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High Couch of Silistra, first of the notorious
Silistra Quartet, brings us to a realm where thought alters probability, where
creativity is inextricably linked to the urge to own and dominate, and where
the universe itself is amenable to a focused mind.
Rooted deeply in humanity’s mythic past yet unaware
of the planet Earth, High Couch of Silistra begins one woman’s mythic quest for
self-knowledge – with surprising results.
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High Couch of Silistra
The Silistra Quartet Book 1
by Janet Morris
Genre: Dystopian Epic SciFi Fantasy Romance
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Biology shapes reality…
One woman’s mythic search for self-realization in a distant tomorrow…
Her sensuality was at the core of her world, her quest beyond the civilized
stars.
Aristocrat. Outcast. Picara. Slave. Ruler.
“Engrossing characters in a marvelous adventure.” – Charles N. Brown,
Locus Magazine
“The amazing and erotic adventures of the most beautiful courtesan in
tomorrow’s universe”
– Frederik Pohl
“The best single example of prostitution used in fantasy is Janet Morris’
Silistra series… Estri’s character is most like that of Ishtar who describes
herself as “‘a prostitute compassionate am I'” because she
“symbolizes the creative submission to the demands of instinct, to the
chaos of nature …the free woman, as opposed to the domesticated woman”.
Linking Estri with these lunar and water symbols is not difficult because of
the moon’s eternal virginity (the strength of integrity) links with her changeability
(the prostitute’s switching of lovers). […]
Morris strengthens the moon imagery by having Estri as a
well-keepress because wells, fountains, and the moon as the orb which controls
water have long been associated with fertility, […] In a sense, she is like
the moon because she is apparently eternal, never waxing or waning except in
her pursuit of the quest; she is the prototypical wanderer like the moon and
Ishtar. She is the eternal night symbol of the moon in opposition to the
Day-Keepers […]
At her majority (her
three hundredth birthday), she is given a silver-cubed hologram letter from her
mother, containing a videotape of her conception by the savage bronzed
barbarian god from another world. […] If Estri’s mother then acts as a bawd,
willing her lineage as Well-Keepress to her daughter, then Estri’s
great-grandmother Astria as foundress of the Well becomes a further mother-bawd
figure when she offers her prophetic advice in her letter: “Guard Astria
for you may lose it, and more. Beware of one who is not as he seems. Stray not
in the port city of Baniev …look well about you, for your father’s daughter’s
brother seeks you”. Having no brother that she knows of does not stay
Estri from undertaking the heroic quest of finding her father.”
– Anne K. Kaler, The
Picara: From Hera to Fantasy Heroine
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I am Estri Hadrath diet Estrazi, former Well-Keepress of Astria on the planet
Silistra. I have begun three times to tell this story, and three times I have
been interrupted. This, then, the fourth attempt, will surely prove successful.
Perhaps you have heard of Silistra, the planet that was catalyst to the sexual
revolution in the year twenty-two thousand, seven hundred and four Bipedal
Federate Standard Time, or of the Silistran serums that lengthen life and
restore vitality in virtually any bipedal life form, or perhaps you have at
some time contracted the services of a Silistran telepath, or a precognitive,
or a deep reader. It is possible that you have in your own home the
scintillating, indestructible web-cloth woven by our domestic arachnids, or
have seen holograms of our golachits, those intelligent builder-beetles who
exude from their mouths a translucent, superhard substance called gol and
create from this gol, under the guidance of the chit-guards, the formidable and
resplendent structures in which we live and work.
And perhaps you have seen no web-cloth, no gol, never been ill, and are not
interested in sex. If so, you may never have heard of Silistra.
I carry Silistra in my mind’s eye, here under this alien sun. In my mind alone
can I look out the east window of my beloved exercise hall in Well Astria and
see the sun’s rising burst upon the jewel-like towers and keeps of the Inner
Well and a thousand rainbows arc and dance in the greening sky.
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What is something unique/quirky about you?
I breed Morgan horses. I consult with Morgan breeders to help them choose breeding combinations to achieve a desired result.
I am also a song writer; I play bass guitar with my husband Chris who sings and plays guitar. We have an album on MCA records. Look for Christopher Crosby Morris on Soundcloud or N1M.com
Can you, for those who don’t know you already, tell something about yourself and how you became an author?
I wrote my first novel, High Couch of Silistra in 1975; a friend sent it to an agent who chose to represent me; I had already written the second book in the Silistra Quartet and my agent told me not to disclose that until they finalized the contract for the first one. When the publisher learned of the others, Bantam Books bought the succeeding three. When the fourth book was published, the series already had four million copies in print. Suddenly I was a novelist specializing in environmental, gender, historical and political subjects. In the process, Chris became my editor and ultimately a co-writer. Since then, we have co-authored many books.
Who is your hero and why?
Heraclitus of Ephesus, a pre-socratic philosopher, whose Cosmic Fragments foreshadow our knowledge of reality and how to perceive it. Among his precepts is the statement that change alone is unchanging. I’ve worked Heraclitus’ fragments in here and there throughout our books.
Which of your novels can you imagine being made into a movie?
All of them. I write cinematically, our books are vivid adventures I undertake without knowing the destination. I, the Sun, The Sacred Band, and Outpassage are particularly suited to film. The Threshold Series is a feast of opportunities for today’s special effects creators.
What inspired you, to write The Silistra Quartet?
The Silistra Quartet was a unique departure for me and it included issues of women’s rights in the 70’s before Handmaid’s Tale.
Convince us why you feel High Couch of Silistra is a must read.
The Silistra series in which High Couch of Silistra is book 1 blazed a new trail in science fiction and fantasy, many critics saying that I had created a new pantheon of warrior women giving rise to heroines like Xena. Today it is more important than ever for everyone to accept women in leadership roles and I would like to think we had something to do with gaining them more recognition.
Who designed your book covers?
Most of my covers, including High Couch of Silistra, are realized by Roy Mauritsen, a gifted graphic artist.
Advice to writers?
As for advice to writers, here is all I know: write the story you want to read. Start at the beginning, go to the end, and stop. Seriously. From start to finish you must inhabit the construct in a manner that makes the reader choose to continue; if I, as the writer, can’t feel what it’s like being there, my readers can’t either. So close your eyes, look at your feet where they are standing on the story’s ground; tell me what you see. Tell me what you hear. Ask at the end of each paragraph ‘what happens next?’. If you lose touch with it, wait until you’re back inside it. Tell the story that comes to you, and from you, to me.
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Best selling author Janet Morris began writing in
1976 and published more than 30 novels, many co-authored with her husband Chris
Morris or others. She contributed short fiction to the shared universe fantasy
series Thieves World, in which she created the Sacred Band of Stepsons, a
mythical unit of ancient fighters modeled on the Sacred Band of Thebes. She
created, orchestrated, and edited the Bangsian fantasy series Heroes in Hell,
writing stories for the series as well as co-writing the related novel, The
Little Helliad, with Chris Morris. She wrote the bestselling Silistra Quartet
in the 1970s, including High Couch of Silistra, The Golden Sword, Wind from the
Abyss, and The Carnelian Throne. This quartet had more than four million copies
in Bantam print alone, and was translated into German, French, Italian, Russian
and other languages. In the 1980s, Baen Books released a second edition of this
landmark series. The third edition is the Author’s Cut edition, newly revised
by the author for Perseid Press. Most of her fiction work has been in the
fantasy and science fiction genres, although she has also written historical
and other novels. Morris has written, contributed to, or edited several
book-length works of non-fiction, as well as papers and articles on nonlethal
weapons, developmental military technology and other defense and national
security topics.
Janet said: ‘People often ask what book to read
first. I recommend “I, the Sun” if you like ancient history;
“The Sacred Band,” a novel, if you like heroic fantasy; “Lawyers
in Hell” if you like historical fantasy set in hell;
“Outpassage” if you like hard science fiction; “High Couch of
Silistra” if you like far-future dystopian or philosophical novels. I am
most enthusiastic about the definitive Perseid Press Author’s Cut editions,
which I revised and expanded.’
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