For Leona Gladney, former woman soldier of the Union Army, life goes on despite the echoes of the battlefield in her heart. Now a suffragist and budding socialite in Brooklyn Heights, she yearns for a literary life and family. But her husband’s business partner embezzles their money and disappears.
The society matrons of Brooklyn Heights turn a gimlet eye on Leona after the suspicious death of a wealthy friend. Leona will do anything to find justice for her friend and clear her own name, but she finds only secrets, seances and murder.
Book Details:
Genre: Historical Mystery
Published by: Coffee&ink Press Publication Date: April 7, 2026 Number of Pages: 320 ISBN: 9798232470982
The blot of ink stuck to her finger, tacky like drying blood. Leona scrubbed at it with her handkerchief as the clock chimed two hours after midnight. She capped the inkwell, and while the ink dried on her most recent entry, she organized the copies with ribbons. Blue for Daphne and red for Ruth. With shaking hands, she slipped the copies into stiff cardboard folios and tied them closed. Sighing, she set them on the desk in front of her.
The flames in the hearth beckoned. This wasn’t the first night she’d yearned for obliteration. It wouldn’t come if she gave in to the urge to throw her labor into the fire. Only paper and ink would vanish, leaving the memories behind.
Pen and ink or back to the laudanum.A grim thought, the grimmest of all. The words had clawed their way out tonight. She’d begun the memoir of her time as a Union soldier months ago with the hope her drowning spirits would revive once the words dropped to the page. Yet the foreboding crept through her and tightened around her throat as the little study filled with familiar shadows. This old terror had become a second skin, like the tattered and dirty uniform she’d once worn. Over the monotonous chatter of the rain, the clock ticked away the seconds until her husband came home. Leona moved to the window, pushed aside the heavy velvet curtains, and looked out at night-shrouded Cranberry Street. A lamp glowed in a window across the street. Homesickness for Boston, for life before the war, for herself before the war, settled on her. The wind threw a heavy splash of rain against the window, and she jumped back, letting go of the curtain. Pacing the study, her restless thoughts rushed on without fatigue. To keep the memories inside only fed the persistent mental return to the battlefield, and the outpouring of words somewhat tamed her tormented soul. She stopped and touched the folio. Work would save her: work, family, friendship, and love. Maybe she’d write a story about two clocks. A natural clock which kept good time and a mad clock that twisted time out of true. The street door below opened and closed. At last Gil, home safe. She couldn’t even bring herself to scold him for being so late. Leona listened for his footsteps as she crossed the room to tuck the folios into her desk drawer and locked it. She closed the gaslight apertures in the study and turned up the flame on the wall sconces in the drafty hallway so he could find his way. In the bedroom, she shed her dressing gown, stepped out of her slippers, and kicked them under the bed. Gil made his clumsy climb up the stairs. When he stumbled into the room, she pulled the covers back. He fell into bed fully clothed beside her, mumbling and fretful, the sharp ripe scent of whiskey lacing his breath. She laid her hand on his shoulder. Beneath the cloth of his shirt, his skin was cold and damp. “Rest now, go to sleep,” she whispered. *** At first light, Leona had dressed in a blue and cream day gown and made her way downstairs for breakfast. The creeping dread of the night before had waned. She rubbed her gritty eyes and yawned again. Mrs. McCarthy poured coffee from the silver pot, the familiar, civilized table a welcome sight. The scent of bacon made her stomach growl. “Are you well, m’um?” Leona glanced into the broad face of their cook and housekeeper, a sturdy and mature woman with a comforting Irish burr. She wore her fading blonde hair in a crown around her head. “I didn’t sleep much.” Leona yawned again behind her fingers. Gil’s heavy tread on the stairs made them both jump, and Mrs. McCarthy squeaked. “I’ll bring more breakfast in a jiffy.” She fled through the side door to the kitchen just as Gil ducked through the hall entrance. Leona rose and smiled at her husband. He’d made a great effort to come down early after returning so late. She accepted his peck on the cheek, poured him coffee and set it between them, wifely mask in place. He glared with bloodshot eyes at the letter in his hand, and her stomach clenched. “It’s not all bad news, Gil.” She’d read the contents of the letter before leaving it on his desk in his study, as Grandfather had addressed it to both. He raised his hazel eyes to her. “You recall Henry has absconded with all our funds?” he asked in a sarcastic tone, squinting at the letter, then back at her. She no longer knew what to say about Gil’s former business partner, Henry Caldwell-Jones. The police were still looking for him. It put the devil in Gil’s eyes to speak of it, so she tried to let it be, not wanting to distress him even more. “Of course, I remember, Gil. I—” “And now your grandfather won’t give me a second loan. I’ll have to go back to the bank and ask them again.” “He only wants to speak with you face to face about our situation,” she said, in her grandfather’s defense. “He’ll help us, Gil. He did offer to speak at the lyceum on his return from Ohio, to help raise funds. It isn’t as if—” Or was it? “We won’t lose the house, will we?” The muscles in his lean face twitched as Gil fought to hide his disappointment, and her heart broke a little more to witness it. “Your grandfather does not bring in the interest he once did.” It was true Leona’s grandfather, poet, abolitionist, and Transcendentalist, didn’t bring in the money he used to at readings in New York and Brooklyn, but he didn’t suffer for it. Gil raked his fingers through his thick, brown hair and opened his mouth. Mrs. McCarthy entered with his breakfast, apparently stopping what he meant to say next. He reached inside the pocket of his trousers and pulled out a small notebook and pencil. Laying them on the table, his frown deepened. Once Mrs. McCarthy had bustled out again, Leona said, “I could write to Aunt Louisa.” Who was not truly an aunt, but a friend of her mother’s. He opened the notebook and touched the tip of his tongue to the pencil. “We cannot afford to feed and house a man of Bronson Alcott’s caliber,” he replied with heaviness. He bent his head to the columns of numbers on the pages. His confidence and spirits were usually high, and it hurt to see him laid so low. She did mean Louisa Alcott herself, not her father Bronson Alcott, as the speaker for the lyceum to draw a crowd. Her novel, Little Women, published two years before, had become hugely popular. “I’ll sell the lyceum, that should help,” Gil murmured, eyes downcast. Leona winced. It was where they’d met nearly a year before. At a loss again, she glanced down at her lapel watch—9 o’clock already. She stood and set cups and plates on the tray. “Let Mrs. McCarthy do that.” His pencil went on calculating their precarious position. “I don’t mind. I’m off to see Daphne this morning. I won’t be home until the late afternoon.” Taking a deep breath, she dared to ask, not expecting an answer. “How much do we owe?” She blew out her held breath, apprehension biting at her. “Why won’t you tell me how much Henry has stolen?” “He’s made me a laughingstock.” His handsome lips formed a tight smile, but he didn’t look at her. “Don’t you worry, Leona, leave it to me. This will all be over by Christmas.” *** On the street, she began to walk, then turned to observe the window where Gil labored, smoke curling from the chimney. The image stayed with her as she made her way to the newsstand around the corner and waited patiently for her turn to buy a paper. The sunny day, though cold, had driven people outdoors, well wrapped in fur-collared coats and wool scarves. Woodsmoke and the sharp tang of the river mingling with the scent of baking bread drifted on the breeze. She chewed on the frustration that he wouldn’t share their financial details with her. It made her more fearful not to know. Though she kept the memoir and chapter stories a secret from him, this was hardly the same. Passing the newsstand, an article about the new bridge caught her eye so she bought the latest Brooklyn Eagle. The previous summer, the four of them, Henry, his wife Helen, herself, and Gil, had stood at the end of Noble Street to watch the construction of the giant caissons in the naval yard. Though approval of the bridge was a long-foregone conclusion, the article was typical of the Eagle’s awful anti-consolidation fear mongering. The article repeated the claim linking the boroughs would only bring the dregs of Manhattan’s Lower East Side into Brooklyn’s pure white Heights. The wrongness of such an attitude churned her stomach. Leona folded the paper and tucked it under her arm with the folio, sighing. Who would save the poor of this world from the hatred of the rich? Her spirits drooped lower. She breathed deep the November air on familiar, tree-lined Remsen Street, where she’d lived for two years before marrying Gil in August. The red door of the brownstone opened, welcoming her in. Timothy, the butler, took her hat and coat. Before he disappeared with them, his eyes met hers with a familiar blue twinkle. “I’ll tell her you’re here,” he said. “Thank you.” She inhaled the sweet smell of hothouse roses set in vases along the long hallway and waited for word of her arrival to reach Daphne and her nurse Audrey. Audrey approached from the depths of the house. Her eyes, though hooded, were a pure delphinium blue, blonde hair pinned tight to her head. She wore a plain uniform of dark gray with long cuffed sleeves and a white apron. “Mrs. Van Wyn is in the Lavender Room.” With a curt nod, she turned away. When they first met, Leona and Audrey had often shared tea and conversation, but of late Leona felt nothing but a wall of smothered animosity between them. They hadn’t argued, as such, though she had an idea where the strained relations came from. “Is she well?” Leona asked. For a moment, she didn’t think Audrey would answer, but the woman turned toward her again. “She passed a quiet night. The laudanum helps.” Leona frowned. Audrey flicked a dismissive hand and went on her way. The introduction of laudanum in Daphne’s life began not long after Leona moved to Cranberry Street with Gil that summer. The spas and cures Daphne’s grandson Benedict and his wife arranged didn’t seem to help anymore. The family hired Audrey, who administered the laudanum, a common enough panacea. Laudanum’s presence always disturbed Leona, and she had protested to the family, but no one listened. Audrey had become cold after this discussion. Leona believed some of Daphne’s pain came from her daily battle with grief. Leona often feared her own grief and the overuse of laudanum, prescribed by a respected doctor in Boston, had killed the child from her previous marriage to Jack Davenport. Poor dead Jack. *** Excerpt from The Last Fatal Hour by Jan Matthews. Copyright 2026 by Jan Matthews. Reproduced with permission from Jan Matthews. All rights reserved.
.
About Author Jan Matthews:
.
Jan Matthews is an American expat living in the sunshine in Portugal. She is (finally) retired from HIM and writes historical mysteries from the Middle Ages to World War I. When not writing or drinking coffee and wine in nearby cafes, she knits and crochets for charity and reviews books on her blog.
Click through the other tour stops for can’t-miss reviews, insider interviews, exclusive guest posts, and more chances to win! Click here to view the Tour Schedule
Enter Before THE LAST FATAL HOUR Strikes…
This giveaway is hosted by Partners in Crime Tours for Jan Matthews. See the widget for entry terms and conditions. Void where prohibited.
In the summer of 1895, President Grover Cleveland and his pregnant wife, Frances, retreat to their secluded Cape Cod home, eager to avoid Washington’s heat and hassles. The very day that Frances gives birth, their three-year-old daughter vanishes. A ransom note surfaces, demanding a mysterious and peculiar sum.
Is the kidnapper a political enemy or someone closer to home? Secret service agents chase multiple leads but reach dead ends. Desperate, Frances Cleveland searches for answers on her own. As the hunt continues, the kidnapper carefully plots each move and determines to settle a score.
The historical record documents threats against the Clevelands, but no actual kidnapping. Yet, what if the president and his wife, known for keeping secrets, concealed a terrifying chapter of their lives? In this gripping blend of fact and fiction, the line between public duty and private anguish blurs in a mother’s fight to save her child.
.
Praise for First Daughter:
“Arresting, brilliant, emotional! Marlie Wasserman’s First Daughter had me hooked from the very first page. Like her other works, fact and fiction are delightfully blurred by the fantastic level of historical detail, creating an exhilarating ride through the kidnapping of President Grover Cleveland’s first child and his obscure misdeeds.” ~ Jane L. Rubin, author of the award-winning Gilded City series
“In this masterfully woven historical thriller, the past comes alive with rich detail and taut suspense. In the summer of 1895, President Grover Cleveland and his wife retreat to their Cape Cod estate, seeking respite from political turmoil-until their three-year-old daughter vanishes. A ransom note surfaces, but is the culprit a political enemy or someone in their household? Seamlessly blending fact and fiction, this novel delivers a riveting tale of betrayal, resilience, and a mother’s relentless quest for truth.” ~ Maryka Biaggio, award-winning author of Gun Girl and the Tall Guy and The Model Spy
“A parent’s worst nightmare unfolds for President and Frances Cleveland – their daughter is kidnapped. And no one knows why she was taken. The real motive behind the kidnapping may lie closer to home than anyone dares to imagine. First Daughter is a thrilling tale that clutches your heart and won’t let go. This haunting historical mystery steeped in vivid period detail explores the cost of secrets and the burden of public life, wrapped in a mother’s relentless instinct to protect her family-no matter the consequences.” ~ JF Tanner, author of The King’s Collar
“Grabbed from the very first page, Wasserman’s tale of the abduction of President Grover Cleveland’s young daughter Ruth (Baby Ruth) delivers Gilded Age details, tense characters and no bigger problem than a child in danger. With the deftly structured combination of Frances Cleveland’s determination to bring justice to her family and a parallel hard luck tale, readers will forget this is non-fiction.” ~ Chris Keefer, author of Find Your Way to My Grave a Carrie Lisbon Mystery
“First Daughter is an intriguing and intricately-plotted historical mystery novel. I loved the depth of research and the evocative setting of President Grover Cleveland’s summerhouse Gray Gables at Buzzards Bay. I look forward to reading more from Marlie Parker Wasserman.” ~ Margo Laurie, author of The Anarchist’s Wife
At the western edge of Cape Cod, in the grandest bedroom in the sprawling residence known as Gray Gables, Frances Cleveland couldn’t stifle the rising sound of her own screams. Between pains, she rested. The late morning breeze drifted across the lawn from Buzzards Bay, fluttering the lace curtain and cooling the sweat on her forehead.
Even at this moment, Frances felt grateful that Grover chose to spend summers away from Washington’s heat, away from the prying public. Here, in this secluded haven, she needn’t fear strangers hovering near the windows of the Executive Mansion for a glimpse of their president—or, more likely, of his wife and daughters. She could concentrate her fears on her pains and pray for the safe birth of her third child, in the same way she had for her first and again for her second. Frances expected from experience that her suffering would soon recede, replaced by the joy of motherhood. She did not know that before the day was over, her bodily misery would end, yielding not to joy but to overwhelming terror.
The previous February, after sensing a flutter beneath her gown while greeting a crowd of visitors at a reception, Frances guessed the baby would be her third girl. Practiced at keeping confidences, she never mentioned her prediction to her preoccupied husband. When she gave birth to another girl, the blathering journalists would have their say. They would try out their jokes about the president’s little harem. Most days, Frances ignored the journalists. Most days, she trusted Grover to love each of his babies. The image of a trio of girls was far from Frances’s mind now, as she suffered in bed. She cried out, too loudly. Dr. Bryant reminded her that she’d survived labor pains before. “Don’t you dare say that again,” she said, in a shrill tone that surprised her. At last, Frances heard the newborn’s cry, faint but lovely. Dr. Bryant chuckled while he clamped and cut the cord. “Mrs. Cleveland, should I bring the president upstairs to see his new daughter? He’s pacing on the front porch. Once he sees this one—she’s beautiful—he won’t regret it’s not a son.” “Yes,” Frances said, with the strongest voice she could muster. A girl, as she’d guessed. For an instant, with the last of her contractions, she’d ignored her prediction and hoped for a boy. Now, she didn’t linger on that momentary weakness of character. She let a surge of pride swell over her, above the exhaustion. She’d done it. Again. Frances turned to the local midwife hired to assist. “Tell the steward, his name is Sinclair, to get Ruth and Esther. I want my daughters to see their new sister.” Frances raised herself a few inches, enough to see the midwife slip into the hall. The woman returned and gave Frances a nod. The girls would come shortly. Frances sank back and watched the midwife wipe down the infant and swaddle her. She did look beautiful. “Here,” Frances said, crooking her arm to make room for Marion, the name Grover chose that would serve for a girl or a boy. The same name as a town across Buzzards Bay, where many of their friends lived. Frances appreciated Grover’s decision to buy an estate on the outskirts of a different but nearby town, Bourne. The family could escape Washington’s heat and busybodies. And escape the threats. Hours earlier, Frances gave thanks for the breeze blowing through the open window, reminding her that Gray Gables was perfectly located on a point overlooking the Bay’s east side. But now she blocked the sound of wind and waves. straining to make sense of other sounds, to hear what Grover would say about a third daughter. The doctor scurried downstairs. The midwife remained stationed over the bed, tending to Frances and crooning softly to the baby. Frances ignored the woman, mindful only of the voices wafting in through the window. First, low tones as the doctor talked to Grover. They were friends. Dr. Bryant saved Grover’s life two summers ago, removing the cancer eating away at his palate. Now, Frances imagined the doctor patting her thickset husband on his shoulder and shaking his hand. She hoped Grover would offer the doctor a contented smile. Seconds later, Grover clomped upstairs. The doctor followed behind, with lighter steps. “So happy, Frankie.” Her husband used one of her nicknames. After their wedding, she asked Grover to call her by her more dignified name, Frances. He still used Frankie or Frank in private moments. She let him—the nicknames added tenderness to his gruff voice. “The doctor tells me you’re fine. You managed without chloroform this time, too. And the baby’s healthy. Marion, right? Three girls. They will enjoy each other’s company.” He said the right thing. She didn’t need to feel anxious about another girl. He was a good man, kind to her, whatever others thought. He wouldn’t hold the baby, rarely did. But he wiped his chubby hand on a cloth, then touched Marion’s forehead. He stood there for a few minutes, cherishing their third child. For him, it was a fourth, but no matter. His eyes shifted to gaze at her. He wouldn’t see the tall, slender belle he married nine years ago, the one the reporters called lovely. He’d see a tired, sweat-drenched woman who looked every day of her thirty years. “Ruth and Esther?” Frances asked again, eyeing the midwife. “Did you send Sinclair for them?” “Yes, ma’am. The steward went a minute ago.” The midwife spoke quietly, carefully. She’d feel nervous in the presence of the president. Still almost flat in bed, Frances clutched Marion, admiring the infant. Perfect features. Ten fingers and ten toes. Another blessing from God. A familiar sound at the door. Sinclair knocked softly. His usual pattern—soft, loud, soft—keeping to the household code. Another sound, when the midwife opened the door. Next, Frances would hear four little feet rushing toward the newest baby. No feet. Only hushed words. “Sinclair found Annie,” the midwife said. “She’s your older daughter’s nursemaid, right? He tells me she needs another minute to bring Ruth and to tell your younger daughter’s nursemaid to bring Esther.” The midwife stood far from Frances’s bed, speaking almost in a whisper. Grover didn’t look concerned. His rough mustache skimmed Frances’s cheek as he kissed her lightly on her damp forehead. She was too tired to return the kiss. She heard him drop into the nearby rocking chair. “Joseph,” he said, addressing the doctor, “you’re certain Frankie is fine? No complications?” “Just fine, Grover. Ready for the next one before long.” Four years earlier, when Ruth was born, Dr. Joseph Bryant told Frances how to manage her family. “Breastfeed for six months.” He looked straight at her, with no awkwardness. “You’ll not get in the family way, and the baby will stay healthy. After six months, well, you and Grover can proceed to another.” And so they had. Esther after Ruth. Marion after Esther. A daughter every two years. Frances closed her eyes, relying on her ears. Dr. Bryant thanked the midwife for her assistance. The woman tidied up, gathering soiled sheets and opening a chest, hunting for fresh linens. The room went silent, except for the soft, repetitious squeak of the rocking chair. Grover leaned up, then back, up then back. Frances sensed herself drifting off. Another soft knock, barely a sound, followed by a pause, and two more soft knocks. Not Sinclair. One of the nursemaids. Annie? The midwife opened the door. “Ma’am.” Annie’s voice came out as a croak. “I can’t find Ruth.” *** Excerpt from FIRST DAUGHTER by Marlie Parker Wasserman. Copyright 2026 by Marlie Parker Wasserman. Reproduced with permission from Marlie Parker Wasserman. All rights reserved.
.
About Author Marlie Parker Wasserman:
.
Marlie Parker Wasserman loves writing historical crime fiction. She has published three novels–First Daughter will be her fourth. After a career in publishing in New Jersey, she moved to Chapel Hill, NC with her husband. When she is not writing, she travels, reads, and sketches. One of her goals is to visit every national park in the U.S., and she is close to her goal.
Click through the other tour stops for can’t-miss reviews, insider interviews, exclusive guest posts, and more chances to win! Click here to view the Tour Schedule
A Novel Way to Celebrate FIRST DAUGHTER… Start Here
l
This giveaway is hosted by Partners in Crime Tours for Marlie Parker Wasserman. See the widget for entry terms and conditions. Void where prohibited.
Secrets can’t stay buried forever—but maybe some should.
In bustling, multicultural 1831 New Orleans, Tobias Whitney, the sexton of St. Louis Cemetery No. 2, uncovers a journal sealed inside the tomb of Dominique You—war hero of the Battle of New Orleans, privateer, and half-brother of the notorious pirate Jean Lafitte. Convinced that the journal holds the key to Lafitte’s lost treasure, Tobias turns to his sharp-witted and outspoken wife, Mary Catherine, to translate its cryptic French passages. Tobias and Mary Catherine discover secrets they could not have imagined—secrets that could change their lives forever. But is it really the truth? As the journal warns, Never trust a pirate!Lafitte Lives blends meticulous historical research with a page-turning mystery, bringing the legend of Jean Lafitte to life while telling the redemptive story of Tobias’s grief and Mary Catherine’s quest to help him overcome it.
.
Praise for Lafitte Lives:
“Lafitte Lives is an incredible, unforgettable adventure from start to finish. Christi Keating Sumich brings history and mystery vividly to life in this expertly crafted novel. A true treasure for any reader.” ~ Nicole Beauchamp, author of Haunted French Quarter Hotels “In August 1831, Tobias Whitney, Sexton—caretaker—of St. Louis Cemetery No. 2 in New Orleans, makes a startling discovery. Hidden in a hollow space in a mausoleum is the diary of Dominique You—half-brother of Jean Lafitte. The diary offers a first-hand account of Lafitte’s life after his reported death in 1823. As the title implies, Lafitte Lives. Find a comfortable seat, grab your favorite beverage, and let your imagination loose as Christi Keating Sumich delivers an engaging tale of the infamous pirate and patriot who may—or may not—have faded into the swamps and bayous of south Louisiana.” ~ Michael Rigg, Author of the New Orleans-based medicolegal thriller, Voices of the Elysian Fields “Lafitte Lives is a ripping good pirate yarn surrounded by a touching story of family heartbreak and healing, all wrapped up in a tantalizing mystery. Steeped in rich period detail, it’s a tale filled with secrets and surprises readers won’t see coming. After all, never trust a pirate!” ~ J.R. Sanders, author of the Shamus Award winning Nate Ross series
.
Lafitte Lives Trailer:
.
.
Book Details:
Genre: Historical Mystery
Published by: Level Best Books Publication Date: February 24, 2026 Number of Pages: 320
The worst part of the job was the smell. A decaying human body releases an oddly distinct scent. It is a horrid mixture of rotting eggs and cabbage, mothballs, feces, and an off-putting garlic-like odor, depending upon the gases released at each stage of decomposition. Being an observant sort of chap, Tobias Whitney was well-versed in the stink of human decay able to discern how far along a body was in the process of decomposition based on the particular aroma the tomb was emitting. It might be a cloying reek or a putrid stench. The time of year was a contributing factor. The hot, humid summer months were the worst. So much rotting flesh in one place combined to produce a nauseating medley of noxious aromas so foul that even Tobias, who spent his days in the cemetery, felt his stomach churn as he inhaled the soupy air. Tobias had smelled foul odors before, of course. Anyone who lived in New Orleans long enough had. At this time of year, the privy behind his cottage was the stuff of nightmares. A body could get used to almost anything, though. Tobias had taught himself to focus instead on the delicate, honeyed scent of the flowering sweet olive bushes planted in the courtyards of homes all through the Vieux Carré, or the French Quarter as the Americans called it, for the express purpose of making the stench of so many privies in such close proximity more bearable. Similar aforethought had gone into the landscaping at St. Louis Cemetery No. 2, where Tobias had been sexton for nearly three years. Unfortunately, the ethereal scent of fragrant flowering bushes and trees planted along the perimeter and throughout the cemetery grounds was far too subtle to mask the stink. It invaded his nose and marched its way down to his mouth. He let out a breath he’d been holding and put his sleeve against his nose as he inhaled. He spit to rid himself of the foul taste. Both actions proved futile. It was no wonder. The body interred within the tomb he was cleaning had been laid to rest less than a year before, and the tomb’s inhabitant to his right was an even fresher burial. As sexton, he was responsible for maintaining the cemetery. Some months were busier than others, and August was keeping him at sixes and sevens, between all the yellow fever burials and the rains making a mess of the cemetery pathways. The cemetery had flooded recently, causing the crushed oyster-shell gravel to flow in rivulets between the above-ground tombs and collect in the lowest spot. Unfortunately, the lowest spot was the site of a recently built tomb. The cemetery consisted mainly of above-ground tombs, whose care kept Tobias busy, though he remained fascinated by the structures. Above-ground burials were the custom here, in part due to the French and Spanish colonists who settled in New Orleans, and for more practical reasons. Guthrie Toups, the octogenarian and retired sexton whom Tobias replaced, had justified the tomb burials in the most colorful fashion. “These tombs are your bosom friend.” He had waved his gnarled hand about, indicating the structures surrounding him, as he shuffled through the cemetery with Tobias on one of his final days on the job. “Smell like shite in summer but keep the floaters pinned down.” When Tobias failed to comment, Guthrie explained. “Used to be, I worked at St. Peter Street Cemetery. All those souls went right in the ground. Two times I recall the rainwaters floodin’ the place somethin’ fierce. Coffins poppin’ up like gophers in springtime. Some washed down the street, right up to folks’ houses. When the lids came off, now that was a sight!” A shudder wracked Guthrie’s gaunt frame, rippling through his threadbare coat. “Took us weeks to round up the coffins. And then to find out who belonged where! Can’t put a body back in a hole when you don’t know who he is and which hole is his,” Guthrie shook his head. “Damn shame. You think lookin’ after these tombs is trouble until you gotta put coffins back whence they should never have been disturbed.” Guthrie, who insisted on being called by his Christian name, had been gone from the cemetery for three years and from the world for two. Technically, he had never actually left St. Louis No. 2. He was enjoying his eternal rest, only one row of tombs over from where Tobias was currently toiling. Tobias considered whether Guthrie’s take on the tradeoff of floaters versus smell was valid. “Shite” seemed far too euphemistic a way to describe what was assailing his senses. Had the souls surrounding him been laid to rest underground, there would be no discernible odor, even in the August heat. However, in addition to being above ground, the vaults in St. Louis No. 2 were not airtight, a necessity since exposure to the elements ensured the bodies would decompose in a timely fashion. Following the bevy of recent rainstorms that Tobias’s wife referred to as “gully washers,” an additional component of stale, stagnant water added to the cemetery effluvium. “God’s teeth!” declared Tobias in frustration, blowing out a breath of putrid air as he gazed at the dispersed gravel and mud piled up along the front and sides of the low-lying tomb. He continued raking, attempting to redistribute the mud-soaked mess along the paths that separated the tombs. It was slow going. The puddles of standing water made the task challenging, and, of course, another drenching rain would produce a similar mess. It was the sort of mindless labor that allowed a person time to think, though Tobias, as of late, preferred not to indulge his brain in aimless wandering. It inevitably led back to dark and painful places. Instead, he compensated by replacing his internal monologue with the voices of others, imagining how they might describe what he was presently seeing. It engaged his mind and allowed him to distance himself from his thoughts. He often remembered the tombs’ description, construction, and proper care, as Guthrie had first explained them to him. Even now, he could so vividly recall the old man’s gravelly voice, brittle as the oyster shells underfoot. “Needed these tombs, the city did. So many coming to New Orleans after Jefferson bought her up, and so many dying here. Nowhere to put a cemetery unless you want to go digging graves in a swamp!” His guffaw had echoed off the tombs. When Guthrie first began his tutelage, Tobias doubted that he could absorb any new information, so clogged was his brain with other thoughts. Still, the details distracted him. He yearned to learn all he could about the cemetery and the tombs where the bodies rested. He was fascinated, he feared morbidly so, with the amount of sadness one place could contain within its walls. Tobias could sense the pain and loss felt by the loved ones of St. Louis No. 2’s inhabitants, the heaviness of their collective grief threatening to crush him at times. He felt the familiar weight bearing down on him as he looked to his left, at the open tomb whose faceplate had been removed in anticipation of its next occupant, a newly deceased young woman who would be interred there tomorrow. The tomb was empty now, as she would be the first inhabitant. He took a moment to wipe his brow and allowed himself to be transported back to the first time he had viewed an open tomb. “‘Nother good thing ‘bout tombs is how many bodies you can stuff inside,” Guthrie had explained. Tobias had to bend his lanky frame nearly horizontal to match the smaller man’s permanently hunched posture, but by doing so, he could peer into the yawning darkness of the tomb, the unnatural stillness of the space raising the hairs on the back of his neck. “This one’s a single vault,” Guthrie said. “When the first one of the family dies, we put him in there, coffin an’ all. When the next one goes, that first one gets taken out of the coffin, and what remains of him gets put down in the caveau.” He motioned to the dark, far reaches of the tomb, beyond and below, where the coffin was to be placed. “And so it goes ‘til all the family is holed up in their tomb together. Here’s hopin’ they get along, cuz that’s some close quarters!” Guthrie punctuated this with a cackle and a bony elbow to Tobias’s ribs. Guthrie’s litany of anecdotes and explanations encompassed nearly every inch of St. Louis No. 2, including the perimeter walls of the cemetery itself, comprised of stacked tombs that Guthrie had told him were called ovens. “Cuz they look like ovens put one atop the other, and they heat up the bodies faster than cookin’ ‘em. That’s a good thing when you need to get a lot of bodies buried all at once.” Guthrie’s mood had turned somber, the smile leaving his face. “I can remember stacking bodies up in ‘24 and ‘25 when Yellow Jack came for so many, and there was nary a place to put ‘em. Brought ‘em to the cemetery by the cartload and dumped ‘em right outside the cemetery gates, they did. Left those poor souls rotting in the sun, spreading their miasma over the city like a damned blanket. Least these ovens do the trick!” The thought of yellow fever victims drew an involuntary shiver from Tobias, even this day, in the summer heat. Guthrie’s voice in Tobias’s head was sometimes the only company he had, not that he was complaining. Tobias craved solitude and was thankful to have this job. It paid a decent wage, enough for his family to live simply but comfortably, and perhaps best of all, it allowed him time to read. He looked wistfully at his favorite reading bench, positioned in a particularly serene spot deep within the cemetery. The only sounds were the cooing of doves and the whining buzz of cicadas, so incessant this time of year as to become background noise. He felt the book’s weight in his pocket, ever-present and beckoning him to take a break. His vision blurred. He wiped the sweat from his forehead yet again to prevent more of it from dripping into his eyes. He yearned to lose himself, if only for an hour or so, in the all-absorbing action-adventure stories he loved so dearly. For the past few years, escaping from the world had become necessary for his survival. Strange, he often mused, that spending his days surrounded by the dead would be the only way he could cope with the living. Strange, but understandable, given what happened to him three years ago. With a stubborn shake of his head, he said aloud, though no one else was around, “Not ‘til I put this tomb to rights.” Most families who owned vaults cared for them or paid the cemetery to perform the maintenance, which at the very least required replastering and whitewashing the brick from time to time. Even though the cemetery was relatively new, consecrated only eight years ago, he could already see the ravages the subtropical climate wreaked on those tombs without a caretaker to maintain them. “Orphan tombs, these ones are,” Guthrie had said of the tombs left to crumble. “Got no livin’ kin to care for ‘em.” He had shaken his head, the wiry gray hairs swaying with the movement. “A whole family gone and no one to remember them.” Tobias considered Guthrie’s words as worked this day. As he raked, he looked over his shoulder at one such orphan tomb and read aloud the inscriptions on the faceplate, “Constance Bulwark, born 1770, died 1824. Faithful wife, loving mother. ‘Blessed are the pure in heart, for they shall see God.’ Jeremiah Longstreet, born 1758, died 1827. Honest in labor, kind in spirit. May his soul rest in peace.” To preserve the dignity of the inhabitants within, he cleaned and made minor repairs to the orphan tombs, though it was technically beyond the purview of his duties. “You’ll not be forgotten,” he assured them before turning his attention to the task at hand. The tomb before him was not an orphan, as the cemetery was contracted to maintain it, but it might as well have been. Its inhabitant had received no visitors since he was laid to rest. Still, this particular tomb had intrigued Tobias since its construction last November. Like most in St. Louis No. 2, it was brick. While not as extravagant as some tombs Tobias had seen, he found the elevated parapet facade aesthetically pleasing in a simple, elegant way. However, the feature that most fascinated him was the nameplate commemorating the occupant, Dominique You. You was a Freemason, as such, his tomb sported the square and compass symbol prominently carved into the top of the marble nameplate. Below the name was an inscription in French. Tobias was Irish and could not discern the writing, but he knew from the accounts he had read in the papers that the inscription was from Voltaire’s La Henriade: Intrepid warrior on land and seain a hundred combats showed his valor.This new Bayard without reproach or fearCould have witnessed the ending of the world without trembling. Dominique You was an infamous privateer and, some say, the half-brother of the notorious pirate Jean Lafitte. Tobias had read all about the adventures of the two buccaneer brothers in the weekly broadsheets he purchased. Lafitte had been killed in 1823, the same year St. Louis No. 2 opened. But while Lafitte’s whereabouts in the years before his death remained a mystery, Dominique You had lived out his final years in New Orleans, keeping a tavern and serving on the city council. He may have been a privateer, but he was also a war hero, having served valiantly as a gunner in the Battle of New Orleans, warding off a British invasion of the city by commanding a company of artillery composed of fellow pirates. Stories about Dominique You and Jean Lafitte were legendary around New Orleans and made the adventure novels Tobias read pale in comparison. Tobias vividly recalled his excitement when Dominique You was buried right in front of where he was now standing. Although You died in a state of penury, the people of New Orleans did not forget his heroism. He was given a lavish funeral at the Cathedral of St. Louis, with full military honors, the likes of which the city had seldom seen. Throngs of mourners had followed the coffin to the cemetery. As the sexton, Tobias had been there to witness it all. Many brought flowers to lay on his tomb, chrysanthemums or early-blooming camellias. Others brought magnolia leaves, fashioned into wreaths or dried herbs tied into bouquets with bits of ribbon or string. There were also rosaries, little vials of holy water, candles, and voodoo tokens left on You’s tomb. The mourners were as varied as the offerings they brought, well-dressed gentlefolk alongside the more common sort. They were all here for the same reason: to pay their respects to the man who helped save the city from the British fifteen years before. Tobias had caught snippets of conversations all around the tomb. One, in particular, stayed with him. A group of rough-looking men, ill at ease in their mourning attire, had gathered at You’s tomb. One of the men said, “Sailed with him, I did. No finer man you’d want at your side when things turned hairy. I’d trust him with my life.” “As would I,” his mate agreed. “Fought beside him, too. Best cannoneer I ever saw. That’s why the general said he’d storm the gates of hell with Dominique as his lieutenant!” Tobias had been particularly impressed with this, considering General Andrew Jackson was now president of the United States. He watched as they poured a slug of rum next to the tomb. It soaked into the gravel, leaving the scent of molasses and cloves lingering in the air like a final tribute. Tobias wondered with a shudder if these men were pirates themselves. He’d had little time to dwell on it, as a Mason engaged him in conversation shortly after Tobias overheard this exchange. The man donned a fine wool suit, well cut and fashionable, with a frock coat that gracefully skimmed the back of the knees of his trousers. Tobias usually donned a working man’s attire for his days in the cemetery, loose-fitting tweed trousers and a jacket, although on this day, he donned a suit. It was one he used to wear as a shop owner before he became a cemetery sexton, though now he donned it only for Sunday Mass. His wife, Mary Catherine, would have his hide if he showed up to work on the day of an interment of such prominence in anything less. Tobias felt rather nattily clad until he beheld the sartorial superiority of the man. Despite their difference in clothing, the Freemason was eager to engage Tobias in conversation, and Tobias found this agreeable. Funny how he spoke to almost no one these days, save his family and his close friend, the proprietor of his beloved bookshop, Chapter and Verse. Yet within the walls of the cemetery, he came back to life, if only for a short time. He felt at home here as much as he did in his cottage on Bienville Street. Though he knew precisely why this was, he found it a disconcerting aspect of his personality that he was more comfortable with mourners than with those unaffected by death. “Not a business in New Orleans stayed open today. Everyone’s here to pay their respects,” the man told Tobias. “I suppose you heard the cannons fired for him?” Tobias assured him that he had, and added that he’d also noticed the flags flown at half-mast. The Mason nodded. “He was a proud man, Dominique You.” The man seemed uneasy in the cemetery, as Tobias found most people to be. He suspected the Mason’s attempts to converse stemmed from a compelling need to fill the silence. Tobias noticed the man’s unconscious fidgeting with the intricately designed collar that nestled just below the tie on his starched white linen shirt, the adornment an indicator of his status among the Brotherhood. He spoke with a French accent, and his eyes told the story of a man who accepted the inevitable tribulations of life while still finding joy in living. Tobias was immediately envious of him. “Had not a penny to his name at the end but did not tell a soul of his troubles.” The man gazed wistfully at Dominique’s tomb. Tobias would have left him to his thoughts, but he continued. “We would have come to his aid, I can assure you of that. But Dominique was never one for charity. Tough old sailors rarely are. At least we could honor him in this way.” With a tip of his top hat by his white-gloved hand, the man moved on, presumably finding Tobias too taciturn. Yet for all the military fanfare and grandeur surrounding the funeral, now, a mere nine months later, the tomb lay quiet. Tobias had seen no visitors at the tomb since that day. Dominique You had never married, and although he had been a rather upstanding citizen in the twilight of his life, he did not appear to have close friends, at least not that Tobias had seen. Close friends visited a grave from time to time, but not even his brothers from the Masonic lodge had come. And those had been the folks most upset by his death, at least if public grieving was any indication. Then again, Tobias had seen a lot of grief in his tenure at the cemetery, and it had been his observation that even members of the sterner sex could make an enormous fuss over the coffin and then never come back. The people who looked the most distraught, as if they did not care to go on living, usually got over it by morning. It was the ones who never took their eyes off the coffin, even as it made its way into the vault, that you could be sure would put flowers there for years. Real grief was mostly invisible. It consumed a person from within, leaving only an outer shell that appeared to the world as a whole being, but was hollow inside. Tobias ought to know. He recognized it in others because he was just a shell himself. Tobias wondered once again why the Freemasons had chosen this spot for You’s tomb. It seemed a poor location in the cemetery to build a tomb, but it was not Tobias’s place to say so. It was kind of the Freemasons to construct it for their brother, even if they had decreed it was to be sold in fifty years. This stipulation did not surprise him, as he knew people sometimes purchased tombs this way. The odd part to him was that an entire tomb would be dedicated to only one person when many held multiple family members. Tobias would have thought a single man with no surviving family, and one who did not have much money, would not need a whole tomb to himself. But perhaps his contribution as a war hero had moved some hearts to loosen their purse strings and fund this stand-alone vault. This was a monument to Captain Dominique You, and Tobias would do his part to honor his memory by mucking out the mess around the man’s final resting place. He finished raking the gravel around the front, repositioning it as best he could amid the puddles that stubbornly lingered even with the scorching August sun. Now he moved to the side of the tomb, where the ground was slightly lower, causing even more water to pool. He could not do much else until the water drained, which might take a while in New Orleans. In the meantime, he could wipe away some of the mud that had splashed onto the tomb from the rainstorm. He pulled a clean rag out of his pocket and decided to concentrate on the nameplate on the front of the tomb. It was then that Tobias noticed the oddest thing—the marble plate was not flush against the bricks. Tobias chided himself for not observing this before, but as he studied it closely, he realized that it appeared to be placed properly from the front. It was not until he looked from the side that he could see the marble stone was bowing. This was indeed curious, as he himself had placed the outer tablet. As sexton, it was part of his duties to affix the plate upon the bricks after the body was interred and the tomb bricked up. He had seen marble bow when exposed to extreme heat, but thick nameplates typically did not deform so quickly. It was a blessing in disguise that the rain, which would inevitably flood the cemetery in the summer months, had necessitated him spending time around this tomb, allowing him to observe it more closely. Had the Freemasons chosen a more optimal spot to place the tomb, it might have been many years before he had noticed this subpar workmanship. And since the inhabitant had no living family members, it might not have been until the fifty years were up and the sexton opened the tomb for a new burial that the faulty nameplate was discovered. But surely, he would have noticed if something was amiss with the marble. He leaned in for a closer inspection and blinked rapidly. He thought perhaps it was a trick of the bright sunshine, but as he stared at the marble slab, he discerned a hairline fracture running the length of the stone. Dominique had been interred less than a year ago. This nameplate should not display such signs of degradation. Had he somehow damaged the stone when bolting the nameplate onto the brick vault? Utterly perplexed, Tobias pondered what he should do. He was exceedingly curious whether his workmanship was to blame for the bowing and cracking or if it was a defect in the stone itself. He knew he should probably wait until he had help, but his inquisitive nature got the best of him, and he rushed off to retrieve his wrench. Removing the large bolts holding the nameplate in place would not be an easy job to perform by himself. He half-expected that he would not be able to loosen them at all, but was relieved and more than a bit surprised to find them coming loose without even having to apply heat. He knew the stone would be too heavy to maneuver on his own, but he planned to slide it down to the ground once it was free from the brick on the front of the vault. With less effort than should have been required for such an undertaking, Tobias freed the marble slab and eased it down about a foot until it rested upright against the tomb. To conduct a proper inspection, he would need to see the back of the slab. The stone was indeed heavy and should have been cumbersome for two men to handle, yet Tobias was able, with some difficulty, to lay the slab on the ground so that the back was visible. He instantly understood why he was able to maneuver it unassisted. The back of the marble had been carved out, and the stone, too thin in the center to withstand the intense heat, had bowed as a result. The thinned-out stone also accounted for the hairline fracture Tobias had noticed. This nameplate was not the solid, thick slab he had affixed to Dominique’s vault nine months ago. The slab had been altered and reattached, unbeknownst to him. Tobias did not need to ponder why someone had done this because nestled within the carved-out space was a book. *** Excerpt from Lafitte Lives by Christi Sumich. Copyright 2026 by Christi Sumich. Reproduced with permission from Christi Sumich. All rights reserved.
.
About Author Christi Keating Sumich:
.
Christi Keating Sumich holds a PhD in history from Tulane University and a master’s degree in English. Her research field is seventeenth-century disease and healing. Christi’s writing combines her fascination with history with her love of the mystery genre. Her debut novel, Lafitte Lives (Level Best Books, March 2026), is a historical mystery centered on her ancestor, the notorious pirate Jean Lafitte. She is also the author of the Old New Orleans Bookshop Series, mysteries featuring characters from Lafitte Lives. The Swamp Ghost is the first book in the series (Level Best Books, September 2026). Christi is also part of a writing team with her mother, Sharon Keating. They are the co-authors of Hauntingly Good Spirits: New Orleans Cocktails to Die For (Wellfleet Press, 2024) and The Brandy Milk Punch (Louisiana State University Press, 2025), part of the Iconic New Orleans Cocktail Series.
Click through the other tour stops for can’t-miss reviews, insider interviews, exclusive guest posts, and more chances to win! Click here to view the Tour Schedule
Claim Your Treasure! Celebrate LAFITTE LIVES!
This giveaway is hosted by Partners in Crime Tours for Christi Keating Sumich. See the widget for entry terms and conditions. Void where prohibited.
Her Own Legacy, Book 1 of the Chateau de Verzat Series
By Debra Borchert
Category: Adult Fiction (18+), 870 pages Genre: Historical Fiction Publisher: Le Vin Press Release date:Sep 2022 Tour dates: Mar 13 to Apr 3, 2026 Content Rating: PG-13 + M:No explicit sex scenes or bad language, but one of the main characters is illegitimate. Violence of the French Revolution included, but no gore.
Book Description:
A captivating tale of courage, betrayal, and resilience set against the tumultuous backdrop of the French Revolution
To save her world, she must risk losing it.
Chateau Verzat’s vineyards have sustained generations, but ancient laws forbid unmarried women from inheriting land. Countess Joliette de Verzat secretly manages her estate, haunted by the fear of losing everything for herself and her people.
Revolution erupts, chaos descends. She risks her life to save her forbidden lover amidst the turmoil and flees to Paris where she uncovers a shocking truth: her illegitimate half-brother, Henri, is the rightful heir.
Now hunted by her father’s killer, Joliette must trust those she has saved to protect her and help her reclaim her legacy. But as she faces impossible choices and dangerous enemies, she must also confront her own desires and the true meaning of family.
For fans of strong women and forbidden romance, Her Own Legacy is a gripping tale of love, betrayal, and the fight for self-determination. Experience the passion and turmoil of a woman defying tradition to claim her rightful place.
During the writing of my Château de Verzat series, my characters ganged up on me and informed me that if I didn’t publish a cookbook collection of their recipes, they would stop speaking to me. I still had another book to write, so it was a risk I wasn’t willing to take.
When writing “Her Own Legacy,” my research told me that soups were very important to French culture and the recipes varied depending on the economic level of the cook.
I confess, I am a soup maven. I am the proud owner of ten slow cookers, and I throw annual soup parties at which I serve eight different soups. In writing my historical novels, I created soups that helped reveal the characters’ qualities and their economic condition. For example, Sister Magali is a kind nun who cares for eighteen orphans. When they arrive at the Verzat estate which offers them shelter, Sister Magali discovers pears growing near the vineyard. She roasts them and adds them to her Roasted Butternut Squash Soup, to “add a little sweetness to the children’s lives.”
Louis de LaGarde is a former nobleman who turns his château into an orphanage sheltering children and their single mothers, who happen to be ex-prostitutes. Throughout the series, Louis changes from an arrogant rogue to a generous man of great integrity and honor. In his telling of how he created “Oncle Louis’s Lentil Soup,” he reveals his kind and loving nature, growls like a bear, and entertains the children, shocking the protagonist who has seen only his selfish, demanding side.
Aurélia, a former enslaved American, appears in “Her Own Revolution” and “Her Own War.” She is mute, due to the horrors she endured on the ship that transported her from Africa to America. But she communicates her love through her soups, made with ingredients that were also used in her homeland.
So, when these characters asked me to compile a cookbook, I was only too glad to comply.
(Readers can received a free e-cookbook by signing up for my newsletter at: https://debraborchert.com/bonus/)
.
.
.
,
.
Meet Author Debra Borchert:
Debra Borchert has had many careers: clothing designer, actress, TV show host, spokesperson for high-tech companies, marketing and public relations professional, and technical writer for Fortune 100 companies. Her work has appeared in The New York Times, San Francisco Chronicle, The Christian Science Monitor, and The Writer, among others. Her short stories have been published in anthologies and independently.
A graduate of the Fashion Institute of Technology, she weaves her knowledge of textiles and clothing design throughout her historical French fiction. Her work has been honored with a Historical Novel Society Editors’ Choice, Publishers Weekly BookLife Editor’s Pick, numerous awards–including: Winner Best Book Series, Page Turner Awards and the Independent Author Award, Runner Up, and many five-star reviews.
Fried Chicken Castañeda Historical Culinary Cozy Mystery 1st in Series Setting – Las Vegas, New Mexico, in June 1929 Publisher : Artemesia Publishing, LLC Publication date : May 6, 2025 Print length : 228 pages Paperback ISBN-10 : 1963832051 ISBN-13 : 978-1963832051 Digital ISBN-13 : 978-1963832242 ASIN : B0DZC47WJQ
.
At the Castañeda Hotel you’ll find romance, gourmet dining, bootleggers, and murder!
Bored with her conventional middle-class life, Prudence Bates escapes Cleveland by heading west to qualify as a Courier for the Southwestern Indian Detours. On the California Limited she meets Jerry Begay, a charming Navajo school teacher. They feel an instant rapport, but he’s headed for Gallup, so it’s but a brief encounter.
In Las Vegas, New Mexico Prudence is befriended by Castañeda Hotel Harvey Girls Martha and Anne and desk clerk Clara. They take Prudence under their wing and invite her along to dances and the local hot springs.
Four days later, Martha’s brother, Tom, is found murdered. Was it because of his bootlegging activities? Or his amorous relationship with Liz Kearney, daughter of the richest man in the area and rumored mob boss? And was that really Jerry Begay whom Prudence saw meeting with Tom in secret the day before he was killed?
Following in the footsteps of her favorite fictional detectives, Tommy and Tuppence, Prudence is determined to solve the murder. But one wrong step and she may end up in the sights of the bootleggers.
,
About Author Suzanne Stauffer
After 20 years as a librarian and 20 as a professor of library science and library historian, Suzanne Stauffer has moved on to a third career as a mystery novelist. She currently lives in Albuquerque with her Australian husband and brown and white spotted rat terrier dogter, Treme. Her debut novel, Fried Chicken Castañeda (Artemesia Publishing, May 2025), won the CIPA EVVY Bronze Medal in Mystery/Crime/Detection and the New Mexico Book Award for Cozy Mystery.
Titus and the Christian Coin: An Adventure of Faith and Freedom
by Dennis Conrad
Category: Teen and Young Adult Fiction (Ages 12-18), 132 pages Genre: Christian Teen and Young Adult Ancient Historical Fiction Publisher: Write4Christ Publishing Release date: November 3, 2025 Format available for review: print-softback (USA only), ebook (EPUB), audiobook (audible-download) Tour dates: Jan 6 to Feb 2, 2025 Content Rating: G. This Christian book is for teens and young adult.
Real. Raw. Riveting. A true story of redemption.
Dennis does an excellent job stirring up the heart and imagination of his reader. A must read for all Christians, both young and old. — Derek Singer, Pastor, Canyon Lake Community Church, Canyon Lake, California
Dennis Conrad crafts an entertaining and enduring tale in Titus and the Christian Coin. He does not sidestep the difficult, real-life questions that Christians still ask today, but rather masterfully interweaves the context of an ancient setting with relatable and timeless struggles. A great read for anyone, especially in the young adult genre.— David Finnern, award-winning novelist/journalist and author of the Lost Tales and Sunken Mysteries series.
Titus and the Christian Coin, by Dennis Conrad is a wonderful story of faith and God’s sovereignty. The story is gripping and inspiring while telling the story of Christian history during the time of Constantine. It also shows the importance of hope, hard work, and forgiveness. This book should be on every middle young adult’s reading list.— Terrie Hellard-Brown, award-winning author and podcaster
Book Description:
When Titus refuses to deny his Christian faith, Roman persecution destroys his family and condemns him to a brutal life in the copper mines of northern Italy.
Underground, surrounded by despair and danger, he must choose between hatred and hope, revenge and redemption.
From a mine collapse to an emperor’s audience hall, Titus’s journey spans the Roman Empire during Constantine’s transformative reign. Alongside Tribune Felix, he discovers that true freedom comes through forgiveness, not force. Authentic historical details bring ancient Rome to life while timeless themes of faith, friendship, and courage inspire modern readers.
This gripping adventure combines accurate historical research with compelling storytelling. Readers will witness early Christian persecution, experience Roman culture, and walk through Constantine’s palace while following Titus’s transformation from broken slave to Roman citizen.
An unforgettable tale where archaeological accuracy meets heart-pounding adventure, proving that faith can triumph over the darkest circumstances and that God’s love never abandons His people.
Titus’s story was edited and reedited several times. The final edit makes the story come alive and allows readers to become emersed in the world of 312 A.D. Rome.
“Outtakes” are scenes of movies that are cut and do not show up in the final version of the film. The same happens while editing a book. Some deleted facts and scenes were cut or rewritten prior to the final published version.
Titus, the main character, and Felix, a high-ranking Roman official, ride horses on their adventure from northern Italy to Rome.
Before the final rewrite Titus’s feet were in stirrups and he was holding on to the saddle’s pommel for grip and stability. The question: Was this accurate for Italy in 312 A.D.?
After further study, I learned that although stirrups were used in China as early as 300 B.C., they were not used in Europe until the 600s. Pommels did not exist in Italy in 312 A.D. Rather, saddles had horns at the corners of the saddle for holding on and to attach supplies.
Additionally, before editing, several pages detailed the construction of the Arch of Constantine. My coauthor artfully used less than a page of dialogue to explain how artists repurposed sections of other existing arches to complete Constantine’s arch on schedule.
Blessings to you and yours,
Dennis Conrad
.
.
Meet Author Dennis Conrad:
Dennis Conrad began writing stories for children in 2007. Over the years, he and his wife, Diane, have enterained their 11 nieces and nephews. He has taught high school through univeristy and around the world. He’s helped many to see God in their lives.
As a former coin collector of fifty years, Dennis combines his love of Jesus, the Bible, children’s literature, and writing stories about coins.
He is a member of the Society of Children’s Book Authors and Illustrators and a Fellow of the National Writing Project. connect with the authors: website ~ facebook ~ goodreads
Join us for this tour from Nov 24 to Dec 12, 2025!
Book Details:
BOY WITH WINGS
by Mark Mustian
Category: Adult Fiction (18+), 324 pages Genre: historical fiction/magical realism/literary fiction Publisher: Koehler Books Release date: March 2025 Content Rating: PG-13: There is adult content, use of the f word and (in limited context) the n word
Paris, 1895. When a cancan dancer at the Moulin Rouge falls to her death from the top of one of Montmartre’s highest staircases, the police dismiss it as an accident. But, Madeleine was one of Toulouse-Lautrec’s favorite models, and the artist is certain she was murdered. Enter Depression-era detective Steven Blackwell and 21st-century journalist Olivia Watson who travel back in time to Paris to hunt down the killer. Before long, they learn that a second dancer—a ballerina and favorite model of painter Edgar Degas—has died. Two dancers dead in two weeks. Two artists grieving. Is the killer targeting young dancers, or, does this case involve the enigmatic Paris art world? From the moment Steven and Olivia arrive, Steven is out of his element. The small-town cop has no idea what techniques the French police use in 1895. Worse, he has no official status to investigate murder in one of the world’s largest cities. The sleuths soon discover disturbing secrets at the Paris Ballet. And when Olivia insists on going undercover to visit a suspect’s house alone, Steven fears he’s made the biggest mistake of his life. Travel back in time with Steven and Olivia, as they enter the back-stabbing world of dance in one of the world’s greatest cities. Murder at the Moulin Rouge is their most daring and dangerous case to date.
Book Details:
.
Genre: Traditional Police Procedural with a Time-Travel Twist; Historical Mystery.
Time travel books. They weren’t something I gravitated to. I did enjoy some movies. Especially Somewhere In Time. Then, one day, I watched The Time Traveler’s Wife. That movie took me deeper into the idea of time travel. Not so much whether it could be done. It was more about the consequences. The personal ones.
So I started reading some books. And I came across this series. The description really intrigued me. A journalist, Olivia Watson, living in 2015. A detective, Steven Blackwell, living in the 1930s. Ooh, time travel, a mystery and an possible a romance. Sounded fun.
I first met Steven and Olivia in Death Rang The Bell and followed them into RSVP To Murder . Then I read this one, the fifth book in the series. The synopsis sounded so exciting. So tangled. And it was. Since this is further along in the series, and I’d not read all the books, you’d think I might struggle to jump back in. Not so. I just started it as a stand alone and let the author lead me. And lead me she did. Right to Paris and a plot that kept me curious. I really need to go back and read the first two books. I’m certain they will be equally as fun.
4 STARS
.
.
The Blackwell and Watson Time-Travel Mystery Series
“I need you to come to Paris.” “You need what?” he asked. Detective Steven Blackwell stared at the younger version of his mother standing in the room that had been her studio. Jaw dropped, eyes like saucers. He could barely speak. “I need you—and your friend Olivia, if you like—to come to Paris. There’s been a murder and the police aren’t doing anything,” said Evangéline. “I thought I heard a voice a minute ago. Was that Olivia? Why don’t you get her? She’s probably wondering what’s going on.” In a daze, and feeling like he had no control over his actions, Steven turned away from the vision of his mother and stumbled out into the hallway. He saw Olivia still waiting in the doorway at the end of the hall. Her hand flew to her chest, and she heaved a great sigh. “Oh, my God, you’re okay! What’s going on? I thought I heard voices. Is somebody here?” As he came closer, she noticed the look on his face. “What’s wrong? You look funny.” “It’s my mother. My mother’s here.” “What?” “She looks as real as you do, but she’s young, around our age. She said she needs me to go to Paris. And you should come too.” “What?” For one terrifying moment, Olivia wondered if a year of grieving had unhinged Steven’s mind. How could his mother be here? Evangéline Neuilly Blackwell died last January. Steven repeated Evangéline’s instructions. “She said I should come get you.” He held out his hand. Olivia took it and stepped over the threshold into 1934. They moved slowly down the hall then paused at the doorway to look at each other. Steven squeezed her hand. Olivia nodded. They both took a deep breath then entered Evangéline’s studio. There in the shadowy room stood a beautiful woman, shoulder-length copper hair shining in the lamplight. She was slender, taller than average, and wore a stunning emerald dress, the kind French women wore to perfection. A wool coat with a fur collar had been thrown over the back of a chair. She held out her hand toward Olivia. “Hello. I’m Evangéline Neuilly. I’m so happy to meet you.” Olivia had always wanted to meet Steven’s exotic-sounding mother—a famous French artist—but that possibility had died along with Evangéline. Or so she had thought. Olivia told herself to close her mouth, which had fallen open, and shook the woman’s hand. “Olivia Watson.” Evangéline looked at Steven. “I can tell you’re surprised to see me. I must not have told you about my ability to time travel. Surely, you wondered why you can? And if your father or I also had that ability?” “Eh, no. Not really.” Evangéline rolled her eyes and gave Olivia a look that said, Men, huh? Olivia couldn’t help grinning. “Well,” Evangéline opened her arms wide, “here’s the answer to your unasked question. You got it from me.” Olivia recovered first. “So, Evangéline, you traveled here from…when?” “1895. And I really need your help. Both of you.” She shook her head and waved her hand back and forth. “I know. I know. You have a lot of questions. Let’s go downstairs and have something to drink. I’ll tell you what has happened.” They trouped down the stairs and into the living room. “I know I must have lived in this house for some time and I assume I decorated this room….” Evangéline turned to Steven for confirmation. “Yes, we lived here about twenty years or so before you….” He swallowed hard. “Before I died,” she whispered, then patted his hand. “Pauvre chouchou. Poor sweetheart. I’m so sorry. But, don’t tell me. I don’t want to know when. Of course, I have an idea. But not the exact date.” She opened a door in the sideboard. “Bon! A bottle of red.” She handed the wine to Steven. Still dazed, he opened it and poured a glass for each of them. Evangéline curled up in a leather chair. Steven and Olivia sat facing her on the couch. His mother took a sip and pursed her lips. “Not bad. So, listen, we must act fast. A young girl has been killed but the police do nothing. They say it was an accident. We know it was not. I want you to find out who killed Madeleine Gervaise.” His cop’s instincts kicked in, and Steven found himself intrigued. Who was Madeleine Gervaise? How did she die? Why do the police think it was an accident? And what was her connection to Evangéline? Suddenly, Steven remembered something Sherlock Holmes once said: “When you have eliminated the impossible, whatever remains, however improbable, must be the truth.” And with that assurance, he snapped out of his stupor and accepted his mother’s bewildering appearance. He leaned forward. “All right, let’s say, for the sake of argument, that I can and will go to Paris. Answer these questions.” He ticked them off his fingers. “Why do the police think it was an accident? How do you know it wasn’t? When did this happen?” Evangéline placed her feet on the floor and mirrored him, ticking her answers off her fingers. Olivia almost laughed at the two of them. Talk about a chip off the old block, as her grandfather used to say. “She fell on one of the tall staircases in Montmartre. The police say she slipped on the ice. My friend Henri knows the human body and how it works. He says the…how do you say ‘marks of black and blue’?” “Bruises,” Olivia chimed in. “We also say black-and-blue marks.” “Ah! Bon. Henri says the bruises prove someone pushed her. It happened late Sunday night, early Monday morning. Today is already Wednesday. That is why we must move fast.” Steven groaned, thinking of the days lost. “Is Henri a doctor?” “No, an artist. But, believe me, Steven, he knows the body. If Henri says she was pushed, she was pushed.” “So, again, if we were to do this, how would it work?” “We must go with all speed. That means we must travel in Olivia’s time in one of those fast aeroplanes. That’s how I got here so quickly.” “Wait, how do you know about Olivia?” “Oh, mon Dieu, the questions! It is a long story but if it will help speed this up…last summer, I traveled to 1934, to America, with someone on business that had nothing to do with you or my future. When I was in New York City, I saw a photograph in a newspaper of the painting I’m working on right now. The article said a museum in Chicago had bought it and gave information about me, you, and your father. While my friend was completing his business, I had a couple of days to myself, so I took a train here and came to this house. Naturally, I was curious, so I came in and looked around. You really shouldn’t leave your doors unlocked, you know. Anyway, I saw the photograph of Olivia on your dresser. You have her name and the year 2014 written on the back. I realized you had inherited my ability to time travel and that Olivia also had the gift.” Evangéline blew out her cheeks. “Can we not return to the problem at hand now?” Steven grinned. “Yeah, okay. You know, I always thought you learned English when you moved here with Dad. You speak really well.” She rolled her eyes. “As you must know, my father is a professor of English at the Sorbonne. He taught me when I was a child.” She took a drink of her wine. “Now, to our problème…I went through the portal in Paris, from 1895 to Olivia’s time.” “Why did you go into Olivia’s time?” “If you keep interrupting me, we will never get anywhere. Just listen.” Evangéline took another drink of wine and went on. “Time is of the essence, as it’s already been almost three days. We must travel into 2014 and go to New York City as quickly as possible. Someone there will help us with what we need. Tomorrow night, we’ll fly to Paris. Once we’re there, we’ll travel back to 1895.” “You make it sound easy. But I have so many questions,” Steven persisted. “How are we going to pay for all this? How do I get a passport fast enough to fly tomorrow? What about other things we might need?” His mother tilted her head toward the ceiling and sighed. “You think I have come all this way without a plan? Before I left, Henri gave me a sketch. There’s a man in New York City—you will soon learn we have travel agents in cities all over the world who help us. This man in New York City, a place called Brooklyn, is selling the sketch for me, so we’ll have plenty of money. He’ll make a passport and other documents for you, Steven, just as someone in Paris made mine so I could come here.” Evangéline turned to Olivia. “Do you have a passport? Do you drive an automobile?” “Yes. And I have a car.” “Can you take us to New York City tomorrow morning so we can get Steven’s documents and the money to buy our tickets for the aeroplane? We must leave for Paris tomorrow night.” “Sure. Listen, Evangéline, I’m sorry to hear about your friend Madeleine.” “Thank you. She was lovely—a dancer and one of Henri’s favorite models. Such a waste.” “Who is Henri? And why would anybody buy one of his sketches?” “Henri de Toulouse-Lautrec. I think he is well known in your time, Olivia.” “Toulouse-Lautrec?” Olivia gasped. “He’s a friend of yours?” “Yes, and he’s now your employer.” Olivia’s jaw dropped. Evangéline reached out toward Steven with her empty wineglass then settled back in the chair after he’d refilled it. “Now, let us talk about tomorrow. You must both pack a small bag. Steven, bring any tools or objects you will need to investigate. I don’t know what they might be, but that is most important. When we travel to my Paris in 1895, you can borrow clothes belonging to my friend Théo. He’s away on business right now. His wardrobe is filled with additional items—suits, shirts, collars, and so forth. There’s a cloak and hat as well. Olivia, we’re about the same size. I’m happy to share my clothes with you. I have plenty of skirts and dresses. I have an extra cloak, too. Just bring your personal things.” Suddenly, Steven realized he had been given a gift. After a long, difficult year of grieving, he had the chance to spend time with the woman who would become his mother. How could he possibly say no? “I’m sorry, but I have to interrupt again,” Steven said, grinning at Evangéline. “Before it gets too late, I need to call the chief to tell him a family emergency has come up and I need a few days off.” He stood and headed for the phone, then stopped. He turned around and walked back to Evangéline. “I know this is going to be weird for you. You don’t even know me yet. But I have missed you so much!” And he bent down and kissed his mother’s cheek. *** Excerpt from Murder at the Moulin Rouge by Carol Pouliot . Copyright 2025 by Carol Pouliot . Reproduced with permission from Carol Pouliot . All rights reserved.
About Author Carol Pouliot:
,
A former language teacher and business owner, Carol Pouliot writes the acclaimed Blackwell and Watson Time-Travel Mysteries, traditional police procedurals with a seemingly impossible relationship between a Depression-era cop and a 21st-century journalist. With their fast pace and unexpected twists and turns, the books have earned praise from readers and mystery authors. Carol is a founding member of Sleuths and Sidekicks, 4 mystery writers who have banded together to share their love of mysteries, immediate Past President and Program Chair of her Sisters in Crime chapter, and Co-Chair of Murderous March, an online mystery conference. When not writing, Carol can be found packing her suitcase and reaching for her passport for her next travel adventure.
Visit these other great hosts on this tour for more great reviews, interviews, guest posts, and opportunities to WIN in the giveaway! Click here to view the Tour Schedule
Don’t Miss Out! Enter Now for Your Chance to Win!
This giveaway is hosted by Partners in Crime Tours for Carol Pouliot. See the widget for entry terms and conditions. Void where prohibited.
Welcome to my stop on the virtual book tour for Tamanrasett organized by Goddess Fish Promotions.
Author Edward Parr will be awarding a $25 Amazon or B&N Gift Card to a randomly drawn winner. Don’t forget to enter!
And you can click on the tour banner to see the other stops on the tour.
.
Tamanrasett
By Edward Parr
Genre: Historical Fiction
Synopsis
TAMANRASSET is historical fiction set on the edge of the Sahara as the ancient world begins to fade and great empires collide. Four strangers—a mature Foreign Legionnaire, a Sharif’s wrathful son, an ambitious American archaeologist, and an abandoned Swedish widow—become adrift and isolated, but when their paths intersect, the fragile connections between them tell a story of survival and fate on the edge of the abyss. Blending the sweep of classic adventure with the horror of a great historical calamities, Edward Parr’s TAMANRASSET is a saga about the crossroads where nomads meet.
~~~~~
Enjoy this peek inside:
Demoreau knelt beside Lieutenant Claussen. The Sergent had been in plenty of actions during more than twenty years of service in the Legion: The sun beating down, the barrel of his rifle smoking and hot from constant firing, the taste of sand and sulfur in his mouth as he and his comrades fought off their enraged enemy with nerves of steel and cooler heads. “Que voulez-vous? C’est la Legion!” A part of him relished it. He had a calmness of mind gained through years of experience and training. As he raised his rifle to aim at the advancing tribesmen, he recalled to his mind the melody of a fine composition, the death waltz by Saint-Saëns, which unrolled in his inner ear, turning his blood to ice. He hummed the tune as his rifle fired and his deadly accurate shooting dropped one rider after another.
Claussen was a good Lieutenant and had plenty of courage, but that did not mean he couldn’t benefit from Demoreau’s experience. The Sergent turned and faced his commander: “We’re being overwhelmed and losing too many men, Sir: We can’t maintain this position. We must move east onto the ridge where there’s cover among the rocks.”
“I know, but it may be too far, Sergent,” Claussen replied.
“Yes, it might,” the Sergent agreed, “but we still have to go: We’ll certainly all be killed if we stay here.”
Claussen looked distraught, but as he looked Demoreau in the eyes his nerve was hardened. Everything had to be done “par règlement” in the Foreign Legion. He nodded: “Yes, give the order, Sergent. Withdraw to the ridge; smartly, now.”
My novel Tamanrasset: Crossroads of the Nomad was inspired by the amazing body of action-adventure stories written about the French Foreign Legion which are set in the tumultuous early 20th century of northern Africa. As much as I enjoy these stories when taken in isolation in the spirit they were written at the time, its difficult to ignore subsequent events. I knew that if I were to write a new adventure of that era, I would absolutely need to show both sides of the story: Who were the Legionnaires? Who were the people fighting the French Foreign Legion, and what were their objectives? What were they really like?
As I continued doing research, it seemed to me that not only were a lot of the potential characters in the story Muslim, but that in some fundamental way Islam is a part of that place. There can be no doubt that writing about Islam and writing Muslim characters is fraught with peril. Just ask author Salman Rushdie: his novel, The Satanic Verses, contains a plotline where the Prophet is alleged to have transcribed verses dictated by Satan. This resulted in Iran’s Supreme Leader issuing a fatwa calling for Rushdie’s assassination, followed by years of threats, hiding, and even a violent attack on the author in 2022. But I will say that there is nothing like that in my novel. For the record, I specifically wanted readers to see the Muslim characters as real, sympathetic people, people practicing a rigorous but perhaps even understandable religion, a religion where the meaning of Qur’anic verses have been argued over for centuries in the same way as verses of the Bible, Old and New Testaments, are argued over by Jewish and Christian scholars. The people of northern Africa are a varied and diverse people who for the most part live in communities of kind, like-minded individuals, men and women. In the end, I even elected to hire a sensitivity reader, a Muslim woman educator in Morocco, to give me her thoughts. I incorporated all of her invaluable suggestions.
I also wanted to make clear that the anger experienced by the native people of northern Africa, regardless of religion, was in some cases justified, and that any violence that ensued came not from religion per se but from the treatment of the native people whose countries were actually being violently conquered by France. Once France began to march soldiers directly into Morocco, it’s hardly surprising that locals would push back. On the other hand, I had no interest in vilifying the French Foreign Legionnaires who served in northern Africa. The vast majority of those soldiers enlisted in the Foreign Legion for personal reasons – some joined to avoid the law, to become a soldier the only place they could, or to find adventure, among many other reasons. Most Legionnaires were not French, and the aims of the French government were mostly irrelevant to them. The Legion asks its recruits to dedicate themselves to their fellow Legionnaires and to serve with honor even in the most desperate and the most boring deployments, and that’s the ethos and brotherhood I wanted to depict.
In the end, I hope the story is one that can be taken at face value and without assuming any underlying ideological objective on my part. The story is, ultimately, about the vast emptiness of the Sahara, and those who were there before the world changed and the vast unknown places disappeared forever. Needless to say, the array of people there at the time was remarkable.
~~~~~
About Author Edward Parr:
.
.
Edward (“Ted”) Parr studied playwriting at New York University in the 1980’s, worked with artists Robert Wilson, Anne Bogart, and the Bread and Puppet Theater, and staged his own plays Off-Off-Broadway, including Trask, Mythographia, Jason and Medea, Rising and an original translation of Oedipus Rex before pursuing a lengthy career in the law and public service. He published his Kingdoms Fall trilogy of World War One espionage adventure novels which were collectively awarded Best First Novel and Best Historical Fiction Novel by Literary Classics in 2016. He has always had a strong interest in expanding narrative forms, and in his novel writing, he explores older genres of fiction (like the pulp fiction French Foreign Legion adventures or early espionage fiction) as inspiration to examine historical periods of transformation. His main writing inspirations are Charles Dickens, George Eliot, Bernard Cornwell, Georges Surdez, and Patrick O’Brien.
(Strange Eden Trilogy, #3)
Publication date: November 20th 2025
Genres: Adult, Historical
“And I thought you were my savior in my darkest hour. How very wrong I was.”
1794: Devastated by the violent disappearance of her husband, Charles Sharpe, Eliza struggles to save Pleasant Hall from the hands of crooked creditors and the governor’s greed. In the aftermath of the attack, her husband’s enemies have branded him a traitor and declare him dead.
But an unlikely source carries knowledge that he still lives, and he alone knows who has taken Charles. Eliza’s desperation drives her to form an alliance with the king of the underworld himself: Captain Hiram Bruin, a notorious man who is more pirate than privateer.
Eliza’s death has been ordered by Lord Dunmore, and Bruin himself tasked with the deed. But Hiram Bruin has never been a man to follow orders. He offers her passage on his ship, the Fortuyne, and his personal protection. In her hour of distress, Eliza accepts—for she has no other choice.
Bruin takes Eliza on a wild and dangerous voyage from the island of New Providence to the wild and untamed Saba, and finally to England, where her journey started three years ago.
Eliza endures her new sinister reality, one where death creeps ever closer, and quickly learns that the only monsters at sea are men. Ensnared by the salt air and damning secrets, one thing is startlingly clear: Bruin wants to take everything she holds dear. For the roots of revenge lie deep…
Will Eliza be able to save the life of her husband before it’s too late? What price is she willing to pay for his freedom? And can she escape this unimaginable nightmare, fueled by a man of unspeakable cruelty?
Color of Fire is the dark, thrilling conclusion to Gina Giordano’s sweeping historical epic, the Strange Eden Trilogy.
“I hope you never forget for one moment that the only reason you are alive right now is because of me,” Bruin said, the venom unmistakable in his voice. “Your every breath is a gift—from me.” He mocked her shallow breaths, then pushed into her again. “You should be thanking me.”
.
.
About Author Gina Giordano:
Gina Giordano always had an insatiable curiosity and a penchant for history. Born in New York City, she is a writer, artist, and a conjurer of the past. She holds a BA in history and a master’s degree in historical fiction from New York University, and has traveled to over fifty-five countries across the globe. When she is not climbing ancient ruins or exploring forgotten palaces, she enjoys swimming with sharks in remote pristine waters. Her debut novel, STRANGE EDEN, was longlisted for the 2023 Bath Novel Award.
To sign up for exciting news and to find out more about the author follow her on Instagram @ginagiordanobooks.