Archive for the ‘Historical’ Category

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In 1942, Major Ray
Hawkins must assemble a unit of civilians and military to keep the Nazis from
releasing a desert djinn against the Allied forces in North Africa. They will
have to employ conventional warfare and unconventional witchcraft to accomplish
the mission.

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Devil in the Desert

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Office of Supernatural Directives Book 1

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by Russell James

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Genre: Historical Horror

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It is 1942 and a
secret group within the Nazi SS is on the hunt for objects of the occult,
hoping to harvest their power for wonder weapons to win the war. Its leader,
Gruppenfuhrer Karl Weitz, has more than military might behind him. He has
recruited the Ochre Witch, an Eastern European sorceress capable of adapting
what they seize to serve the Reich’s needs.

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Only one team can stop the Axis powers from winning World War II.

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Army Major Ray Hawkins is tasked with creating the Office of Supernatural
Directives to stop these fanatics. He assembles a team that includes a female
WASP pilot, an enlisted man with a passion for language and puzzles, a
mysterious American ex-pat from the French Foreign Legion, and a young Romany
woman who will need to embrace the mystic Gypsy teachings she’s spent her life
despising.

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Their first mission unfolds in Tunisia, where Weitz and the Ocher Witch plan to
release a djinn the locals call the Devil in the Desert. It wields the power to
spread debilitating fear. If Major Hawkins and his band cannot stop the djinn,
it will sow panic among the Americans and Rommel’s Afrika Korps will crush the
invasion force. But Hawkins’ new team has many weaknesses, and Weitz and the
Ocher Witch will exploit every one of them to win.

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Ray followed General Charles Vernon into a side room where an Indian British Army captain with a full moustache and beard sat at a wooden table. He wore a Sikh turban. Ray had heard that the Sikhs were ferocious in battle. He stood up, ramrod straight and stared through Ray. Ray was a fit 5’ 9”. This towering captain made him feel small.

“Major Hawkins, this is Captain Singh. He’s going to brief you on some top-secret material. None of which you can discuss with anyone once you leave this room.”

Ray and Singh exchanged nods and the three sat down. Singh’s back never strayed from being perfectly vertical. He opened a folder.

“You are briefed on the SS organization?”

“Yes, a parallel army staffed with Nazi fanatics more devoted to Hitler than to the Fatherland.”

“They are indeed fanatics, steeped in the nonsense ideology of the Aryan master race. That includes a firm belief in the occult and supernatural, which they consider the source of their superiority, a source that ‘cross-breeding’ with ‘inferior races’ has now denied them. Hitler himself is completely taken with such ideas.”

“Lunatics believe insane things.”

“There is an entire section within the SS devoted to such research. It is called the Ahnenerbe. They have agents combing the world for phenomena that the Germans can use to create wonder weapons and win the war.”

Ray laughed. “Well, good for them wasting resources chasing ghosts and Loch Ness monsters.”

“We wish that it was a waste of time.”

Singh took out another sheet of paper. This one had a drawing of a sea creature crushing several Phoenician galleys. The enormous creature looked like a hideous cross between a sperm whale and an octopus.

“Phoenicians called it a lotan. Powerful sea creatures able to destroy ships with impunity.”

Ray had read more than his share of fantasy and science fiction tales. “The kraken myth.”

“Similar, except these were no myth.”

Singh pulled out a black-and-white picture with TOP SECRET printed along one side. Despite the grainy quality, the subject was easy to make out, though hard to believe. An octopus-like creature held aloft two halves of a submarine. Tiny sailors hung on to the canted conning tower.

“The Ahnenerbe found them, resurrected them, created them. The plan was to have the Luftwaffe attack from the sky and a combination of U-boats and leviathans attack from the sea. They would starve England into surrender during the first winter.”

Ray couldn’t believe what he was hearing. He looked up at General Vernon, who was taking it all in stride and had apparently already known all of this.

“They’re animals,” Ray said. “They’d be no match for modern weapons.”

“Not animals, supernatural creatures. Impervious to conventional weapons.”

“But England survived. How?”

“The details are classified. But I can tell you that supernatural threats require supernatural remedies. That’s the best advice I can give you.”

“Advice? Why would I need advice about this?”

“We are about to jump into this war on the ground in a big way,” the general said. “The Brits had a whole section working on rooting out the Ahnenerbe and destroying whatever technology they’ve created. We’re going to start our own similar team. General Eisenhower picked you to lead it.”

“Me? I’m an infantry officer.”

“Which gives you the leadership experience. Eisenhower liked your fitness reports and your stint as company commander of that experimental light reconnaissance company. You showed the ability to think outside the box tactically.”

“Whoever runs this operation needs to have an open mind about anything the Nazis might try to find, no matter how out in left field it might be.”

“Our men stay close to the front,” Singh said. “Ready to respond to anything out of the ordinary advancing troops come across. Sometimes those clues have sent us deep into enemy territory to intervene before things got too far along for us to stop it.”

“Thank you, Captain Singh,” the general said. “That will be all.”

“Certainly, sir.” Singh collected his papers and left the room. He closed the door behind him.

“We need a unit to do what the Brits were doing,” the general said. “Your group will be called the Office of Supernatural Directives. You’ll have vague orders that give you a lot of latitude in going wherever you need to be. But you’ll have to be low-key. I think you can appreciate that your unit is best kept secret from the public and even within the military itself.”

“Yes, sir. People would think we were crazy.”

“Worse, they might think that you weren’t, and the last thing we need is a war-worried populace also starting to panic over supernatural threats. Hell, people would never sleep.”

Ray was starting to wonder if he ever would again.

“Are you up for the challenge, Major?”

He honestly didn’t know what to say. The whole idea was so bizarre, chasing Nazis who were chasing myths. He had an important staff job in logistics now that he was damn good at. Once American troops started taking the fight to the Axis, the soldiers who kept them supplied would be the difference between victory and defeat.

“It’s a lot to take in, sir. I think –”

The door opened. General Eisenhower stuck in his head. His eyes lit up when he saw Ray.

“General, you found Major Hawkins! Superb. Captain Singh has briefed you, Major?”

“Uh, yes, sir.”

“Outstanding. Great to have you lead this new team. I know I can count on you.”

The general disappeared and the door closed.

“Looks like the General accepted for you,” General Vernon said.

“Looks like he did.”

“Head over to G1 and start looking through personnel jackets. You need to assemble a team.”

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Trucks, tanks, and more!

There are a number of vehicles the OSD team comes across during their adventures in Devil in the Desert. I did a lot of research to pick specific types that would be historically accurate to the time period. Not wanting all that research and fun facts to go to waste, I’ll share them with you here.

German Army Kubelwagen

Americans had the Jeep. The Germans has a Kubelwagen.

Ferdinand Porsche, future-father of the 911 sports car, designed this inexpensive, lightweight military transport vehicle in 1938. The Volkswagen Beetle, a promised “people’s car” that the war put on hold provided the basis. Unlike the Jeep, this was only two-wheel- drive, but it still proved tough to get stuck, even with only a 985 cc engine.

Full-scale production of the Type 82 Kübelwagen started in February 1940 and continued with only minor changes all the way until 1945. By then 50,435 Kübelwagen vehicles had been produced. Only small modifications were implemented, mostly eliminating unnecessary parts and reinforcing others which had proved unequal to the task. Prototype versions were assembled with four-wheel-drive (Type 86) and different engines, but none offered a significant increase in performance or capability over the existing Type 82, so these designs went nowhere.

This interior picture show how utilitarian the interior was, and that the body was anything but bulletproof. But it had more room and more protection from the elements that the Jeep. In fact, it was captured and re-used by so many Allied soldiers that the U.S. Army even made a field manual for its troops so they could repair and maintain one correctly.

M3 “Lee” Medium Battle Tank

As entering World War II looked inevitable, American armor dated from the last big war and was hopelessly obsolete. The stopgap answer was the M3 Lee, officially Medium Tank, M3. It carried a 75 mm main gun mounted in the tank body, and a smaller cannon in the turret. It was relatively easy to build, relatively inexpensive ($55,000), and the main gun packed a decent punch against the armor rolling when it was first deployed in 1941.

But the design had some serious drawbacks. First, unlike every other tank in WWII, the main gun wasn’t in the turret. That meant you needed to spin the entire tank to aim the gun. There was a reason no other army had tanks like this. Other drawbacks included a high silhouette, the inability to take a hull-down firing position, riveted construction that could send popped rivets into the crew area when an enemy round hit, and poor off-road performance. But until the superior M4 Shermans arrived, this was all the Americans had. Production ended in 1942 after making 6,258 of them.

The turret was produced in two forms, one with the main gun on the right, like the picture for American standards, and one with the main gun on the left for British requirements. American tanks were called “Lee,” named after Confederate general Robert E. Lee, British tanks were known as “Grant,” named after Union general Ulysses S. Grant. Nearly a thousand M3s were supplied to the Soviet military under Lend-Lease between 1941 and 1943.

In the Pacific, where it was a match for the lighter Japanese Army tanks, the M3 did soldier on until 1945.

Opel Blitz Kfz 305 Ambulance

The OSD is not above using captured vehicles to get around, especially since masquerading as the 417th Medical Holding Battalion on paper, they can’t very well requisition one without getting unwanted attention. One of the vehicles they use is a German Army Opel Blitz Ambulance.

The Opel Blitz was the workhorse truck of the German Army. First delivered to the Wehrmacht in 1937, by the time bombing destroyed the factory in 1944, over 130,000 had been delivered. It could carry a payload of over 2.5 tons, travel up to 50 miles per hour, and had a range of over 200 miles. All this was accomplished with only a 74 hp engine. The truck was renowned for its hardiness and ease of repair.

There were literally dozens of variants of what was officially named the Kfz 305. One of these was an ambulance version that definitely saw service with the Afrika Korps in Libya and Tunisia. As these were the most likely vehicles to escape destruction in combat, it seemed a good choice to be the truck Major Ray Hawkins can get his hands on.

All the color pictures here I took at the American Heritage Museum in Stow, Massachusetts. I highly recommend a visit there to see their excellent collection of military vehicles from many time periods, but especially World War II. They even let you drive a Sherman tank.

Those are a few of the vehicles mentioned in Devil in the Desert. I hope they matched what my descriptions planted in your mind’s eye.

If you haven’t gotten a copy of this WWII horror thriller yet, head over to Amazon and get yourself one today.

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Russell R. James was raised on Long Island, New York and spent too much time watching
Chiller, Kolchak: The Night Stalker, and Dark Shadows, despite his parents’
warnings. Bookshelves full of Stephen King and Edgar Allan Poe didn’t make
things better. He graduated from Cornell University and the University of
Central Florida.

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After flying helicopters with the U.S. Army and a career as a technical writer, he
now spins twisted tales best read in daylight, including horror thrillers Dark
Inspiration, Q Island, and The Playing Card Killer. He authored the Grant
Coleman Adventures series starting with Cavern of the Damned and the Ranger
Kathy West series starting with Claws. He resides in sunny Florida. His wife
reads his work, rolls her eyes, and says “There is something seriously
wrong with you.”

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Website * Facebook * X * Instagram * Bookbub * Amazon * Goodreads

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Ink and Intrigue at Ivy Tree Inn: An Ariadne Winter Mystery
by Ellen Butler

 


Ink and Intrigue at Ivy Tree Inn: An Ariadne Winter Mystery
Historical Cozy Mystery
1st in Series
Publisher ‏ : ‎ Power to the Pen (October 2, 2024)
Print length ‏ : ‎ 323 pages
ASIN ‏ : ‎ B0D9ZLTG5D

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Stumbling across a dead body could be the making … or breaking of an aspiring reporter.

During 1958, when the workforce is predominantly male, societal norms dictate women should be compliant, fashionable housewives. To Ariadne Winter, the sole tradition she aims to embrace is that of being fashionable. Amidst the ambiance of Ivy Tree Inn, where she’s been dispatched as a writer for Ladies’ Lifestyle Magazine, her focus wavers as she grapples with an interview assignment concerning a Hollywood starlet on the cusp of royal matrimony—an event hailed as the “Wedding of the Century.” While Ariadne dutifully attends to her task, her heart yearns for the pursuit of her collegiate ambition: to be an investigative reporter for a renowned newspaper.

However, fate intervenes when she discovers a dead body and recognizes the opportunity it presents to write her way into the role she desires. Yet, as Ariadne delves deeper into the lives of the inn’s inhabitants, she uncovers a labyrinth of intertwined relationships and long-buried secrets among guests and staff alike, yielding a plethora of suspects. With a murderer on the loose, her magazine deadline looming, and the inn cordoned off by authorities, Ariadne faces a race against time to untangle the web of deceit and solve the murder before she loses more than just her job.

About Ellen Butler

Ellen Butler is the international bestselling author of the Karina Cardinal mystery series. Her experiences working on Capitol Hill and at a medical association in Washington, D.C. inspired the mystery-action series. Multiple books in the series have hit #1 on Amazon bestseller lists in the US and abroad. Book critics call the Karina Cardinal mysteries, “intelligent escapism.” Butler is also the author of the award-winning historical suspense novel, The Brass Compass. The Brass Compass has won multiple awards for historical fiction including: 2022 Speak Up Talk Radio Firebird Book Award, 2018 Indie Reader Discovery Award, 2019 Readers’ Favorite Silver Medal Winner. Butler started writing in the romance genre and won the The Romance Reviews Readers’ Choice Award 2015 with her novel Planning for Love. Her 12th book Operation Blackbird, a Cold War Spy novel, was published in October 2022 and won a Next Generation Indie Book Award gold medal for historical fiction.

Serving Up Suspense with Style
Ellenbutler.net  Instagram  Facebook 

Purchase Link – Amazon

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Murder Under A Cold Moon: A 1930s Mona Moon Historical Cozy Mystery
by Abigail Keam

 


Murder Under A Cold Moon: A 1930s Mona Moon Historical Cozy Mystery
Historical Cozy Mystery
13th in Series
Setting – At Blackhaven Hall in England
Publisher ‏ : ‎ Worker Bee Press (September 30, 2024)
Number of Pages – 230
Digital ASIN ‏ : ‎ B0CSXV3J1N

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Mona Moon and her new husband, Robert Farley, Duke of Brynelleth are on their honeymoon at last. They are invited to a weekend party by an old friend of Robert’s family—Lady Eustacia. Mona and Robert arrive in a substantial downpour to find several other couples awaiting the appearance of their hostess.

When Lady Eustacia fails to come downstairs, Mona and Robert search the manor house only to find the lady missing. It is then they discover the telephone wires have been cut and none of the cars are able to drive into town due to the storm. Mona and Robert believe the invitation was a ruse, but for what purpose? And how do they help Lady Eustacia?

About Abigail Keam

Award-winning author Abigail Keam writes the Mona Moon Mystery Series—a rags-to-riches 1930s mystery series, which weaves real people and events into the story line. “I am a student of history and love to insert historical information into my mysteries. There is an addendum at the end of the mystery to give more information. My goal is to entertain my readers, but if they learn a little something along the way—well, then we are both happy.”

Miss Abigail currently lives on the Palisades bordering the Kentucky River in a metal house with her husband and various critters.

AWARDS

2010 Gold Medal Award from Readers’ Favorite for Death By A HoneyBee
2011 Gold Medal Award from Readers’ Favorite for Death By Drowning
2011 USA BOOK NEWS-Best Books List of 2011 as a Finalist for Death By Drowning
2011 USA BOOK NEWS-Best Books List of 2011 as a Finalist for Death By A HoneyBee
2017 Finalist from Readers’ Favorite for Death By Design
2019 Honorable Mention from Readers’ Favorite for Death By Stalking
2019 Murder Under A Blue Moon voted top ten mystery reads by Kings River Life Magazine
2020 Finalist from Readers’ Favorite for Murder Under A Blue Moon
2020 Imadjinn Award for Best Mystery for Death By Stalking 2022 Finalist in Killer Nashville Silver Falchion Finalist for Best Historical Category – Murder Under A Full Moon
2022 Finalist the Killer Nashville Silver Falchion Award for Best Historical Category – Murder Under A New Moon
2022 Death By Chance: A Josiah Reynolds Mystery Killer Nashville Silver Falchion Finalist for Best Cozy Mystery
2022 Top Ten Mystery Novel by Kings River Life Magazine for Murder Under A Bridal Moon: A 1930s Mona Moon Mystery
2022 Top Ten Mystery Novel by Kings River Life Magazine for Murder Under A British Moon: A 1930s Mona Moon Mystery

Mona Moon Series

Murder Under A Blue Moon
Murder Under A Blood Moon
Murder Under A Bad Moon
Murder Under A Silver Moon
Murder Under A Wolf Moon
Murder Under A Black Moon
Murder Under A Full Moon
Murder Under A New Moon
Murder Under A British Moon
Murder Under A Bridal Moon
Murder Under A Western Moon
Murder Under A Honey Moon
Murder Under A Cold Moon
Murder Under A Mystic Moon

Author Links: Website / Facebook / Instagram / Pinterest / TikTok / Goodreads

Purchase Links – Amazon –  Kobo  – B&NGoogle  – Apple 

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Murder Among the Pyramids (1920s Lady Traveler in Egypt)
by Sara Rosett

 


Murder Among the Pyramids (1920s Lady Traveler in Egypt)
Historical Mystery
1st in Series
Setting – Egypt
Publisher ‏ : ‎ McGuffin Ink (October 1, 2024)
Paperback ‏ : ‎ 318 pages
ISBN-10 ‏ : ‎ 1950054691
ISBN-13 ‏ : ‎ 978-1950054695
Digital ASIN ‏ : ‎ B0D9KQF7NR

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Escape on an Egyptian Excursion to the Land of the Pyramids!
Tour highlights include: Hieroglyphics and high tea in the desert, followed by murder after sunset . . .

It’s 1924 and Blix Windway has made a career out of her wanderlust, giving lectures to ladies’ groups about everything from the flora of the American desert to the beauty of the Swiss Alps, but she needs new material for her talks.

She strikes what seems to be an ideal agreement with an eccentric older lady. Blix will be her travel companion during a journey to Egypt, helping to smooth the way through customs and coordinate sightseeing tours. The arrangement will provide Blix with the perfect opportunity to photograph the pyramids and gather material for her next lecture series.

But they’ve barely left England before the trouble begins—rough seas and an attempted robbery. Then a murder occurs during a tour of the pyramids.

Despite the attempts of the British officials to sweep the death under the rug, Blix becomes increasingly convinced that one of their tour party is a murderer.

Blix’s search for the truth takes her from the posh sporting clubs and lavish gardens of Cairo to the narrow, twisting lanes of the city’s centuries-old bazaar and the vast desert around the Giza Plateau. Can Blix unearth the truth before the killer makes this journey her last?

Join Blix on this classic murder mystery from Sara Rosett, author of the beloved High Society Lady Detective series.

About Sara Rosett

The author of over 30 novels, Sara Rosett is a USA Today bestselling author who writes mysteries that are the bee’s knees with delightful settings and perplexing puzzles. Sara loves Golden Age mysteries, getting new stamps in her passport, as well as watching foreign-language crime shows, Jane Austen adaptations, and Kdramas. Find out more at SaraRosett.com.

Author Links: Website / Instagram / Twitter/X / Pinterest / Goodreads

Purchase Links: Buy direct from Sara / Retailer links

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 There are old tragedies sealed in the stones of Llysygarn and their shadows don’t let go.

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Shadows

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Llysygarn Book 1

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by Thorne Moore

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Genre: Paranormal Historical Crime

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 Kate Lawrence can sense the shadow of violent death and it’s a curse
she longs to escape. But, joining her cousin Sylvia and partner
Michael in their mission to restore and revitalise the old mansion of
Llys y Garn, she finds herself in a place thick with the shadows of
past deaths.

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She seeks to
face them down but new shadows are rising. Sylvia’s manipulative son,
Christian, can destroy everything. Once more, Kate senses that a
violent death has occurred…

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A haunting
exploration of the dark side of people and landscape, set in the
majestic and magical Welsh countryside.

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Amazon
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No!

I didn’t hear the word, but I felt it, pushing me out of the cramped attic room, with its leaking dormer window among the chimney pots.

All through our tour of the house, I’d been waiting for some shadow to spring out on me. Sylvia had led me up staircases, down corridors, through one derelict room after another, but this, high up under the eaves, was the first sense of death and dark emotion I’d felt. There was fear in this garret, and a lingering panic, but mostly there was a strident, fierce defiance, determined to push me out.

No!

So I pushed back, and followed Sylvia in.

I’d done it. I’d conquered. Not so difficult after all. I just had to be strong. It was still there, that melting pot of fear and resistance, but I could put it firmly to one side.

‘…and perhaps the guttering.’ While I was vanquishing my shadows, Sylvia was considering the large blooms of damp on the sloping ceiling. She looked at me anxiously. ‘Could we?’

‘Sure!’ I felt absurdly all-conquering. ‘Nothing to worry about.’ I followed her, gleeful in my triumph, back down servants’ stairs to the ground floor.

She flung open double doors. ‘Ta-Ra! The drawing room. It’s the only one we’ve seriously tackled so far. What do you think?’

‘Hey.’ I could see why the room had inspired her into action. It was all mock-medieval plasterwork, with a Gothic fireplace and touches of stained glass in the tall arched windows that opened onto the terrace. Sylvia had decked it out with William Morris wallpaper, a chaise longue upholstered in faded red velvet, an Oriental rug and a brass oil-lamp with Tiffany shade. It was hard not to be impressed.

‘Wonderful. Creative. Just right.’ I reeled off compliments. It certainly demonstrated the potential of the place. Every other room merely screamed ‘Rewiring! Dry rot! Woodworm!’

‘I love it,’ said Sylvia. ‘Well, I think that’s it here. Now come outside.’

In the entrance hall, with its patterned tiles and mock-Tudor staircase, we struggled with the bolts of the towering front door, and emerged into the rinsing chill of a spring morning. Tissues of mist were clearing from the tree tops and the distant fields were already free from frost, though the sloping pasture below us was still crystalline grey.

From a mossy balustrade with crumbling urns, I surveyed the house. Solid Victorian, with heavy-handed touches of Gothic Revival; a pointed window here and there, a gargoyle or two, writhing vines on the woodwork.

‘We were so lucky to find it,’ said Sylvia happily. ‘When it went up for auction, I expect most people were put off by the amount of work it needs. Listed building and all that.’

‘But you and Mike didn’t mind?’

‘Of course not! I know there’s masses to do, but it’s such a dream and we’ve got money between us. Not endless money but you know, if we manage it carefully.’

I laughed. Sylvia had never managed anything carefully in her life, least of all money.

‘And if we can get the easy bits up and running, like the lodge, well, it will just pay for itself, won’t it?’

I doubted it, but practicalities could come later.

‘Of course it’s a gamble,’ she went on. ‘But we fell helplessly head over heels in love with it as soon as we saw it. And it does have incredible possibilities, doesn’t it?’

‘Oh God, yes.’ If the initial financial nightmares could be sorted out. That was where I came in. Nothing like a challenge.

‘Obviously guests,’ Sylvia took my arm and led me along, scrunching on gravel. ‘Music festivals perhaps. And a restaurant. You know, local organic produce, and our own herbs and vegetables. Themed weekends.’

We reached the end of the terrace. ‘And of course this is the real pièce de résistance.’

I jumped. There had been something so comfortably bourgeois about the Victorian façade that I was unprepared for what lay round the corner. The remnant of an old house. Much older, crouching behind the new. Nothing fake about this Gothic. Crumbling stonework, sagging beams, a small bush sprouting from a chimney.

‘What do you think?’ asked Sylvia, gleefully. ‘I could have taken you in through the house, but it’s so much more dramatic from this angle. Isn’t it incredible?’

I stared into the darkness behind crooked mullioned windows. My victory over an odd twinge in a servant’s attic was forgotten. This was altogether more forbidding. There were centuries upon centuries fossilised here.

‘A pity there’s so little of it,’ Sylvia continued. ‘Not much more than a hall, really, with a minstrel’s gallery. Oh, and there’s a dungeon. With a spiral stair! Lord knows how old it is. Mike’s researched it all, says it was already here in 1540. The rest of the house was demolished and rebuilt in Queen Anne’s time, and then again in Eighteen something.’ She patted the neat Victorian stonework as we passed.

I shivered. Hardly surprising with the frost still intact on the shaded gravel. Shiver with cold if I must, but it was absurd to shiver because of what might lie within.

There might be nothing.

Then again… Dungeons, Sylvia said. I’d dealt with an attic. Did I really have to deal with a dungeon too, on my first day?

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Long Shadows

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Llysygarn Book 2

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Llys y Garn is an ancient mansion riddled with mysteries. What
tragedies haunt the abandoned servants’ attics, the derelict great
hall, the deep mire in the woods?

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1884. The Good
Servant. Nelly Skeel is the unloved housekeeper whose only focus of
affection is her master’s despised nephew.

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1662. The
Witch. Elizabeth Powell, in an age of bigotry and superstition, who
would give her soul for the house she loves.

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1308. The
Dragon Slayer. Angharad ferch Owain, expendable asset in her father’s
eyes, dreams of wider horizons, and an escape from the seemingly
inevitable fate of all women.

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Llys y Garn, a rambling Victorian-Gothic mansion, with vestiges of older glories, lies on the steep slopes of the Arian stream, under the Preseli heights, in the isolated parish of Rhyd y Groes in North Pembrokeshire. It is the house of the parish, even in its decline, deeply conscious of its own importance, its pedigree and its permanence.

Others see it differently.

Rooks wheel over the deep valley of the Arian and see it in its entirety. Below them, tangled oak forests cloak the slopes, from the high crags to the glinting flash of the river as it swells, gathering the gullies that pour down from the hills, heading for the thundering ocean.

The rooks are the real owners of these forests. Their nests cluster in the trees and have done so from time beyond time. To them, the great house, Llys y Garn, is a transitory thing, intrusive, shape-shifting, of value for the occasional perch it offers, the food it discards. But it isn’t permanent, like them.

They see it from above, a mess of slate and cobbles, gable ends and chimney pots and mossy urns on terraces, clinging to the hillside.

But they saw it too when there was nothing here but round houses, women squatting over querns and wolves howling in the deep woods.

They saw it when, below the Devil’s stones of Bedd y Blaidd, a nobleman held court for poets, in a timber hall under sooty thatch, and men quarrelled over family feuds.

They saw it when gatehouse, stables, kitchen and stores clustered around a great stone hall and tower, and kings fought for sovereignty.

They saw it when Tudor wings embraced the hall and people battled and butchered over the sanctity of bread and wine.

They saw the dismantling and remodelling as Queen Anne breathed her last.

They saw the slow decay, the arrival of Victorian affluence and the building of a house that dreamed of King Arthur and croquet on the lawn. The rooks were not, and never will be, greatly concerned with documents, but it might be of interest to note that in the 1881 census, Llys y Garn, with its associated dwellings, was listed as the home of Edward Merrick-Jones, gentleman, aged thirty-six, his wife Agnes, son James, aged five, aunt Eleanor Pendrick (visitor), and twenty-seven servants, indoors and out. The Arthurian croquet lifestyle required a great deal of maintenance.

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Romancing the past.

I write historical fiction, or fiction in which history plays a vital part, but my books don’t necessarily fit the usual sub-genres. I don’t write about famous people – not even Tudor Queens. Plenty of other authors do that very well. There is a whole sub-genre, I know, of Historical Romance, but I don’t think anyone reading my books would mistake them for romances.

What a lot of romance there was in the past. Romantic fiction too, from tales of King Arthur, Tristram and Isolde, Lancelot and Guinevere. Everywhere, troubadours were singing about knights wooing fair ladies, begging for their favours, swooning with desire, passion swirling in the air. One thing that was lacking was the final line “and they married and lived happily ever after,” but it does seem to be an essential part of historical romances. Man and woman fall in love and therefore, after various adventures, with plots to divide them, they finally get married.

In the 20th century, except in royal families, it was taken for granted that love and marriage go together like a horse and carriage. Go back to the start of the 19th century and the idea is germinating, but it is still an ideal rather than a norm. There are repeated conflicts in Jane Austen’s novels between characters who see marriage as a matter of affection, like Elizabeth Bennet, and those who see it as a financial settlement, like Charlotte Lucas. Sometimes there are characters, like Eleanor Dashwood, who realise that a certain level of financial security is essential to ensure the survival of affection. There are also characters, especially among the older generation, who see marriage as a matter in which parents arrange and children obey. Jane Austen was writing at a critical moment in romance. Prior to the nineteenth century, marriages were arranged, by parents or by the couple, as a deal, a contract providing benefits and demanding duties, and romance had nothing to do with it.

Among the propertied classes, marriage was very much a matter of exchanging assets. It was the families of bride and groom and their potential alliances that mattered, with a view to enrichment, security or improved status. Sons and daughters were at the disposal of their parents or, if they were noble orphans, at the disposal of the King, who had an interest in the land, titles and, especially, military forces they represented. If they found their future spouse agreeable, that was a lucky bonus. Their duty, impressed by society, church and outright force, was to produce children who would ensure a line of succession to keep that all-important land and title in the family. They didn’t have to like each other. They didn’t have to fancy each other. They didn’t have to be heterosexual. They just had to procreate.

For the ordinary labourer, there might have been less pressure to obey parents, but the same imperative existed to produce children, because without them, how would men and women survive in their old age when they were too crippled or blind to be able to work and feed themselves? Love wasn’t really a consideration, although lust played a useful part. Come May Day, or Harvest Home, or those long summer nights when the rye was high, there was plenty of frolicking opportunity to get down and dirty. Any resulting pregnancy would likely lead to marriage, not because of disgrace or the need to amend sin, but because if the couple were capable of producing children, that was good enough to make their future relatively secure.

My books feature marriages, but that really isn’t the same as romance. In SHADOWS, which is set in the present day, there are marriages created in the 20th century way, via a belief in the all-conquering power of love, attraction and romance, and they don’t work out very well at all. In LONG SHADOWS, set across six centuries, there are marriages or attempted marriages created in the old way, via arrangement, command, calculation and convenience, and I am afraid they don’t work very well either. But then, if I don’t write romance, I do write drama.

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Thorne was born in Luton and graduated from Aberystwyth University (history)
and from the Open University (Law). She set up a restaurant with her
sister and made miniature furniture for collectors. She lives in
Pembrokeshire, which forms a background for much of her writing, as
does Luton.

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She writes psychological
mysteries, or “domestic noir,” exploring the reason for
crimes and their consequences, rather than the details of the crimes
themselves. and her first novel, “A Time For Silence,” was
published by Honno in 2012, with its prequel, “The Covenant,”
published in 2020. “Motherlove” and “The Unravelling”
were also published by Honno. “Shadows” is set in an old
mansion in Pembrokeshire and is paired with “Long Shadows,”
which explains the history and mysteries of the same old house. Her
latest crime novels, “Fatal Collision” and “Bethulia”
are published by Diamond Crime. She’s a member of Crime Cymru.

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She has also written the
Science Fiction trilogy “Salvage,” including “Inside
Out,” “Making Waves” and “By The Book” as
well as a collection of short stories, “Moments of Consequence.”

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Ashes on the Wind:
The Love Story Behind The Crime of the Century
by Brandy Purdy

 

ashes on the wind great escapes book tour banner
Ashes on the Wind: The Love Story Behind The Crime of the Century
Genre: Historical Fiction, True-Crime Inspired
Setting – Chicago, Illinois 1920
Publisher ‏ : ‎ Independently published (April 15, 2024)
Paperback ‏ : ‎ 573 pages
ISBN-13 ‏ : ‎ 979-8322116318
Digital ASIN ‏ : ‎ B0CYY43M3H

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Nathan “Babe” Leopold was a socially awkward genius who used arrogance as a shield. He cultivated a philosophy of absolute selfishness cherry-picked from his reading of Nietzsche and indulged himself with vivid sexual fantasies about kings and slaves.

Richard “Dickie” Loeb was the brightest of the bright young things, a social butterfly as fragile as glass inside, hiding his insecurities behind a dazzling smile and a mouthful of lies. He found escape in thrilling tales and fantasies of crime.

They were two brilliant and privileged boys, each harboring secrets it would have been social suicide to reveal in their 1920s world.

When Babe met Dickie, it was like his favorite fantasy had stepped out of his dreams into real life.

When Dickie met Babe, he thought he had found the accomplice who would help make his criminal dreams come true.

Dickie was willing to give Babe what he wanted, if Babe would give him what he wanted. Quid pro quo. Until Dickie wanted something more, leaving Babe desperate and willing to do anything to hold onto his dream. Even if it led down a dark path to the Crime of the Century and infamy as the thrill killers Leopold and Loeb.

About Brandy Purdy

Brandy Purdy is the author of several historical novels including The Ripper’s Wife, The Secrets of Lizzie Borden, The Boleyn Wife, and The Tudor Throne.

Author Link: Blog

Purchase Link – Amazon 

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 There’s something very, very wrong with the children.

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Feral

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by Bryan W. Alaspa

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Genre: Historical Horror

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 For Garland, the move to California is just what his family needs to
finally find comfort and success. After years of failed businesses,
this may be their last chance. However, making the journey across the
dangerous Sierra Nevadas is potentially deadly business in the 1800s.
The journey is long and arduous.

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This time, though, Garland’s friend Silas says he met a man who has found an easier and
safer way to make the journey. Little does he know that his son is
having ominous dreams about their trip and that something lurks deep
within the woods. The long trek becomes harder and more difficult,
taking longer than promised. Soon, the entire train of wagons,
horses, and people is trapped in the mountains.

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Then, the snow comes and buries them. As a small party sets off for rescue, no
one knows that the thing within the woods that has been calling to
the children is ready. Beneath the snow, as the travellers fight off
starvation, a true nightmare starts—an ancient nightmare with sharp
teeth that affects the children. Now, the screaming starts, and the
true horror begins.

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Bryan W. Alaspa is a Chicago born and bred author of both fiction and
non-fiction works. He has been writing since he sat down at his
mother’s electric typewriter back in the third grade and pounded out
his first three-page short story. He spent time studying journalism
and other forms of writing. He turned to writing as his full-time
career in 2006 when he began writing freelance, online and began
writing novels and books.

He is the author of dozens of books in both fiction and
non-fiction and numerous short stories and articles.

Mr. Alaspa writes true crime, history, horror, thrillers,
mysteries, detective stories and tales about the supernatural.

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Murder in Vancouver 1886
by Marion Crook

 


Murder in Vancouver 1886
Historical Cozy Mystery
1st in Series
Setting – Vancouver, BC, Canada
Publisher ‏ : ‎ Epicenter Press (WA) (May 14, 2024)
Paperback ‏ : ‎ 234 pages
ISBN-10 ‏ : ‎ 1684921619
ISBN-13 ‏ : ‎ 978-1684921614
Digital ASIN ‏ : ‎ B0CW2RQT3V

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Vancouver, 1886, a bustling city with a growing population and tantalizing opportunities. Some of those opportunities are illegal. When Amy MacDonald, the school teacher at Hastings Mill, discovers new Win­chester ’86 rifles are being smuggled through the city, she tries to enlist the aid of the earnest but slow-witted provincial policeman. She involves a curious local newspaperman, a businessman, a knowledgeable woman of the street, and her irrepressible younger brother in her efforts to prevent the contraband from flowing to the Métis re­bels in the North West.

Vancouver life is complicated by the murder of a Métis man, the persecution of the Chinese people living in the city and the intent of the mob to oust the Chinese onto boats and out of the new city. Amy manages to move between different the levels of society but not without risk of being dismissed from her teaching position. She tries to do what she believe is morally right without being discovered. All her plans and careful stratagems are disrupted suddenly and dramatically by the devastating, overwhelming fire.

About Marion Crook

Marion Crook wrote mysteries: The Susan George Mysteries for young adult readers and The Megan Mysteries for middle-grade readers. Recently she produced The British Book Tour Mysteries (Camel Press) writing under the name Emma Dakin. Shadows in Sussex (Book 5) was released in 2023. Storms in the Cotswolds (Book 6) is scheduled for September 2024. As Marion McKinnon Crook, she wrote non-fiction history Always Pack a Candle: A Nurse in the Cariboo-Chilcotin. 2022 (Heritage House Publishing) which won The Lieutenant Governor’s Community History Award. A sequel Always on Call: Adventures in Nursing, Ranching and Rural Living hit the BC Bestsellers list in its first week of release. Her interest in the Victorian era took her to research 1886 in Vancouver, Canada. Hours of reading old newspapers accounts of life in that new city, and checking archives combined with her fascination with the mystery genre produce Murder in Vancouver 1886. Marion Crook lives near the Pacific Ocean in Gibsons, BC.

Author Links: Website / Facebook / LinkedIn / Instagram

Purchase Links

Amazon CA Amazon US –  Amazon UK

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Murder at Mistlethwaite Manor
by AJ Skelly

 

Murder at Mistlethwaite Manor
Historical Cozy Mystery 
Setting –  Mistlethwaite Manor, Christmastime, in 1895 England
Publisher ‏ : ‎ Quill & Flame Publishing House (June 26, 2024)
Hardcover ‏ : ‎ 252 pages
ISBN-10 ‏ : ‎ 1957899786
ISBN-13 ‏ : ‎ 978-1957899787
Digital ASIN ‏ : ‎ B0D2VJKH2B

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Agatha Christie’s And Then There Were None meets The Gilded Age in this delicious, suspenseful murder mystery.

When Lady Emma Grace Hastings receives a much-coveted invitation to the most auspicious Christmas party of the season—one that comes with a 10,000 pound prize for the winner of a mysterious game—she cannot believe her good fortune.

But as the guests are assembled at Mistlethwaite Manor, the chilling intent of the game is revealed. Each guest has cause for alarm, because all of them have secrets, and to win the prize money, those secrets must be exposed.

Things take a sinister turn when Emma Grace finds herself caught between her old love and her soon-to-be betrothed. Suspicions abound, and old wounds are opened. The dead body in the study does not help. Nor does the raging winter storm that prevents escape from the manor. Emma Grace must battle her heart, use her wits, and put her sleuthing skills to the test to survive the weekend alive.

Because there is a murderer among them.

And no one with secrets is safe.

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About AJ Skelly

AJ Skelly is an author, reader, and lover of all things fantasy, mystery, and fairy-tale-romance. And werewolves. She has a serious soft spot for them. As an avid life-long reader and a former high school English teacher, she’s always been fascinated with the written word. She lives with her husband, children, and many imaginary friends who often find their way into her stories. They all drink copious amounts of tea together and stay up reading far later than they should.

You can read more of her short stories at www.ajskelly.com.

Author Links: Website / Instagram / Facebook

Purchase Links – AmazonB&NBookshop.org

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 The devil has eyes and ears everywhere!

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The Devil’s Spies

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by K.C. Sivils

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Genre: Historical Fiction

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 Needing to stop the flood of humanity fleeing communist oppression by
making it to the divided city of Berlin, the communist government of
East Germany took drastic measures. In August of 1961, construction
of the Berlin Wall began.

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Two young lovers, an American
refugee worker, and an East German seminary student, find themselves
separated by the wall. Desperate to be reunited and build a life
together, Angela Wettin and Michael Dieterich, with Michael’s
brother Joseph, set in motion a dangerous plan to escape by tunneling
under the Berlin Wall.

Determined to stop any hope of
gaining freedom, the East German Stasi, the dreaded secret police of
the communist state, formed Department XX/4 to infiltrate and spy on
the Church in East Germany.

Faced with betrayal, dangerous
cave-ins, and family conflict, the trio enters a life-and-death race
against the Stasi and Department XX/4.

Can they gain their
freedom before they are caught by the Devil’s Spies from the Stasi?

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**On Sale for Only .99cents June 30th – July 6th!!**

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“It’s after two in the afternoon,” Angela complained to the nearby soldier. The GI studiously ignored Angela. He’d learned the hard way to ignore pretty girls when on duty. Hating the fact time moved so slowly, Angela decided the best course of action was to get a cup of tea before making her crossing into East Berlin. She’d expected to at least see Michael on the other side of the checkpoint, and if not Michael, then her fiancée’s partner in crime, Werner.

Shouting, followed by the sound of gunfire, jarred Angela out of her pique. A hundred or so yards from Check Point Charlie, a young man appeared at the top of the wall, caught in the wire. Spellbound, Angela watched as the man made no effort to free himself from the wire, simply rolling off the top of the wall and falling, taking several feet of barbed wire with him.

The bark of gunfire stopped, and a West Berlin police officer pulled himself up to the top of the wall and peered over, looking down. Screams from the onlookers propelled Angela forward. Sprinting towards the chaos, she could hear the cries of a man in pain, begging for help.

Another West Berlin police officer reached the wall as the first dropped down from it. They spoke, and the second officer climbed the wall and shouted to the man on the other side. Angela watched in horror as the second officer produced bandages and dropped them over the wall.

“Murderers!”

“Criminals!”

As an angry crowd gathered, Angela took notice of the escapee who had made it over the wall. He was cut and bleeding and clearly stunned by what had happened.

“You! You’re an American!”

Turning to the voice, Angela stared at the red, angry face of a young Berliner.

“Neither side will do anything to help him! Get the American soldiers!”

The sound of tear gas canisters being launched could be heard from somewhere on the other side of the wall. In seconds, tendrils of the greyish-white gas and its pungent smell began to reach across the wall.

The Berliner covered his face and pushed Angela. Shouting, “Go! Now, while there is still a chance to help him!” Angela nodded, relieved to suddenly find herself useful. She turned and ran as fast as her feet would take her to Check Point Charlie.

“Someone’s been shot trying to escape,” Angela panted as the Lt. in command of the detail came out to meet her. He said nothing, instead looking up in the sky at the helicopters that had suddenly appeared.

“We have our orders, Ma’am.”

“Your orders?!”

“Yes, Ma’am. We contacted General Watson for instructions.”

“Good, do something.”

“Ma’am, our orders are to stand down.”

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How did you come up with name of this book? 

 

More people had died under the rule of communist governments than any other form of government or ideology in human history. Something the devil himself would be proud of.

 

Throw that in with the fact the Church in East Germany was the target of the Stasi Department XX/4, it seemed like an appropriate name for a story set in East Berlin that involved the Communists infiltrating and spying on the East German Church and Christians.

 

The exact name came about after writing down about ten combinations of the words devil, spies, and some other topics related to Cold War Berlin. Once I wrote down The Devil’s Spies the title simply made complete sense to me.

 

Perhaps it should be noted I always come up with the title of the book I am writing before starting the first chapter.

 

What is your favorite part of this book and why? 

 

The different levels of conflict found within the story. Conflict is a part of life.

 

If you could spend time with a character from The Devil’s Spies, who would it be? And what would you do during that day? 

 

Joseph Werner. I would love to sneak around with him and see how he goes about running his assorted black-market enterprises. It would be interesting to see who his customers are as well.

 

Are your characters based off real people or did they all come entirely from your imagination? 

 

In the case of The Devil’s Spies, many of the characters are fictionalized versions of real, historical figures who are well known such as President Kennedy, Vice President LBJ, and Mayor Willy Brandt. Others are obscure and sadly, often forgotten today. For example, Peter Fechter, the youth who was shot trying to climb the Berlin Wall and died in the attempt, is largely a footnote in history today.

 

The remainder are figments of my imagination who decided to take part in the telling of the story that became The Devil’s Spies.

 

Do your characters seem to hijack the story, or do you feel like you have the reigns of the story? 

 

My characters like to tell me their story. Especially if I know them well. Periodically, I have to set them straight and control what they say and do. But, by and large, they inspire the story. It’s just a matter of knowing and understanding your characters.

 

Convince us why you feel your book, The Devil’s Spies, is a must read. 

 

It’s a cautionary tale based on historical events. Humanity has an infinite capacity for both evil and stupidity, both of which are driven by laziness or greed of the worst kind. Despite having a historical record to show us the folly of our choices, we will repeat the same mistakes of the past over and over.

 

People seem to have this blind willingness to “let the government do it.” It’s a dangerous thing to trade freedom of choice and personal liberty for a promise of security. Small people will seek out the positions of power over others and once they have that power, they will do whatever it takes to extinguish the slightest hint resistance or individual free thinking.

 

The great lie of communism is that it promises equality. It doesn’t. Lenin believed in the need to create an elite, intellectual ruling cadre that controlled the masses, the same masses he promised to elevate and set free from the chackles of oppression.

 

How well did that turn out?

 

What’s even worse, is that if you rob one man to pay another, you make both of them poor, if not in terms of actual poverty, then in poverty of life and the ability to create and make things prosper. People don’t grasp the fact that government, any form of government, doesn’t create anything.

 

Now, people will say, “look at all the jobs the government created.” Those are government jobs, paid for by the money of the taxpayers, who happen to be the ones who take all the risks, do all the innovating, and do the real work of building an economy. Government merely acts as a conduit to transfer the wealth and economic prosperity created by others to whatever group or individual the government sees fit.

 

History shows us the Berlin Wall wasn’t built to protect East Berlin. It was built to keep the citizens of East Germany and other parts of the Eastern Bloc from fleeing communism. Economics were a consideration as well as the Soviet Union and East Germany were losing the very individuals necessary to produce economic activity so the communists could redistribute the products those with education and skill would produce.

 

The Stasi spied on everyone. The organization kept records on everyone. The driving force behind Department XX/4 was the fact the Church was the one place where people had some small degree of freedom and within the confines of the church body, people would speak freely about things they dare not whisper anywhere else.

 

Throw in the fact that communism cannot tolerate any social force that dictates what is morally right and wrong and will often protest the excesses of the government and you have an institution that must be destroyed. It was surprising the Church and Christianity was allowed to exist at all.

 

As I take in the news on a daily basis, I find it disturbing how intrusive government has become. Not just the United States government, but the so-called democracies of the West. London is the most surveilled city in the world. The FBI has gone on record, begrudgingly, as having deliberately infiltrated the Catholic Church in the United States and placing believers who attend traditional Latin mass on lists of possible domestic terrorists.

 

Each day, the government seems to be encroaching more and more into the lives of citizens. Many welcome this encroachment. They feel it makes their life safer and the government will provide for them. They don’t realize they have made a deal with the devil.

 

So, if you want to read it that way, The Devil’s Spies can be seen as a cautionary tale. That government should be kept as far away as possible from certain aspects of people’s lives. Freedom to speak what is on one’s mind as well as the choice to worship the God one believes in, or not, are fundamental human freedoms that are not granted by government.

 

Or you can simply read it as a story. A story I hope every reader finds entertaining and engaging.

 

Fun Facts/Behind the Scenes/Did You Know?’-type tidbits about the author, the book, or the writing process of the book. 

 

The Devil’s Spies was not written in chronological order. I wrote the first few chapters in order to introduce the primary characters. Then I moved on to the actual events that were included in dramatized form in the book. Once those segments were finished, I worked on different storylines that made up the story as a whole. Finally, I pieced everything together and worked to make the story an integrated whole as far as the big picture story went.

 

I have a general idea when I sit down to tell a story how I want it to start and how I want it to end. In general, I have some ideas of what goes in the middle. As the characters develop, they seem to sort of take on a life of their own and tell me the remainder of the story. Of my seventeen novels and novellas, none of them were written from start to finish in chronological order.

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 U.S.A. Today and Amazon Best-Selling author is the creator of the
scifi crime noir series of Inspector Thomas Sullivan novels as well
as the southern noir series of stories centering around the private
investigator James Benoit “Heat” Heatley.

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A longtime fan of
crime noir and science fiction, director Ridley Scott’s adaptation
of Philip K. Dick’s sci-fi classic Do Androids Dream of Electric
Sheep into the masterful Harrison Ford vehicle Bladerunner encouraged
Sivils to consume as much of both genres as possible in his younger
years.

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A fan of past noir
masters such as Dashiell Hammett and Raymond Chandler, Sivils also
enjoys the current generation of storytellers like Sandra Woffington,
Tom Folwer, Jeff Edwards, Renee Pawlish, and James Scott Bell.

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In addition to his
aforementioned series, Sivils is also the creator of the Agent Nelson
Paine Historical Mystery series set during WW II and the early years
of the Cold War.

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In a previous life,
Sivils was a varsity basketball coach and high school history
teacher. He and his wife, Lisa, have three adult children, seven
grandchildren, and two four legged furry children who still live at
home, Bella and Mr. Darcy.

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Website
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Follow the tour HERE for special content and a giveaway!

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ebook of The Devil’s Spies,

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ebook of The Price of a Lie,

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ebook of Murder on the Harz Mountain Railway

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