but not the organic kind like we used to get. I place Emmy’s pills beside her bowl on a paper towel. There are things we still haven’t found a way to talk about. When I look up, Emmy has pulled open the sliding glass door, no bag of shit in her hands. “Relax, I threw it away.” “A+,” I say sarcastically and instantly regret it. Why can’t I just say thank you? “You’re welcome.” She washes her hands, then hops silently up onto the breakfast stool and turns to gaze outside at the shared courtyard of our apartment complex. Her hair is still growing back over her scar, but it’s patchy, uneven, and it looks awful. I reach for her arm, but she flinches. She turns. Her eyes are cold and blank. “Can I stay home today? I don’t feel great.” “Em. It’s your first day.” “So?” “So you know this isn’t a good start. You have to go. It will be fine …” She glares at me. “I really don’t feel like I can face it.” I take her in, a million micro-signals at once. Her hunched shoulders, the marks on the back of her hand—ballpoint pen, drawn by her, but who could guess? The friendship bracelets that were on her wrist from the summer before last, faded and fraying, now bombarded by dark leather bands and multiple hair ties. Her nails bitten down to short nubs. Her head, shaved at the side where her scar is, parted unintentionally along where her braid used to be. I feel a jolt of grief in my core before the usual wave of rage rises up inside me, a hot, ruthless tide. I force it down again. “You know, Em, it’s okay to feel the way you do. You’ve been through a lot. We’ve been through a lot.” I try for genuine emotion without anger. It’s so much easier to be angry. Anger is my default. Anger is a nice, easy substitute. Anger gets the job done. Emmy turns, her face bright, like she’s realized something. “It’s okay. You’re right. I’ll go.” A forced smile spreads across her face. She ducks her head low and finishes her cereal with three whopping bites. Her scar seems to wriggle while she chews. “I’ll go,” she repeats quietly. “Honey,” I start. I pause, searching for the words. “It’s okay to hate it. I hate it, too.” She smiles that same weak smile, like there’s something I’m missing, something I just don’t get. Outside, a siren blares from the main road, and Emmy jumps. I try to make it seem like I don’t notice. Emmy jumps in her sleep now. Her body jolts like she’s being electrocuted. It’s like when you’re falling asleep, and you dream you’re actually falling, and your body twitches. That’s what Emmy does, except she does it over and over again. I asked her if she was dreaming of that day. She said she wasn’t, but it didn’t start until six months ago. I scoop some kibble into Scotch’s bowl. The tiny brown pebbles ting ting ting against the cold steel. He nudges toward me and sits, waiting until I finish. Emmy sets her half-eaten bowl of cereal in the kitchen sink and runs the water over it. “Can we get soy milk next time?” “Yeah, whatever you want.” “Good,” she says, looking pleased. “Ready to go?” Upstairs, I quickly brush my teeth and hear my stomach growl. I hear it but don’t feel it. That’s the thing about Topamax. You know you’re hungry, but you never feel like eating. I pull up my tee shirt and examine my frame. I can’t tell if I look different, except for the hollowness that’s formed around my cheeks and under my eyes. The scale says differently. Thirty pounds fell off me over these past six months. And I haven’t even been trying. In the bathroom, I pry open the mirror door to the medicine cabinet facing me and reach for the day’s setup: a Topamax and a couple of Imitrex. Imitrex, my old faithful, goes into my pocket for the migraine that will return later, just as it does every single day. I also know that aspirin or over-the-counter fare won’t cut through the fog, the nausea. The sensitivity to light, sound, and smell—and the blinding, throbbing pain. It’s not if I’ll get a migraine, but when. The tap runs cold for what feels like an eternity, and I swallow the extra painkiller, then wash my face in freezing cold water that lightly smells of chlorine. Technically, I’m considered an “eggshell claimant,” which means there was something considerably wrong with me before the accident. A “migraineur,” or a person who suffers from chronic migraines. They got a lot worse after that day, after I rolled off the hood of the Rolls-Royce. The police didn’t believe me, but I knew it was a Rolls-Royce that had sped through the stop sign, taking the turn at a whipping pace, accelerating into the three of us without a hint of braking. Rolling off a Rolls. It’s almost comical now. For a quick moment, I peer down near my navel and rub the small circular scar where the hood ornament—a lady with wings—punctured my left side and sliced into my pelvis, leaving the slight impression of a pointy feathered wing on my skin. The thing is, only a Rolls-Royce makes a hood ornament like that. I know because Ben wanted one for a long time. He said the Mercedes didn’t have the same feel now that Mercedes-Benz started embedding their hood ornaments on the front of their cars, making them all nice and flat. I guess they knew their drivers drove fast and their Mercs were hitting a lot of people. Maybe Rolls-Royce doesn’t care that its status symbol is basically akin to a deadly weapon. The strangest thing—I haven’t seen a white Rolls-Royce since that day. From the medicine cabinet, I take out the bottle of bright blue mouthwash and gulp a mouthful. One swish. Don’t think about it. Two. Don’t picture it. Three. It’s all in the past. Four. You don’t have to be afraid. Five. It won’t happen to you again. Spit. But it might. It could. My mind starts to buzz as the painkiller takes effect and dulls my thoughts, a shade pulled down over the window of a sunlit room. The thinking stops for a little while. I watch the blue liquid swirl around in the sink, tinting the porcelain as it goes down, slowly, slowly. It’s not the same sink, or the same house, as that wretched day from before, when Emmy was a baby … but my brain doesn’t know that. It thinks the thoughts it wants to, drugs or not. I’m a hostage. And what do I think about? Death, of course. How near it was and may still be. I think of how death seems like that nice, clean break, but it leaves so much behind. The seeping, oozing wound of loss, regret, and confusion. The questions unanswered. The things unsaid. But I also think of that day and finding him, the man behind the wheel. He’s out there somewhere. Alive. Untouched. Carefree. Or perhaps careless. I’d like to be as careless as he. The blue swirl of my saliva and mouthwash moves round and round, and I turn on the tap to make it run clear again. When I look up, my own face catches me off guard. The dark circles. The abrupt pointed end of my nose. The blotchy, colorless yawn of both cheeks that used to be full, that used to make me pretty. Below, small, accented lines strut toward my mouth. I rub my forefinger across my lips and try to make them disappear. I don’t enjoy looking into my own eyes, but I do it anyway, just for a second. A thought appears, quick and sharp, a tack pressing into my temple. I resist, but it swells, unstoppable, an ocean inside me … You are not who you thought you were. *** Excerpt from Dark Ugly Places by Ashley Mansour. Copyright 2026 by Ashley Mansour. Reproduced with permission from Ashley Mansour. All rights reserved.

 

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About Author Ashley Mansour:

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Ashley Mansour

Ashley Mansour writes dark, addictive psychological suspense with domestic tension, emotional depth, and a cinematic edge. Her novels explore obsession, betrayal, power, and the unsettling truths that live beneath polished lives and intimate relationships. She is the author of the international bestseller Blood, Ink & Fire and the psychological thriller Dark Ugly Places. Drawing on a background in publishing, film, and television development, Ashley brings a sharp visual sensibility and page-turning intensity to her fiction. She writes about rebellious women seeking vengeance, morally gray relationships, and unspeakable scandals. When she is not writing, Ashley works with aspiring authors to help them shape and strengthen their manuscripts. She lives in Irvine, California, with her husband, daughter, and Bernedoodle, Bernie.

Catch Up With Ashley Mansour:

ashleymansour.com Amazon Author Profile Goodreads BookBub – @ashleymansour Instagram – @ashleymwrites Threads – @ashleymwrites X – @ashleymansour Facebook – @ashley.mansour

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Tour Participants:

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This giveaway is hosted by Partners in Crime Tours for Ashley Mansour. See the widget for entry terms and conditions. Void where prohibited.

DARK UGLY PLACES by Ashley Mansour | Paperback Can’t see the giveaway? Click Here!

 

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Welcome to My 31 Days Of Thrills And Chills 2026! I’m so excited to do it again. I’ll be sharing reviews and lots of extra spooky stuff every day leading up to Halloween. I hope you’ll join me!

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Free Computer Seeks photo and picture

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I’m sharing all kinds of books, movies, and other spooky stuff for every day in October. Gots to get those scares on for the 31st!

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 The Only Good Indians

By Stephen Graham Jones

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Genre: Horror / Thriller

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MY REVIEW

Four young Blackfeet men, while hunting, make a devastating choice. What happens will have echoing impacts for years after.

The choice they made came back to bite them in the rear end. Now the men are fighting something bent on revenge. It’s attempts at retribution get darker, deadlier and they soon realize they aren’t equipped to deal with it. And dark it gets. I was seriously creeped out. In part because, with all of the horror movies I watch, I kept envisioning the elk creature as a Wendigo.

In the beginning I didn’t feel sorry for the men. They got greedy and did something awful. But then I got thinking, they were young and dumb. Perhaps now that they have become adults, started families,  if they had the chance to make better choices, they’d do so.  Then, I quit thinking and wanted to run and hide along with them. How do you hide, though. It can find you anywhere and won’t be stopped.

The Only Good Indians was an emotional, chilling, relentless experience with a brutal lesson. I read it straight through, at night, all alone and once I was finished the story wasn’t finished with me. It lingered. I loved that.

5 STARS

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Synopsis

The creeping horror of Paul Tremblay meets Tommy Orange’s There There in a dark novel of revenge, cultural identity, and the cost of breaking from tradition in this latest novel from the Jordan Peele of horror literature, Stephen Graham Jones.

Seamlessly blending classic horror and a dramatic narrative with sharp social commentary, The Only Good Indians follows four American Indian men after a disturbing event from their youth puts them in a desperate struggle for their lives. Tracked by an entity bent on revenge, these childhood friends are helpless as the culture and traditions they left behind catch up to them in a violent, vengeful way.

Amazon

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Thanks so much for visiting fuonlyknew!

For a list of my reviews go HERE.

To see all of my giveaways go HERE.

Welcome to My 31 Days Of Thrills And Chills 2026! I’m so excited to do it again. I’ll be sharing reviews and lots of extra spooky stuff every day leading up to Halloween. I hope you’ll join me!

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Free Computer Seeks photo and picture

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I’m sharing all kinds of books, movies, and other spooky stuff for every day in October. Gots to get those scares on for the 31st!

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 The Secret Keepers

Black Water Tales #1

By JeanNicole Rivers

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Genre: Mystery / Suspense / Thriller / Paranormal

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MY REVIEW

I’ll admit, the eerie cover was why I took a closer look at the book. It says beware.

The phone call Regina had been hoping for and dreading at the same time finally came. They’d found the body of her best friend, Lola, who’d been missing for eight years. She packs her bags and returns to Black Water to say her goodbyes but something isn’t adding up. Especially the location of her body so she decides to do some investigating of her own. What follows is a tangled web of warnings and false leads. Danger increases the further she digs.

I mentioned the eerie book cover. Well, the town was strange, for sure. And the people who resided there were guarding the skeletons in their closets. Regina felt she might be going crazy while trying to sort things out and as she continued seeking answers I could actually feel my own confusion growing.

About the ending. Huh, didn’t go where I thought it would…. in a good way. I have the second book in the Black Waters Tales series and hope it’s just as satisfying as this one.

4 STARS

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Synopsis

It’s midnight when Regina Dean she receives a harrowing phone call. On the other end of the line a scratchy voice whispers, “They found her, Regina…they found her.” Over the phone Regina learns that the corpse of her best friend, Lola Rusher, has been found and she must return to her, Godforsaken, hometown of Black Water for the funeral of the beloved girl who disappeared when they were both only sixteen years old. Regina returns to Black Water and is reunited with a cast of old friends. Soon Regina realizes that the details revealed with the discovery of Lola’s corpse do not make sense, especially the fact that Lola’s body was dug up on the land of their childhood piano teacher. Determined to lay Lola to rest, Regina launches her own investigation, but someone in Black Water warns Regina to STOP DIGGING. She is thrown into a race to solve the mystery before she loses her mind or meets Lola’s fate. Though Regina’s hometown is a fun house of disturbing characters and distorted images, the truth about what happened to Lola Rusher will be revealed along with a most unexpected and perverse secret that threatens to expose everyone in Black Water. Everyone knows something, but no one knows everything…

Amazon  

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Thirty Grains of Love

By Anette Rosen

 

 

Publication date: August 26th 2026
Genres: Adult, Contemporary, Thriller, Women’s Fiction

What if the life you fight to save is the life that keeps you from becoming free?

It is 2001, and renowned artist Isabella unveils a triumphant solo exhibition at Boston’s prestigious modern art gallery. While critics have hailed her talent for creating spectacular color-saturated canvases, her career, marriage, and finances are crumbling.

Determined to save her family’s historical house by the sea as well as her psychiatrist husband’s reputation during his court trial in Europe, Isabella must somehow care for her daughter without a steady income. After she demands that her former lover, Angel, support her passion project, Isabella promises him one night in return. Restoring the house and obtaining financing are both part of the project. This depends on tracking down her missing best friend, Nina, whom she had put forward to a wealthy sponsor for adapting his memoir into a novel.

Now trapped in a love triangle and a deepening financial crisis, Isabella must find a way forward as the conflict between love, legacy, and survival compels her to question her deepest beliefs while her reputation hangs in the balance.

Thirty Grains of Love is the tale of long-time friends who must piece together their broken personal lives while pursuing their dreams, defining their identities, and experiencing authentic love for the very first time. Set against the backdrop of history and generational echoes of secrecy and social limitations, it explores the route to happiness and its price across four marriage models—trad wife, double career, open relationship, and unequal income.

An uplifting story with a dual timeline showing that the hardest yet most rewarding decision in midlife is to embrace one’s true self.

Goodreads / Amazon / Barnes & Noble / Kobo

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Enjoy this peek inside:

ISABELLA

The Exhibition

Boston 2001

Here I am on another continent, living my dream—a dream I had forgotten and now need to save. Beau Isabella conquered the art world—only to lose everything she ever had. What a deal. And what a mess. Me, as usual, but this time it’s for real.

People are gathering outside the exhibit at NAGA, Boston’s prestigious modern art gallery, welcoming the snowflakes on their faces and eager to get in. Above the entrance hangs a banner adorned with vibrant, shimmering purple letters: ISABELLA. I picture the stars skating far above, poised to illuminate the city in pristine white once the clouds clear.

I wish I fit in here. I wish I were free.

My first exhibition in North America. Pressure, a heavy weight, mingles with pride. TV reporters speaking at the entrance about explosions of color, enchanted faces, and innovative art. Behind them, a poster depicts my auburn hair and pale shoulders as I turn around in a sweeping movement. The New York Times featured an extensive review last week, and I keep rereading my favorite part:

It is hard to believe that Boston discovered this incredible talent first. Visitors say they haven’t experienced colors like this since the Impressionist era. Isabella’s compositions spark countless interpretations; the public and the critics have fallen in love with her.

I hope I can keep the palette bright if Nina is still missing. I need her for my project, and I need her as a friend. She always finds the right words. And then Lucy’s school bills arrive, as punctual as a Japanese train. How could Chris be so sure we can afford it all?

Yesterday was different. I stood near the gallery entrance in my burgundy evening dress, trying to appear both graceful and casual amid the camera flashes—I’m not ready for celebrity just yet. My gallery partner, Alicia, took me aside to meet another journalist.

Meanwhile, I handled the press questions with ease. They’ve become routine, even on television. I only make them put on more rouge to hide how pale my skin is from no sleep and daily exhaustion. Some journalists worship me and submit to my presence just to serve the public—even if they haven’t seen my work. Others are looking for a juicy detail that might make me more intriguing, trying to chip away at my “art goddess” halo.

Still, this time, a humble man from a local magazine, at first distracted and absorbed in his notes, brought me out of my shell with his last question:

“How has your talent remained, even after you ignored it for decades? Is there someone in the family from whom you inherited this gift?”

I took a deep breath. The walls started moving, like each time I tried to approach the tripod hiding in a corner at home. We had long sacrificed the atelier. Feeling miserable for not having painted in years, I didn’t need a gray-suited journalist to remind me of that. I’m thirty-eight, not retired. And it’s a question I never answer in public. So, despite the subtle provocation, I responded with a smile.

“It’s not as if I completely ignored it—books with my illustrations flew off the shelves like hotcakes. I enjoy children’s books the most because they encourage kids to give wings to their imagination before they can read longer texts. The most important thing in life is to touch someone with what you do. If you give somebody a lesson, valuable advice, a beautiful song, or a new life, then you’ve been present in this world.” I shook my head, letting my earrings swing, to give him a sign that the interview was over.

After that, I enjoyed the peacefulness of my natural surroundings—an exhibition hall filled with paintings and new ideas. I knew I had one last chance to preserve it all, but it felt good not to think about reality for a while. After all, Nina must still be alive—she left of her own free will—and for the time being, I somehow serve my debt and Chris’ lawyers’ bills. If only he could silence the media… What was his psychiatrist’s training for? He employed the wrong assistant, and now she is destroying his reputation.

However, you need a free heart to create, so instead of diving into accounting, I keep dreaming of restoring the seaside villa. An art object, it would be my perfect retreat.

It was a pleasant surprise when the next visitor entered the room. Maybe he could contribute to achieving my dream. Angel’s height and wavy dark hair seized everyone’s attention. He surveyed the space like a panther, searching for a suitable place to start. I bounded over to him.

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About Author Anette Rosen:

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Anette has been writing stories since she could hold a pencil, short after she turned four. What started as an intrinsic love for storytelling has turned into a lifelong passion, only to be subdued for a while by a professional career and the care she took of her two wonderful daughters. There’s nothing Anette likes better than writing (and reading) stories that are both inspiring and humorous, with a touch of romance and a heartwarming streak of truth running through them. 
 
Anette is a passionate traveller and a big dreamer who never gives up on anything. When she’s not writing or inventing new stories, you can find her among her friends or in her maisonette in Frankfurt, Germany, watching masterpiece movies or a tennis match with a glass of wine and her fluffy cat, Lia, beside her.
 
Anette has a master’s degree in English and American literature and a PhD in Linguistics. Having worked as a freelance translator and a project manager, her favourite job has been that of a Tour Director, leading North American groups on educational tours throughout Europe. 
 
Anette’s stories have found their home in online and printed magazines. Her novella “The Sea Moves On” was published in October 2022 in Sofia to receive a hearty welcome from its readers. Currently, the novel “Thirty Grains of Love” is short before publication.

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GIVEAWAY

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Thirty Grains of Love Blitz

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Shifta by Miles Joyner Banner

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SHIFTA
by Miles Joyner
October 5 – November 13, 2026 Virtual Book Tour

 

 

Synopsis:
BAZAAR

 

An act of domestic terrorism during a cultural parade in downtown D.C. inflicts multiple casualties, including the life of a young Congressman, and law enforcement agencies are quick to conclude it was carried out by a mentally ill lone wolf manipulated by a chatbot.

Executive protection specialist Yemi Uzunma survives the attack and suspects it may be connected to an online prediction market widely thought to have been shut down called the Bazaar. He launches his own investigation into a mysterious, ideologically motivated assassination broker not only for the safety of his CEO sister’s clientele at Raptor Security but also for the preservation of order in a region facing a sudden spike in violence directed toward the power elite who call it home.

Shifta is the second book in the Bazaar series of novels that follows the security contractor Raptor as it deals with the ramifications the prediction market has on the political celebrities of the capital region.

 

Book Details:

Genre: Technothriller

Published by: World Castle Publishing Publication Date: September 21, 2026 Number of Pages: 271 pages ISBN: 979-8891265615 Series: Bazaar, Book 2

Book Links: Amazon | Kindle | Barnes & Noble | BookShop.org | Goodreads | Smashwords

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Bazaar Series

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BAZAAR by Miles Joyner
Bazaar
Amazon | Barnes & Noble | BookShop.org | Kobo | Google Play (Audio) | Goodreads | Smashwords
 
Shifta
Amazon | Kindle | Barnes & Noble | BookShop.org | Goodreads | Smashwords

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Enjoy this peek inside:

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Chapter 1
What’s the best day to kill Jay Fang? Hitting ‘enter’ after typing into the chat with Misato was more therapeutic for him than any of the check-in sessions with the psychiatrist his parents could afford. Misato never judged him. Misato loved him unconditionally. Conversations with her extinguished the fire of mania, and it seemed to get him a step closer to healing more than shrinks pulling another diagnosis out their ass to add to his growing list of personality disorders. Misato understood what made his mind tick far better than any individual he’d ever confided in, let alone a romantic partner. Yet, she was taking a bit longer than usual to respond. Usually, when he demanded the kinkiest scenarios from her artificial imagination to satisfy his fantasies, she would have a full-on erotic novella spurt out within seconds. Why do you want to kill U.S. Representative of Texas’ 32nd congressional district Jay Fang? was what took Misato twenty whole seconds to conjure. Because it’s my destiny was his typed response. Although a machine questioning the intentions of its creator was unexpected, he was enjoying this AI-infused therapy session. Besides, it was the truth. A destiny that would cement him in human history, probably get him a whole Wikipedia page. The sociopolitical implications for killing the youngest Congressmember to ever come out of the state of Texas mattered little to him. He had no opinion on Jay Fang’s passion for Taiwanese sovereignty, which ballooned his social media following to the hundreds of thousands. February 11th seems like a good day to me, Misato wrote back. He wondered what was so significant of the date, which was six months away. A quick Google search yielded it was the same date for the Chinatown Parade for the Year of the Horse in a place he had never been before—Washington D.C. Lo and behold, the slim porcelain Gen Z pop star-esque face of Mr. Fang was a featured guest on the flier, his headshot taking up the same amount of space as Natalie Adams, the mayor of the nation’s capital. Why that date? he asked Misato. Because I know you will be successful :-). The smiley face came from Misato, but in real life, her creator was doing the same thing. ── “STOP REMOVING OUR ELDERS!” yelled a pissed-off middle-aged woman in a wool hat through a megaphone. Many in the crowd held up red and white signs proclaiming SAVE MUSEUM SQUARE, TENANTS UNITED, and SAVE CHINATOWN. Others had different slogans against displacement scribbled with markers on neon colored poster boards. The demographics of DC’s Chinatown had always been a far cry from its other East Coast siblings. New York, Philadelphia, and Boston all had enclaves densely populated by those who had actual origins in the middle kingdom. The small neighborhood on H Street, though, was known for hosting DC’s indoor sports teams more than as a destination for those who wanted dim sum. Even Yemi’s hometown suburb of Rockville, Maryland, had more of a reputation for representing Asian culture than any block within the nation’s capital. He gazed at the displays of red and blue 12-ray white sun flags, women in makeup sporting mandarin gowns, costumes, and multiple balloons stamped with Chinese characters through the lenses of his Oakley wraparounds. Only on the day of the Lunar New Year parade would Chinatown live up to its name, according to Yemi. The parade was supposed to end under the Friendship Archway’s trademark Mandarin letters that created a Far East welcome to commuters. Once Mayor Adams was done talking, the five members of Raptor Security’s Executive Protection Team were supposed to help provide support for her escort off the premises. Then they’d be free to go, and Raptor would have been compensated in three hours what they would normally make in twenty-four hours. The mayor was the first client Raptor’s EPT had ever served who wasn’t marked for assassination by an online assassination market like the Bazaar. They were just simply hired for backup. But they needed the money. The Bazaar, having been shut down for years, may have kept the streets safer, but Raptor’s bottom line was indeed reaching rock bottom. “They just passed the art museum,” his young field agent Nick Rice said over the radio. “Copy,” replied Yemi as he continued to scan the audience for any potential threats. The parade was coming to an end, and some of the speakers for the day who skipped the marching portion started to take seats on both sides of the main podium. They were all formally dressed women and men who represented various departments of the local government or Asian-focused civic organizations. But the stage wasn’t what required Yemi’s attention. Trash cans, backpacks, and onlooking loners were his priority. The elementary school kids on a cultural field trip were ruled out of his potential threats. His long-time comrade, Jasper, had done a sweep of all waste bins within a two-block radius just ten minutes prior. Yemi’s team had done everything expected of them in accordance with their contract. Given no building in D.C. could be taller than one hundred thirty feet, there was less danger of a sniper. Still, Yemi continued to scan all the windows parallel to their position. A determined assassin would accept the city’s building height restrictions as a challenge instead of a hindrance. Within five minutes, the sound of marching drums and horns became louder. The band was behind a float being pulled by a Ford pickup truck. Yemi couldn’t make out their identity, but he spotted a young woman with a sash around her like she had won a beauty pageant. He assumed it was Miss Chinatown USA or at least Miss Chinatown D.C. “A band’s coming down,” Yemi said over his radio. “So, it’ll be harder to hear us until they stop.” “Hopefully they do that soon,” Karen said back to him. “The hardline rhythm tells me it’s not Showtime playing.” “Showtime?” inquired Yemi. “Good God, Yemi,” chuckled Karen over the radio. “You’ve been back in the area now for at least five years. Please tell me you at least know about Howard’s homecoming if you don’t know their trademark band?” “Get it together, Karen. We don’t have time for radio traffic right now.” “Humor eases the anxiety in these kinds of situations.” “It also distracts us,” he said back to her. “Focus up.” By the time the parade reached the stage area, the band played its final number for the day. The multiracial palette of speakers took their seats parallel to the podium. Drums from the corner of the stage started to roar. But it wasn’t the rigid snares of what he had heard earlier. It was louder not only in sound, but visually because of the bright colors. Watching the head of what could pass as a crude, recreated Mufasa, Yemi noticed it was the ceremonial lion dance. He watched one dancer sway the large puppet head back and forth in sync with the drums as another did the same with the tail. Despite the spectacle, he made sure it didn’t divert his attention for too long as he continued to scan for potential dangers as the swirling and spinning continued until it was time for the speakers to begin. “Good afternoon, beautiful people…” As the first person at the podium made her welcome remarks to the audience, it became immediately apparent the protesters would potentially be unforgiving competition for volume. The young woman paused in her speech, and her wide, beaming smile seemed to somewhat pacify the crowd into letting her finish her introduction. As mad as the local residents may have been, there was no denying she had respect from her community. “Lisa is something special, I swear,” said Karen through Yemi’s radio. “Even for a Duke grad.” Yemi rolled his eyes at his sister’s ever-insistent loyalty to her Wake Forest alma mater. At 31, Lisa Su-Wei was the youngest Deputy Secretary in the history of the Chinese Consolidated Benevolent Association. The CCBA was the primary planner of the day’s festivities and was in close cooperation with the Metropolitan Police Department as well as the Federal Protective Service. The latter were the ones who hired Raptor for the day. “Dark hoodie, male, north side of the street, half a block from the stage.” It was the voice of Terry Blackwell. On Yemi’s squad, Terry had the most extensive resume in law enforcement, given his stint with the Air Force Security Forces, followed by the U.S. Park Police. If Blackwell hadn’t taken the offer to join Raptor’s Executive Protection, he could have ended up as one of the officers at the side of Mayor Adams. And given his resume, Yemi knew he could make that jump back to the public sector at any moment. “Copy,” said field agent Lyle Evans through the radio. Evans only had a career of securing property or enforcing bail, not carrying out the law like Terry’s past. “Can’t tell if he’s Latino or Asian.” Yemi peered through the crowd and locked in on the disheveled man who fit Terry’s description. He had a ripped-up backpack and clothes that belonged in a post-apocalyptic video game strung around his back. While he wasn’t dressed like a hitman trying to blend in, the man certainly looked like he had nothing to lose. “Copy that,” Yemi responded back to his field agent. “Karen–” “Running a face scan.” Yemi couldn’t help but be a bit impressed by his sister’s reliability as the team’s dispatch while also keeping her penchant for off-topic discussion. “Jasper already gave me a visual.” While Nick was the technical expert and Karen handled communication, nobody did surveillance better than Jasper Kidanu, Yemi’s closest friend and a former agent in the controversial National Intelligence and Security Services in Ethiopia. He had been responsible for training Ethiopia’s Republican Guard, who were tasked with protecting the country’s key elected officials. His experience made him a perfect fit for Karen’s ambitions with Raptor. Jasper would also confide to Yemi that he was tired of contributing to his country’s descent down the democratic index. “Miguel Espinoza,” said Karen through the radio for the whole team to hear. “A few misdemeanors from 2017. Trespassing, drug paraphernalia, nothing violent.” “Notify DHS so they can have an eye on him,” responded Yemi to his sister. “Watch him, Blackwell. Jasper, keep checking for anybody else who looks off.” Yemi knew if somebody wanted to truly take out the mayor, they wouldn’t stick out like a hobo at a Whole Foods, but he also remembered Boko Haram suicide bombers didn’t wear shirts and ties before blowing themselves up. Espinoza stood alone with his face frozen, far more focused on the speech down the street than anybody else in the crowd seemed to be. Most periodically checked their phones while some whispered comments to their friends, generating subdued chuckles, most likely about Su-Wei’s physical attraction, as parents disciplined their kids making too much noise. Espinoza seemed entranced by the optimistic words of Su-Wei which spoke of the greatness of the DC area’s diversity and the early days of Chinatown’s formation, followed by the waves of Vietnamese refugees that added to the area’s vibrant Asian presence. Yemi couldn’t tell if Espinoza’s unblinking attention was due to hatred or affection for her comments. Either way, he continued to look for other hazards and put his trust in Blackwell to be the first to react to any sudden, drastic choices by Espinoza. “And without further ado, I would love to bring to the stage the person who is in charge of making our diverse city so great!” Yemi sighed on those last words of Su-Wei’s speech. While the Museum Square protesters may have held Su-Wei to some degree of high regard, the explosion of shouting made it obvious they were going to dump the trauma of their living situations onto the city’s top political official. Mayor Adams couldn’t even get a word in without being drowned out by the demonstrators. “Keep Chinese in Chinatown!” yelled one through a megaphone. “What is she saying?” Karen asked through the earpiece. “Not able to hear her,” Yemi replied. “The protesters are way too loud.” But by the time Yemi had finished his sentence, their chants had risen by enough octaves that made it impossible for Karen not to understand their message to the city’s political power structure. “Can’t say I blame them,” Karen said. “Focus, Karen,” Yemi reminded her. As angry as the screaming DC natives were, Yemi wasn’t fully convinced they would get violent outside of some verbal interruptions, but he kept his eyes on them. After peering through every dissident on the right side of the stage, he looked back down the street toward Espinoza. He hadn’t budged, having held the same exact expression during Su-Wei’s remarks. “Has Espinoza even blinked since Su-Wei started talking, Terry?” asked Yemi through the radio. “Doubt it,” responded Terry. “Obviously, I’m only seeing him from a distance, but he’s been a statue the whole time. Something’s definitely not right with him upstairs.” “Copy,” said Yemi. “Thank you for having me, and I wish you all an amazing year of the horse!” While she never acknowledged the voices calling her department of housing a travesty, the façade of joy was hard to maintain on her face once she stepped away from the podium. “Adams is getting escorted out now,” Yemi informed his team through the radio. Plain-clothes MPD officers, the mayor’s security detail, rapidly moved her through the front crowd like a python in the grass. Their speed and tactics helped them avoid any contact with the mayor’s hecklers, who had been concentrated on the North side of the showcase. “She’s off H street,” Yemi reported. “Copy,” responded Jasper. “Rice, Osorio, and I will follow her.” “Copy that,” said Yemi. “Blackwell, keep an eye on Espinoza. Evans, hang tight with me here until DHS clears us.” “Copy.” “Copy.” Almost immediately after the exit, another traditional dance started. A much longer puppet that required nine performers swarmed the stage. It was the dragon dance. The dancers wore yellow t-shirts paired with dark blue sweatpants tied by red strings and grasped the paper monster. Yemi knew Espinoza wasn’t the only potential threat, and if an attack was coming for the mayor, it would’ve already happened or it was about to happen soon. “Espinoza’s moving,” Terry said through the radio. Yemi directed his attention from the ceremonial dance to down the street, trying to find Espinoza.
POP.
It could have been a firecracker since it was a Chinese New Year, but the blood-curdling female screams from the stage hinted at a far more deadly source to the sudden crackling sound. Yemi quickly removed the Glock-22 from his holster and aimed toward the dragon dance. Most of the performers and musicians were jumping from the platform in sheer panic. “Shots fired!” yelled Yemi into his radio. The speakers that were seated behind the podium, who were closest to the edge, had bailed out the sides, but a few remained being held at gunpoint by one of the performers.
POP, POP.
The disguised assassin delivered two more shots into his target, a young man of Asian descent in formal business attire. Yemi identified the victim as one of the speakers. The third shot put him in a permanent slump. Yemi tried to get the performer in his iron sights, but the man took off in a leaping sprint through the right corner of the stage after the third shot. He was too close to the other speakers for Yemi, Lyle, or any of the dozens of law enforcement officers in the vicinity to engage in gunfire. “He’s on Seventh Street!” Yemi barked into his radio as he took off after the shooter. He had to push against the stream of terrified attendees, slowing down his pursuit of the shooter. Yemi could see a couple of MPD officers shoving through the crowd ahead of him, closer to where the perp exited. “Lost sight of him,” Yemi barked into the radio. “Yellow shirt, blue pants, he was one of the performers.” “Copy that,” Jasper said over the radio. “I got you,” the voice of Lyle came from behind Yemi. He was going to give chase regardless, but now he had some solid backup. “Follow those cops.” Another two loud bangs come from the end of the block. The view was finally cleared for Yemi, and he saw one blue uniformed officer who had collapsed to the ground while another took a cover position behind a streetlight to return fire at their attacker, who had already turned the corner. Yemi and Lyle carefully strafed the mandarin lettered storefronts to prepare for engagement with whoever had a death wish for the year of the Horse. Blood came from beneath the eye of the downed officer; it was a clean head shot. “More shots fired,” Yemi said into the radio. “Officer down! Get paramedics here as soon as possible!” “Copy,” Karen replied. The standing cop ducked down to report his partner’s fate to his own dispatch. He had his eyes glued down at his target, so Yemi was careful to approach. “You’ve got help,” Yemi said to the back of his head. “Raptor Security.” “Shit, I lost him,” the middle-aged balding officer said back to Yemi without budging his focus. “But he’s probably going to head to the metro.” “We’ll pursue,” Yemi responded. “Just notify transit.” “Already done,” the officer said back. “They’ll be waiting for him, but make sure no pedestrians get in the way.” “Copy,” Yemi said. “I’ll cover you.” The DC cop’s tenacity under fire hinted to Yemi that the man was a veteran, whether it was the military or the district’s crime map. “Let’s move,” Yemi told his Raptor comrade. Guns pointed forward, the two emerged from the corner. “I see him!” That was the voice of Raptor’s Explosives expert, Victor Osorio, through the radio. “He’s in the alley right off Seventh Street behind the stadium.” There was a pause over the transmission as Yemi heard running, panting, followed by some gunshots heard throughout the block. “Drop your weapon!” Yemi could hear Victor barking orders through his transmission, followed by more gunshots. Yemi knew he was behind Capital One Arena. As much as Karen poked fun at Yemi’s lack of local knowledge, it was the Venezuelan-bred Victor who was the least familiar with the landmarks of their battlefield, only knowing street names. “Jasper,” Yemi said over the radio as he and Lyle finally turned around the corner to head in the direction of the alley. “You and Victor in pursuit?” “It’s just Victor,” Jasper replied. “He got ahead of me.” “Cover G Street,” Yemi ordered. “Lyle and I will support Osorio.” “Copy.” Yemi and Lyle were tactically moving between parked cars, trash cans, and more storefronts. There were fast casual pizza shops and cafes, but the Hanzi characters next to the franchise logos were part of the image D.C. wanted to maintain for Chinatown. Yemi watched the fiftyish-old Victor, built like a retired linebacker, bolt like a wide receiver across the intersection ahead of them to take cover behind a column by a Smoothie King. Around the edge of the drink shop was the alley where the shooter was. “On your six,” Yemi said to Victor as they stacked up against the edge of the alley entrance. “He’s moving!” Victor immediately responded. The three pushed into the alley, and Yemi was able to spot the gunman about a hundred yards running into the entrance of the movie theater. “Put the gun down!” yelled Yemi down the alley. “Now!” “At your back,” a voice said behind Yemi. His head out of any line of sight for the gunman, he looked back at who came to assist them. The bald-headed Black man’s vest said Department of Homeland Security Police; he was most likely an officer with the Federal Protective Service. Two MPD came behind him, and a neon blue shirt Metro Transit Police officer stayed further back to halt foot traffic on the nearby street. “We’re going to fucking shoot you!” yelled one of the MPD officers, a much younger man than the rest. A pretty intense situation for somebody who was probably only a few years into law enforcement, but it seemed to Yemi he was handling it well. The gunman dove into the entrance of the Regal Movie Theater. Glass shattered upon his entrance, aided by a few gunshots from the officers who had just joined Yemi. Whether he was hit or not, Yemi noticed he wasn’t slowing down. Loud screams came from within the movie theater. They weren’t accompanied by gunfire, but it was enough of a sign for the newly formed squad to press on immediately. The cop who had yelled the last warning was the first to stack behind a door. Yemi read ‘STOYANOV’ on his name plate. “I need three!” Stoyanov yelled back to the team of law enforcement and contractors. Yemi quickly joined him with support from Lyle and Victor. “Got you,” Yemi said as he took position on the opposite side of the entrance. The FPS officer signaled to Yemi that he was going to take position near the Transit Police officer and others who were joining to secure the exterior. “Let’s go, let’s go, let’s go!” Stoyanov called out as they rushed into the ticketing area of the theater. As Stoyanov took cover behind the booth window, Yemi and his two EPT squad mates pressed along the right side of the entrance. Almost immediately, Yemi saw their adversary pop his head over the balcony to aim toward them. “Up top!” Yemi called out as he fired off several shots to the second floor of the theater. “Cover me,” Victor said to Yemi as he jogged to the bottom of an escalator while keeping his gun pointed to where their adversary had appeared. Yemi assumed all the moviegoers were in hiding or had run out of the theater since nobody else was out in the open. Victor and Yemi stayed crouched as they made their way up the escalator. Victor was the first to reach the top of the escalator, and he turned right toward the direction of where the target retreated. MPD and WMATA police officers emerged from an opposite stairwell connected to the rear entrance with their guns drawn. There was nowhere for the gunman to go, even though Yemi still didn’t have eyes on him. “Suspect is holed up in the Regal Theater,” Yemi said into his radio. “Not the metro.” Yemi stepped off the escalator and followed Victor. There were streaks of crimson on the floors of the balcony, but the subject wasn’t in sight. There was a pair of bathrooms across from the balcony’s edge with blood trails leading to both gendered doorways, leaving their exact target’s location a mystery. “We’ll take the men’s,” Yemi said before turning to Stoyanov. “Copy,” Stoyanov didn’t waste a beat in responding, as everyone knew potential hostages could be in the stalls and be at risk. Yemi removed one of his pepper spray grenades from his utility belt. “Deploying gas,” Yemi said as he tossed it into the restroom. They heard the bounce on the tile floors and the sound of it bursting out, the tear gas came right after. “Go, go, go!” commanded Yemi. Victor waited for Yemi’s signal, and once they were clear, they stormed into the men’s restroom. They were careful to strafe the back wall and not get caught in the mist that would disable their vision. “Hands up where I can–” Victor didn’t finish his sentence when he turned the corner toward the stalls. Yemi entered the same area when Victor’s body slammed into him. As Yemi fell back from the tackle, he caught a glimpse through the mist and could see their wounded, bloodied target with his shirt off against the opposite wall. Beneath the smirk on the young performer’s face was a pipe bomb strapped to his stomach. The explosion ripped through the bathroom before they could give any further warning to their squadmates. The dark smile of a sealed fate was the last memory etched into Yemi’s brain. *** Excerpt from Shifta by Miles Joyner. Copyright 2026 by Miles Joyner. Reproduced with permission from Miles Joyner. All rights reserved.

 

 

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About Author Miles Joyner:

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Miles Joyner

Miles is a fiction writer who works in D.C. as a video editor. He has had an obsession with the effects technology has on society since being raised by a father who was a computer programmer and a mother in workforce development. He still pursues filmmaking in between books and finds that writing in the technothriller genre only enhances that passion even more. Miles is an active member of International Thriller Writers where his first book, Bazaar, was selected for their Debut Authors Program.

Catch Up With Miles Joyner:

TheBazaarVerse.com World Castle Publishing Amazon Author Profile Goodreads Instagram – @maroonguerilla Threads – @maroonguerilla X – @maroonguerilla Facebook – @joynermh YouTube – @mjoyner

 

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A CliFi Technothriller

Date Published: October 24, 2025

Publisher: Manhattan Book Group

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In 2048, the planet is running out of time.

Superstorms flatten cities. Coastlines collapse. Climate change is no longer
theoretical—it is lethal. When a near-apocalyptic storm nearly kills
their family, teenage siblings Jimmy and Lizzie Marshall urge their brilliant
but reluctant father, nanoscientist Greg Marshall, to deploy a technology
before he’s brave enough to release it.


WhiteGrass
—a self-replicating nanotechnology capable of removing carbon
from the atmosphere is the parent technology. It saves golf courses and ski
resorts and the towns they serve. Icarus could reverse climate change on a
global scale. It could also reshape global power forever.

To protect the technology, Greg and his wife Ginny, an elite AI expert,
reprogram the world’s most advanced humanoid android, Valada. Designed
as property—an object without rights—Valada begins to evolve,
developing emotional awareness, moral judgment, and something disturbingly
close to humanity.

As governments unravel and climate disasters accelerate, a covert alliance of
oligarchs, corporations, and political power brokers moves to seize
WhiteGrass/Icarus for themselves. Led by the President of the United States,
the syndicate will stop at nothing—surveillance, blackmail,
assassination—to control the technology that could save the world or
enslave it.

They deploy their own deadly android.

Now the Marshalls are trapped in a global sci-fi political conspiracy, hunted
by forces with unlimited resources, as skyscrapers fall, cities burn, and
artificial intelligence begins to ask questions no human is prepared to
answer.

“We call it ‘Climate Change,’” Lizzie interrupted,
“because it’s not just the heat.”

 

“It’s everything—the rains, the droughts, the storms, the
sea level… even the acidification.”
It could change everything.

 

At its core, WhiteGrass is a gripping near-future climate change thriller
about family survival, technological power, and the terrifying moment when
artificial intelligence stops serving humanity—and starts judging it.

Blending nanotechnology science fiction, AI humanoid emotional evolution, and
hard-science realism, WhiteGrass delivers relentless pacing, cinematic stakes,
and deeply human emotion. It is a story about parents willing to risk
everything to protect their children—and a world forced to confront
whether it deserves saving at all.

Perfect for fans of near-future disaster thrillers, technothrillers with
political intrigue
, and science fiction where artificial intelligence becomes
human
, WhiteGrass is a powerful warning—and an unforgettable ride.

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About Author Richard H. Smith

 

 

Richard H. Smith, MSc.

 

Author | Futurist | Nanotechnology & Policy Expert | Climate
Technothriller Writer

Richard H. Smith, MSc., is a futurist, technologist, and climate policy expert
whose career has placed him at the intersection of nanotechnology, artificial
intelligence, healthcare innovation, and climate change foresight
for more
than three decades. Drawing on real-world experience working alongside
scientists, engineers, Fortune 50 companies, and Ohgovernment agencies, Smith
writes hard science fiction grounded in plausible futures, where technology
collides with political power, ethics, and human survival.

Smith’s professional background spans leadership roles in nanotechnology
R&D, AI-based medical diagnostics, strategic technology forecasting, and
science policy
, including serving as research director at a major university
medical center and founding multiple technology ventures. He has advised U.S.
and international governments on emerging technologies and was formally
trained on climate change science by Al Gore, giving him a rare combination of
technical depth and policy insight.

Raised in Virginia, Smith built his career while raising a family—an
experience that deeply informs the emotional core of his fiction. Today, he
lives in Rehoboth Beach, Delaware, a coastal community already facing the
realities of sea-level rise. He teaches courses on climate change and coastal
vulnerability, witnessing firsthand how future scenarios are rapidly becoming
present-day realities.


WhiteGrass
is Smith’s first full-length novel and the culmination of a
lifetime spent studying how advanced technologies shape—and
endanger—civilization. The novel explores nanotechnology, climate
collapse, political conspiracy, and artificial intelligence becoming human
,
all through the lens of family survival in a destabilized near-future world. A
prequel, The Iliad Virus, is available now, with the sequel Icarus Rising
currently in development.

Smith writes with one driving purpose: to expose uncomfortable truths about
climate change, technological power, and political control—while telling
a story compelling enough to feel like a blockbuster movie unfolding on the
page.

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After the Fall

By Wendy Roberts

 

Publication date: October 9th 2026
Genres: Adult, Thriller

“This is an excellent read for those who want true psychological crime built around family secrets. Very highly recommended.”
Asher Syed for Readers’ Favorite

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Amber clings to the wreckage of a shattered life; a hermit drowning in the ghosts of what used to be.

When someone dumps a mutilated body on her wilderness property, a cryptic clue makes her the prime suspect. To clear her name, she must confront the dark secrets of her tragic past while a shadowy executioner is closing in.

Goodreads / Amazon / Barnes & Noble / iBooks / Kobo

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Enjoy this peek inside:

When the blade of death whittled my family of three down to only me, I ran. Grief had scraped me empty, so fourteen months ago I fled to a shack in the northeastern Washington wilderness. I was seeking sanctuary and hoping the pines would mend my shattered soul. Maybe that was too much to expect of the trees. At least they didn’t judge the monument to my failure; a recycling bin overflowing with wine bottles.

The morning light struggled through my grimy windows and poked at my hangover. I took my coffee mug outside and stood on the splintered porch of the small cabin. The air was deceptively still and heavy, carrying the sharp scent of sunbaked pine needles and the silent, shimmering threat of an approaching scorcher of a day. My cabin sat at the dusty elbow of two dirt roads. Between my door and the ditch was half an acre of thigh-high, dewless grass that stood stiff and dry alongside leggy wildflowers and a single tree.

The western hemlock tried for the heavens at nearly two hundred feet, and it was the area under the tree that drew my critical gaze. A woman sat in the tall grass, back against the tree. What was someone doing way the hell out here?

With an eye roll I left the house and stormed toward her.

“Hey!” I shouted.

The strap of her checkered sundress had fallen from one shoulder and as I reached her, I lifted a hand to tap her arm. As my finger got close, a cloud of flies lifted and re-settled into gaping, torn flesh. The wind shifted direction and a thick miasma of putrid decay stung my nostrils. I stumbled backward as my stomach lurched.

Dead!

I couldn’t stop the tremor in my jaw; my teeth clattered together as I whispered broken words, “I-I should check to be sure . . .”

But my voice trailed off because nothing that smelled like that could be anything but gone.

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About Author Wendy Roberts:

Wendy Roberts is an armchair sleuth, fan of all things mysterious but a huge chicken at heart. Her mind is often in the secretive, cloak and dagger world of intrigue while her physical presence is usually at home or on the road in her camper van. Wendy resides in Vancouver, Canada where she happily writes about murder and is always at work on her next novel.

Website / Goodreads / Instagram / Facebook / TikTok

 

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After the Fall Blitz

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