Have I got a treat for you!
The Harvesting by Melanie Karsak is on tour and today I’ll be doing my review and giving you a peek inside the book!
There’s also an awesome giveaway, so don’t forget to enter!
Read on to see what I thought of this exciting apocalyptic, urban fantasy!
But beware, there be zombies, and something else!
The Harvesting
The Harvesting Series, Book 1
Melanie Karsak
Genre: Horror/Urban Fantasy
Publisher: Steampunk Press
ISBN-10: 1479327247
ISBN-13: 978-1479327249
ASIN: B009GI3YBY
Number of pages: 394
Word Count: 71000
Cover Artist: Michael Hall Photography
TV interview with book info:
http://www.youtube.com/watch?v=xGHrhTv5YAA
Book Description:
When mankind finally consumes itself, can any spark of humanity survive? Layla fights to keep those she loves alive when the zombie apocalypse unfolds, but she soon learns that zombies are not the only problem. With mankind silenced, those beings living on the fringe seek to reclaim power. Layla must learn who to trust, fast, if she hopes to save what is left of our kind.
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My Review
I enjoyed the beginning. I got to know a little about what made Layla tick and the descriptions about her sword play and discipline were important later on.
The story takes place at the beginning of the apocalypse, which I really liked.
You get to be a part of the confusion, panic, and disbelief. I know it would take a lot to convince me the zombie apocalypse had begun. Maybe one appearing on my front lawn would do it!
Layla gets an urgent phone call from her grandmother telling her she must come home.
When she arrives, the farmhouse has been turned into a gated compound, her grandmother is acting odd, and every available space is packed with supplies.
Her grandmothers cryptic explanations about why she’s doing this leave her confused, but Layla indulges her and helps to get the things on her list.
Before her grandmother can go into detail, people start getting sick. You know the story, don’t panic, this will pass.
Well, it doesn’t and people start dropping like flies. But, then they rise and begin feeding on anyone unlucky enough to be in their path.
All hell breaks loose and even though Layla may be safe in the compound her grandmother built for them, she’ll have to venture out of the gate.
What Layla doesn’t know is, there are other things out there, things that are taking advantage of this world in chaos. They no longer feel they have to hide, and now there is not just zombies stalking the remaining survivors.
The Harvesting is fantastic!
I loved Layla and the author really helped me to connect with her. I liked her toughness, and no-nonsense attitude. You don’t have time to be flighty when the world is ending.
The zombies are zombies. Causing all kinds of mayhem and showing up at the most inopportune times, keeping the action and scares going throughout the book.
Then there are the others. The other things coming out of the woodwork.
I must say, the author really got me. I didn’t expect this story to take the turn it did, but this isn’t your typical zombie story. There’s a psychic element to it and the supernatural bleeds into the story as you read further.
You move from one thing to the next easily, and the author makes it believable, as long as you remember this is fiction.
About the ending. It leaves you hanging, yes. But in a good way, with just enough of a lead to make you have to read the next book.
I can’t wait!
28 Days Later meets 30 Days of Night, with a pinch of True Blood!
I recommend this book to all of you brave fans of horror and the apocalypse and the creatures that come with it.
5 Stars
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Enjoy this peek inside The Harvesting!
Chapter One
“If you ever need to slice someone’s head off, this is the blade you want,” I said as I lifted a curved sword off the table in front of me. “We’ve been practicing épée and foil so far, but tonight I want to introduce you to the sabre.” The practice sabre’s curved blade reflected the orange streetlight shining in through the window. A grant from the Smithsonian where I worked allowed me to teach my two passions: ancient weapons and their arts. “The sabre is a slashing weapon,” I continued and then lunged, showing the wide-eyed and excited students a few moves. “And in general, it’s my favorite,” I admitted with a grin.
The students laughed.
“Is that why you have it tattooed on your arm?” Tyler, one of my best fencers, asked.
My hand went unconsciously toward the tattoo. The ink was a sword interlaced with other once-meaningful symbols. “That’s not just any sabre,” I said, mildly embarrassed. “Here, let me show you. I brought something special tonight.” Setting the training sabre down, I lifted a rolled bundle. I laid it down on the table and unrolled it to reveal weapons in various elaborate scabbards.
“Some are épée, foils—you can tell by the hilt—a broadsword, a claymore, a katana, a scimitar, throwing daggers,” I said, pointing, “but this, this is a Russian shashka.” I pulled the shashka from the bundle. “It’s like a traditional sabre, but has no guard. She’s light, single-edged, wielded with one hand, and good for stabbing or slashing. Not awkward in close quarters like a Scottish claymore, but it will kill you just as dead,” I said with a smile. I unsheathed the weapon and gave it an under- and over-hand spin around my head, shoulders, and back.
The students grinned from ear to ear.
I put it back in its scabbard and handed the shashka to them. “Pass it around, but keep in mind it is sharp enough to cut a blade of hair in half.” I then turned my attention to Tyler. “Now, since you’re so interested, let’s see how you do with the sabre.” I tossed one of the training swords to him.
Tyler, already in his gear, jumped up and lowered his fencing mask. “But you’re not in gear,” he said.
I shrugged. “Hit me–if you can.’”
We stood at the ready, made the ceremonial bow, and began. Tyler was not overly aggressive, which is partially why he was so successful. He waited for me, moving slowly. He was smart, quick, and often tried to over-tire his opponent.
I waited, dropped my sword a bit, and let him make the lunge. He took the bait.
The swords clanged together, and we clashed back and forth across the strip. He lunged and slashed while I dodged and blocked. He was fast. I was faster. When he lunged again, I ducked. With an upward movement, I went in.
“A hit,” Kasey called.
They clapped.
“Man, that’s what you get for taking on a former state champ—and the teacher,” Trey told Tyler with a laugh.
Tyler pulled off the mask and smiled at me.
Just then, my cell rang. I would usually ignore it, but something told me to answer.
“Everyone pair up and start working with the training sabres,” I said and pointed to the sword rack. I went to my bag and grabbed my cell.
Before I could say hello, she spoke.
“Layla, Grandma needs you to come home,” my grandmother’s voice, thick with Russian accent, came across through static. I was silent for a moment. My grandmother lived 500 miles away, and she never used her telephone. With the exception of her T.V., she hated technology. She’d cried and begged me to take away the microwave I’d purchased for her one Mother’s Day.
“Grandma? What’s wrong?”
“Come home now. Be here tomorrow,” she said. She hung up.
I lowered my cell and stared at it. Confused and worried, I dialed her back. The phone rang, but she did not answer. I had obligations: practice, bills to pay, groceries to buy, tons of work to do, and a date for god-sakes. But my grandmother was the only one I had left in the world.
“Sorry, guys. Emergency,” I called to my students.
Disappointed, they groaned.
“Sorry. Let’s pack it up for the night.” My hands shaking, I slid the shashka back into the bundle and rolled up the weapons. What had happened? Maybe Grandma was sick. Maybe she had some problem. Or maybe she had seen something.
The monuments on the Mall faded into the distance behind me as I made my way to my Georgetown apartment. It was Friday night. Wisconsin Avenue was packed. The upscale shops and restaurants teemed with people. In the crowd you could see the mix of international tourists, Georgetown students, and designer-dressed hotties headed to clubs. I sighed. For the last month I had turned myself inside out trying to get the attention of Lars Burmeister, the German specialist the Smithsonian had brought in to consult on our new medieval poleaxe exhibit. He had finally asked me to dinner; we were going to meet at Levantes, a Turkish restaurant near Dupont Circle, at nine that night. I had dreamed of authentic dolma and a chance to sit across from Lars somewhere other than a museum. I had even bought a new dress: black, strapless, come-hither.
I circled my block three times before I finally found a parking space. Regardless, I loved Georgetown. It was early fall. The mature trees had turned shades of deep red and orange and were losing their leaves. The air was filled with an interesting mixture of smells: the natural decay of autumn, dusty heat from the old cobblestone streets, and the mildly rancid odor of too many people. In my 4th floor attic apartment of an old Brownstone, I could occasionally catch the sweet scent of the Potomac River. It reminded me just enough of home.
The apartment was ghastly hot. The small, one-bedroom had been closed up all day. I lifted the window and let the noise of the city fill the room. The street lamps cast twinkling light across my apartment. The weapons I had mounted on the wall, swords, shields, axes and the like, glimmered. I peeled off my sweaty practice clothes. Pulling a bag from the closet, I threw in several changes of clothes and a few other supplies. On my coffee table, my laptop light blinked glaringly. An overflowing email inbox, an article on bucklers that needed editing for a peer-reviewed journal, and a PowerPoint on Medieval Russian swords for a presentation for next week’s symposium all called me. My coffee table was stacked with paper. I was flooded with work; half my department was out on sick leave. There was a bad flu was going around. Thankfully, I had not yet gotten sick.
I pulled my cell out of my bag. I stared at the phone for a moment; Grandma’s recent call was still displayed on the screen. I dialed Lars’ number. My stomach shook when he answered.
“Guten abend, Lars. It’s Layla.”
“Ahh, Layla, good evening,” he replied.
I loved his German accent. He’d learned English from a British teacher; he said arse with a German lilt. It made me smile. I could tell by his tone he was trying to hide his excitement. I didn’t let him get far. I told him I had been called away for an emergency. I could sense his disappointment.
“I’ll be back by Monday. Let me make it up to you. Dinner at my place Monday night?”
He agreed.
“Gute nacht,” I said as sweetly as possible, hoping I had not pissed him off, and stuffed my phone into my bag. I stared out the window taking in the view. I did not want to go back, not even for a weekend. I loved my life. Hamletville was an old, ghost-filled place: too many memories, too much heartache. Yet I knew my grandmother. If she said I needed to come home, then I needed to come home.
I closed the windows, slid on a pair of jeans, a black t-shirt, boots, and a light vest. I looked again at the display on the wall. At the center I had crossed two Russian poyasni or boot-daggers. One dagger had the head of a wolf on the hilt. The other had the head of a doe. I grabbed them and tossed them in my bag. I then headed back downstairs and into the night. It was the last time I would lay eyes on D.C. for many years.
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About the Author:
Melanie Karsak, steampunk connoisseur, white elephant collector, and caffeine junkie, resides in Florida with her husband and two children. Visit the author at her blog, melaniekarsak.blogspot.com, to learn more about upcoming projects.
http://melaniekarsak.blogspot.com/
https://twitter.com/MelanieKarsak
https://www.facebook.com/AuthorMelanieKarsak
http://www.goodreads.com/author/show/6539577.Melanie_Karsak
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