Archive for August 26, 2023

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I am so excited that A GOOD MAN by P.J. McIlvaine is available now and that I get to share the news!

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If you haven’t yet heard about this wonderful book, be sure to check out all the details below.

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This blitz also includes a giveaway for five signed copies of the book courtesy of P.J. & Rockstar Book Tours. So if you’d like a chance to win, check out the giveaway info below.

 

 

A GOOD MAN

 by P.J. McIlvaine

 

 

Pub. Date: August 18, 2023

Publisher: Bloodhound Books

Formats: Paperback, eBook

Pages: 300

Find it: Goodreadshttps://books2read.com/A-GOOD-MAN

Read for FREE with a Kindle Unlimited subscription!

 

Decades after a brutal childhood trauma,
a famous novelist finds his life shattered once again, in this unsettling
psychological mystery thriller.

After years of turmoil, Brooks Anderson is sober and has a stable life with his
wife and two kids. He should be enjoying life, but the persistent nightmares
and sleepwalking tell a different story.

As hard as he’s tried, Brooks can’t run away from the defining event of his
life: the senseless murders of his mother and brother during a vacation in
Montauk. An eight-year-old Brooks was the sole survivor of the carnage, which
left him in a catatonic state. He buried his pain and eventually overcame his
demons. Or so he believed.

Now an unscrupulous journalist is threatening to write about the deaths.
Fearful that the truth will be twisted to suit sordid ends, Brooks decides to
write his own book, despite the grave misgivings of his agent, wife, and
father.

However, when the journalist is brutally killed, Brooks finds himself in the
authorities’ crosshairs. To prove his innocence and exorcise the past, he digs
deeper into his psyche and that fateful summer. His relentless pursuit of the
truth soon leads Brooks down a slippery slope that challenges everything—and
brings him face-to-face with the real monster of Montauk . .

 

Excerpt:
(part of chapter one)

CHAPTER ONE

Sheldon
Adler, my agent at Crown-Hawkins and my brother from another mother, is late as
usual. No fucking surprise there. When you’re meeting Sheldon, you
have to tack on an hour at least. I’m at our usual table at La Bonne
Grenouille, the best little French bistro in Manhattan that no one has ever
heard of, sipping a glass of ice-cold watermelon seltzer. Sheldon has been
my literary agent—no, make that literary savior—since he read my first
published short story that didn’t involve erect penises in The New
Yorker
. He contacted me out of the blue and suggested Hey, why don’t
you write a book and I’ll sell it? I wrote Fallen Angels in
twenty-four days in a drug haze. When it was finally published, it sold
less than two hundred copies, but Sheldon was so fucking proud you would’ve
thought it sold two million. I resigned myself to being a
failure. Months later, the book was plucked out of obscurity by the senior
literary critic of The New York Times and nominated for a
Pulitzer. A tabloid dubbed me “The Heroin Hemingway.” The name stuck,
even though I’ve been sober and drug-free for more than twenty-five years.

Sheldon got
me my first million-dollar advance. He’s the wolf that other wolves hire,
and his reputation is well-earned. My biggest supporter, he stayed with me
through the lean, mean years when I wrote truly terrible books. Despite my
abysmal marital track record, I’m extremely loyal. I wouldn’t dream of
leaving Sheldon and believe me, other agents have tried to poach me. And
unless I did or said something unacceptable that blew up on social media—which
is why I don’t have any social media accounts—Sheldon wouldn’t kick me to the
curb or toss me under the bus. All my skeletons are out there. Well,
most of them.

A portly man
with a vague resemblance to the great Mafia chronicler Mario Puzo, Sheldon
huffs his way to our table. I can’t say it to his face, but Sheldon needs
to lose forty—make that fifty—pounds, if not for himself, then for his young children. I’m
sixty-five and I can still fit into the jeans I wore when I was
nineteen. It takes discipline and willpower, of which I have plenty to
spare.

After we
order and exchange our typical innocuous pleasantries about the weather,
politics, and soccer, for we’re both rabid fans, Sheldon downs a gin and
tonic. It’s his first of the day and not his last. “Brooks, how is
the book coming along?” he booms in a guttural Brooklyn accent that has
other diners turning their heads.

“Great,” I reply cheerfully. “It couldn’t be going any better. Gold, pure gold.”

He tilts his head. “Cassie says you haven’t been sleeping well.”

Cassie’s my
third and—if I have anything to say about it—last wife. She interviewed me
for a puff piece and months later, when the pregnancy test was positive, I knew
I’d met my Waterloo, no thanks to Abba. An abortion was out of the
question. Now we have two children under six, our lives are a
merry-go-round of sweet chaos. Last fall, I had a vasectomy so there will
be no more miniature Andersons polluting the planet.

I finish my
seltzer and signal for another. “You know I never sleep well when I’m
writing. I do my best work after midnight.” In the old days, that
didn’t necessarily apply to writing.

The waitress
delivers our meals: me, a grilled chicken Caesar salad with extra feta, and
Sheldon a porterhouse with crispy julienne potatoes and parmesan creamed
spinach. I eye his steak with unconcealed envy, but Cassie’s always after
me to eat healthier. I sigh and add more dressing to my salad. Cassie
would be pleased.

“Yeah, I
know. You have the constitution of fucking Secretariat. You did drugs
with Keith Richards and Lou Reed.” Sheldon cut into his steak; it’s not
just blue, it’s bloody raw. Just looking at it makes me queasy. “But
this is different. You’re writing about your goddamn family.”

“I can be objective.”

Sheldon puts
his fork down. “Not about this, Brooks. Come on. The
cold-blooded executions of your mother and brother—”

I suddenly
lose my appetite. Sheldon means well. Cassie does, too. But this
quasi-intervention is the last thing I need. “Sheldon, you know as well as
Cassie that I had no choice. I wasn’t going to let that fucking
guttersnipe drag my mother through the mud.” The fucking guttersnipe in
question is Marshall Reagan (no relation to the former president), a douchebag
posing as a journalist. His brand is writing scandalous, unauthorized
biographies of the rich and famous because he knows he can get away with
it. No dirt, no sleaze, is beneath him. And when he can’t find
anything salacious, he makes shit up and pulls it out of his ass like saltwater
taffy.

“You don’t know that.”

“Oh, but I
do know. I know exactly the angle he’d take. That my mother was
having an affair with Julian.” Julian Broadhurst, born in Lancaster,
England, in 1942. An artist who was supposedly the protégé of Peter
Max. Julian had long blond hair and drove a robin’s-egg-blue Aston Martin. Palmer
and I loathed him. “And when Mom wanted to end it, he killed her. But
that wasn’t enough, fuck no. When my brother tried to protect her, Julian
killed him, too.” I shake my head, the bile percolating like a fresh pot
of coffee. “My mother was brilliant. Graduated from Mount Holyoke
with honors. And she was utterly devoted to my father. To
us. The idea that she’d have a summer fling with that bohemian scumbag—” I
choke on the words (or is it a sliver of chicken that went down the wrong
pipe?). “And you know damn well that when that cocksucker Reagan’s done
tarring and feathering her, he’ll start in on my father, who has been nothing
less than a fucking saint. Saint Bernard.” I rap my fist on the
table. “It’s fucking ludicrous.”

Sheldon
nods, sympathy oozing from every pore. “All I’m saying is that you have a
lot on your plate. The book. The next book. Your father’s
gala. You’re writing a speech for that, right? Jesus fucking Christ,
Brooks. You’re not Superman. It’s bound to take a toll on you.”

“So, what
are you suggesting? I can’t return the advance. It’s already
spent.” Six million gone in a heartbeat. Lawyers. Trust
funds. The new house in Water Mill. And I was finally able to get my
ex-wives off my back with a tidy lump sum. For the first time in years, no
alimony to shill out every goddamn month. All thanks to Sheldon, who
hadn’t budged an inch during the multi-house book auction. He earned his
commission ten times over.

“No one’s
suggesting that. That’s crazy.” Sheldon’s halfway through his steak. “But
we can ask to push the deadline back by a couple of months.”

“No.” I’m
a stubborn son of a bitch. If there’s one thing I’m known for, it’s living
up to my contractual obligations. I’ve never missed a deadline. I
could be fucking pushing up daisies and I’d still deliver.

Sheldon sighs. “Why are you being so goddamn obstinate?”

“I’m well into the book now, it’s just a matter of research.”

“Really?” He gives me a side-eye. “Cassie says you’ve barely written the first chapter.”

I’m annoyed. Mostly because Cassie’s right. “It’s all in my head, Sheldon. Don’t worry.”

 

About P.J. McIlvaine:

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PJ McIlvaine
is a prolific and creative children’s author/screenwriter/writer/journalist.

PJ will have
two books coming out in 2023: A GOOD MAN, a gritty adult contemporary psych
thriller from Bloodhound Books and THE CURIOUS CONUNDRUM OF CHARLEMAGNE CROSS,
a young adult alternate history adventure set in Victorian London from Orange
Blossom Books.

PJ’s debut
middle-grade supernatural historical mystery adventure VIOLET YORKE, GILDED
GIRL: GHOSTS IN THE CLOSET (Darkstroke Books, April 2022) is about a poor
little rich girl in NYC 1912 who sees ghosts.

PJ’s debut
picture book LITTLE LENA AND THE BIG TABLE (June 2019, Big Belly Book Co.),
with illustrations by Leila Nabih, is about a determined little girl tired of
eating with her annoying cousins at the kid’s table, only to discover that the
big table isn’t much better. She has another picture book, DRAGON ROAR
(MacLaren-Cochrane Publishing, October 2021) artwork by Logan Rogers, about a
lonely, sick dragon who has lost his mighty roar, and the brave village girl
who helps him find it again.

PJ is also a
co-host and founding member of #PBPitch, the premiere Twitter pitch party for
picture book creators.

PJ has been
published in numerous outlets including The New York Times and Newsday, and is
a regular contributor for The Children’s Book Insider newsletter (paid
firewall), writing about the path to publication and interviews with
established and debut kid lit authors.

PJ lives on Eastern Long Island with her family and furbaby Luna.

Website | Twitter | Instagram | TikTok | Goodreads | BookBub

 

Giveaway Details:

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Thanks so much for visiting fuonlyknew and Good Luck!

For a list of my reviews go HERE.

For a list of free eBooks updated daily go HERE

To see all of my giveaways go HERE.

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Follow Maxie Gwenoch as she takes the job of Managing Editor for SNAP Magazine, the world’s largest and most popular gossip media covering celebrities around the globe….owned by a family of vampires.

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The Kandesky Vampire Chronicles Box Set

Books 1-4

by Michelle Drier

Genre: Paranormal Romance

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This boxed set includes Books One through Four of the Kandesky Vampire Chronicles: Book One, SNAP: The World Unfolds; Book Two, SNAP: New Talent; Book Three, Plague: A Love Story and Book Four, DANUBE: A Tale of Murder.

Follow Maxie Gwenoch as she takes the job of Managing Editor for SNAP Magazine, the world’s largest and most popular gossip media covering celebrities around the globe.

First, she finds the owners of SNAP are a family of Hungarian vampires, then she discovers she’s the reason for an escalating war between the Kandeskys and their archrivals, the Huszars.

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Book One, SNAP: The World Unfolds

SNAP, a multinational celeb TV show and magazine, is the holy grail for Maxie Gwenoch. When she snags the job as managing editor, she’s looking for fame, fortune and Jimmy Choos. What she finds is a media empire owned by Baron Kandesky and his family. A family of vampires. They’re European, urbane, wealthy and mesmerizing. And when she meets Jean-Louis, vampire and co-worker, she’s a goner.

The Kandesky vampire family rose in Hungary centuries ago. They gave up violence and killing to make a killing on the world’s commodities markets and with that beginning they built SNAP, an international celebrity multimedia empire. Now cultured…and having found food substitutes for killing…they’ve cornered the world market for celebrity and gossip journalism.

They haven’t fully left the past behind. Their Hungarian neighbors and rival vampire clan, the Huszars are starting to ramp up attacks, maybe looking to start a war to take over all the Kandeskys have built.

Maxie believes she’s found her ultimate career. She doesn’t realize that she’s found a family feud like none other, a centuries-old rivalry between vampire families, with her as the linchpin. Bells ring with Jean-Louis, but she doesn’t realize they’re alarm sirens until she learns that Jean-Louis is second in command of the Kandeskys…but by then it’s too late.

Book Two, SNAP: New Talent

In the second book of the SNAP Kandesky vampire series, Maxie Gwenoch, media-savvy editor of the multinational celeb gossip magazine SNAP, is pummeled in Paris and kidnapped in Kiev as the Huszars ramp up the race to oust their centuries-old rivals, the Kandeskys.

SNAP’s owners, the Kandesky family of vampires, built the world’s most popular celeb coverage empire but this isn’t just a business take-over. These powerful vampire families lived with an uneasy peace for four centuries until Maxie came in to boost SNAP’s coverage and started making inroads into the Huszar’s traditional hunting territories.

Although Jean-Louis, Maxie’s lover, vampire and second-in-command of the Kandeskys, tries to keep her safe, Maxie is determined to do things her way, a way that may lose her her job, her love and her life.

This is a new edition. It has been reformatted and contains additional bonus material.

Book Three, Plague: A Love Story

The third book of the Kandesky Vampire Chronicles begins the saga of the family’s start during the chaos of 14th century Hungary. When Stefan’s wife and infant son die in a minor plague outbreak, he has nothing to live for, so Theron’s turning him to a vampire is just a way out of his anguish.

Until he takes over the estate of a merchant, recruits Jean-Louis to teach him business and meets Lady Penelope Kandesky.
Plague returns to Budapest and this time paves the way for Stefan to become Baron Stefan Kandesky, a businessman who builds a trading empire with the help of Jean-Louis and Pen.

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Book Four, DANUBE: A Tale of Murder

The Kandesky management trio, Stefan, Jean-Louis and Pen, find themselves embroiled in a war with their rivals, the Huszars, which is bad for PR and bad for business, but after a judicious assassination they hammer out a pact.

This fourth book of the Kandesky Vampire Chronicles tells of peace agreements with their rivals and the growth of their now-international business ventures.

It also follows Jean-Louis as he meets and falls in love with a young artist, Magda, who desires travel and adventure but never imagined the world the Kandeskys inhabit

Amazon * B&N * Kobo * Bookbub * Goodreads

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Writing a series as a pantser

By the definition, a pantser is a writer who writes “by the seat of the pants”, someone who doesn’t outline and lightly plans a book.

I’m a panster, the one who in school wrote the paper first, THEN outlined what she’d written.

This allows me to create all kinds of scenarios, add characters along the way, set up action on the fly. And might become iffy as I find I’m writing series.

The one thing I’ve done with all of my series is to keep track of the characters! I list their names, occupations and which book they appeared, a must with the paranormal romance books which are littered with close to a hundred Central and Eastern European characters. Most of the time, I can’t even remember the spelling.

I have three series, the traditional mystery Amy Hobbes Newspaper Mysteries, the Stained Glass Mysteries and a paranormal romance one, The Kandesky Vampire Chronicles. There are three Amy Hobbes extant, Edited for Death, Labeled for Death and Delta for Death; two (so far) in the Stained Glass Mysteries and eleven in the Kandesky Vampire Chronicles. These are like Topsy, they just grewed

I planned ahead a bit in the mysteries and always intended  them to be a series. The main characters are the same, the actual plot changes with a different murder/mystery in each book. The planned-but-unwritten ones have a general mystery plot (who ends up dead and why) but nothing more.

The Kandeskys I initially saw as a trilology but as the characters developed, I had to keep establishing plots. Because the series are character-driven, a roadmap isn’t necessary. The characters can find themselves in the middle of a variety of situations which don’t have to be plotted out ahead of time. My only roadmap for this series is to continue the thread of the characters…they tell me what’s going to happen. My suspicion is that Lee Child didn’t sit down to write all the Jack Reacher books knowing he had a “roadmap” and Janet Evanovich keeps devising quirky situations for her characters. If you have a plot-driven book, although I’m hard pressed to come up with a series like that, some advance plotting might be necessary, but character-driven? No. Think Danial Silva, Robert Crais, Elizabeth George, Agatha Christie…etc. and ad infinitum.

The Amy Hobbes and Stained Glass Mysteries are complete in each book…well, I do have a couple of romances simmering. The Kandeskys on the other hand have loose ends and one GIANT cliff-hanger in book two, SNAP New Talent.

My initial publisher didn’t pick up the Amy Hobbes series so I don’t know if it would be different. I indie-publish for lots of reasons and this might be one of them. I like my characters (well, I love some of the guys) and would continue their story any way I can.

All of my books have some romantic tension. None of the female characters are particularly interested in getting married or even having a relationship, but as they meet a man in the course of their work, they become interested. The romantic tension in the Kandesky Chronicles kept the two main protags going for ten books. Now I need to figure out if Amy Hobbes (Amy Hobbes Mysteries) or Roz Duke (Stained Glass Mysteries) are  going to get totally wrapped up in their male characters.

All the characters grow and change, primarily in the way they understand themselves. In the mysteries, Amy is learning to cope with the hurt her ex-husband incurred when he left her for another woman. She’s rebuilding her life and her trust in men, but slowly. In the Stained Glass Mysteries, Roz’ husband has been murdered in a drive-by shooting. Although the gunman has been caught, Roz harbors a nagging question: Why was her husband at that mall where he was shot? In the Kandeskys, Maxie must make the decision of whether she’s willing to trade eternal life as a vampire for losing all she’s ever known. And the men, 500-year-old vampires all, must learn to love a 21st century career woman, a creature they’ve never met before.

During the writing of the series, the mysteries have shifted slightly. Amy Hobbes is the managing editor of a smaller daily newspaper in Northern California. The plots have changed as the focus of the economy has changed. Each of the books’ central plot centers around a real contemporary issue…but are they important enough to kill for? The Stained Glass Mysteries don’t rely on contemporary issues as much, although the first book, Stain on the Soul, hinges on pedophilia in the priesthood.

The Kandeskys have shifted quite a bit. Initially, the violence and tension was from a war with another vampire family. That family has died (or been killed) off and now the Kandeskys are up against international political issues. They’re living in Kyiv, Ukraine and are fighting off Eastern European thugs and gangs hired by the oligarchs. In SNAP: Pandemic Games, the danger is from Russia trying to break up the EU and NATO.

In a new book, I usually begin with the characters. What are they doing now? What challenges are they having? In the mysteries, this leads to a premise of “What if?” which leads to the plot, or mystery. In the Kandeskys, I usually begin with the events affecting global tensions because SNAP, the Kandesky family’s flagship company, is a multi-formatted international celebrity gossip television show and magazine. And they may be moving toward covering more news instead of gossip.

For me, one of the delights in pantsing, particularly a series, is the unknown. Although I almost always know the ending (not always the murderer), the plot can take interesting twists and the characters surprise me!

Coming in 2023, Resurrecting the Roses, Book Three in the Stained  Glass Mysteries.

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Michele Drier is a fifth-generation Californian and spent better than 20 years as a reporter and editor at California daily newspapers. She is the past president of Capitol Crimes, a Sisters in Crime chapter; the Guppies chapter of Sisters in Crime, current president of NorCal Sisters in Crime, and co-chaired Bouchercon 2020.

Her Amy Hobbes Newspaper Mysteries are Edited for Death, (called “Riveting and much recommended” by the Midwest Book Review), Labeled for Death and Delta for Death. A stand-alone, Ashes of Memories was published May 2017.

Her paranormal romance series, SNAP: The Kandesky Vampire Chronicles, was named the best paranormal vampire series of 2014 by PRG. Book Eleven, SNAP: Pandemic Games was published in 2022

Her new series is the Stained Glass Mysteries, Stain on the Soul and Tapestry of Tears, and she’s working on the third, Resurrection of the Roses.

She lives in Sacramento with her cat, Malley.

Website * Facebook * Twitter * Instagram * Bookbub * Amazon * Goodreads

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Follow the tour HERE for special content and a giveaway!

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a Rafflecopter giveaway

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Thanks so much for visiting fuonlyknew and Good Luck!

For a list of my reviews go HERE.

For a list of free eBooks updated daily go HERE

To see all of my giveaways go HERE.